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2.6 KiB
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38 lines
No EOL
2.6 KiB
Markdown
# hypertext
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## #incubation
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------------
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### blazers summary
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- [Web, který nebyl: Xanadu a alternativní pojetí hypertextu](https://pile.sdbs.cz/item/82)
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- http://www.eastgate.com/HypertextNow/
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------------
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### etc
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- https://maggieappleton.com/bidirectionals
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- https://maggieappleton.com/pattern-languages
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- https://maggieappleton.com/xanadu-patterns
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- https://maggieappleton.com/neocyborgs
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- https://ben.balter.com/2015/11/12/why-urls/
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- https://www.wired.com/1995/06/xanadu/
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------------
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> A core technical difference between a Nelsonian network and what we have become familiar with online is that \[Nelson's\] network links were two-way instead of one-way. In a network with two-way links, each node knows what other nodes are linked to it. ... Two-way linking would preserve context. It's a small simple change in how online information should be stored that couldn't have vaster implications for culture and the economy.[\[16\]](https://en.wikipedia.org/wiki/Ted_Nelson#cite_note-16)
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> - [Jaron Lanier](https://en.wikipedia.org/wiki/Jaron_Lanier "Jaron Lanier") explains the difference between the World Wide Web and Nelson's vision, and the implications:
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> A document is not necessarily a simulation of paper. **In the most general sense, a document is a package of ideas created by human minds and addressed to human minds, intended for the furtherance of those ideas and those minds.** Human ideas manifest as text, connections, diagrams and more: thus how to store them and present them is a crucial issue for civilization.
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> - Theodor H. Nelson in “[Transliterature: A Humanist Format for Re-Usable Documents and Media](http://transliterature.org)” \[site seems to be offline\]
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>My internet is substantially quieter than yours, and teaches me new things every day.
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> - [Bruce Sterling](https://www.wired.com/beyond-the-beyond/2020/06/islands-in-the-blog/)
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>If someone thinks putting work online or putting subtitles on a video or turning the volume up or having a transcript compromises the experience, then we don’t need to work together. Surprisingly, these are rebuttals I hear mostly from administrators and curators— rarely from artists. I’m very fortunate in that I commission new work almost exclusively from artists, specifically for the digital space, so these are conversations that we’re having at the outset, not after the fact, and even that isn’t enough. I could and need to do more.
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>- [What We Mean When We Rant about Digital Art](https://canadianart.ca/interviews/what-we-mean-when-we-rant-about-digital-art/)
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## Related
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[[DigitalGardenAnabasis/annotation]]
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-----
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