digital-garden-anabasis/pages/las.quotes.cities.md

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city theme

??

  • cities as metacities https://theccd.org/article/72/cities-as-meta-cities/
    • Zoli professes: “Each time, a city is inscribed into a long cultural sequence, of which it is the utmost incident”3.
    • A city is a condition which more or less efficiently meets its citizens. Also it is a context within which consciousness develops. How would a historian describe the contemporary urban period in about 50 years from now?
  • life in the metacity
    • Cities are reduced in choice by Disneylanding themselves. It will become too perfect, there will be no more growth, and there will be a reduction of choice. But the visitors are expecting certain disneyfication in the city.but "of every Disneyland: you can't repurpose a theme park" (88).

gibson

interview about cities

Necessity being one of invention's many mothers, I have a certain faith in our ability to repurpose almost anything, provided it becomes sufficiently necessary. Then again, I suspect we've abandoned cities in the past because they were too thoroughly built to do some specific something that's no longer required.

The Internet, which I think of as a sort of meta-city, has made it possible for people who don't live in cities to master areas of expertise that previously required residence in a city, but I think it's still a faith in concentrated choice that drives migration to cities.

Polis - Patocka

!patocka.polis.png.annotations

Mundaneum

V rámci Světové výstavy EXPO 1910 která se konala v Bruselu vytvořil Otlet s La Fontainem instalaci Mundaneum jako utopickou vizi kosmopolitního „města intelektu.“ Za podpory belgické vlády se Otletův plán začal formovat do podoby enormní kolekce kartiček a dokumentů, tehdy nejmodernější technologie pro skladování informací. S iniciativou byla spojená i vyhledávací služba uživatelé mohli poštou zaslat dotazy a za poplatek 27 franků na tisíc kartiček obdrželi odpověď. (ibid., s. 188189)

people.JaceClayton

Recorded sound vibrates between history and pleasure. Live Sound exists only in the present. It cannot linger. This is one of the reasons why sound defines public space even more than architecture. Kids jamming that week's hit, neighbors fucking bchind a thin wall, the call to prayers divine layer competing with traffic's blare, the loud low boom of something blowing up-and its opposite, hilltop garden quiet. #las

Architecture real or imagined-prompts memory so etfficiently because our brains are hardwired to recall things-in-places and unusual or -disturbing scenes. Memory-quiz champion envision fantastic images that correspond to what they want to remember and "place" each icon in some specific nook of their mental building. These mnemonic aids are called memory palaces. Their effectiveness speaks to how when a place is destroyed or erased, all the personal histories linked to it slip further into the past. #las

people.VilemFlusser

	- city as wave thru...
	- od subjektu k projektu

situanionism art.situationism

people.WalterBenjamin

arcade project

The crowd was the veil from behind which the familiar city as phantasmagoria beckoned to the flâneur. In it, the city was now landscape, now a room. And both of these went into the construction of the department store, which made use of flânerie itself in order to sell goods. The department store was the flâneur's final coup. As flâneurs, the intelligentsia came into the market place. As they thought, to observe it but in reality it was already to find a buyer. In this intermediary stage ... they took the form of the bohème. To the uncertainty of their economic position corresponded the uncertainty of their political function.

Drawing on Fournel, and on his analysis of the poetry of Baudelaire, Walter Benjamin described the flâneur as the essential figure of the modern urban spectator, an amateur detective and investigator of the city. More than this, his flâneur was a sign of the alienation of the city and of capitalism. For Benjamin, the flâneur met his demise with the triumph of consumer capitalism.[7]

Fournel wrote: "The flâneur must not be confused with the badaud; a nuance should be observed there .... The simple flâneur is always in full possession of his individuality, whereas the individuality of the badaud disappears. It is absorbed by the outside world ... which intoxicates him to the point where he forgets himself. Under the influence of the spectacle which presents itself to him, the badaud becomes an impersonal creature; he is no longer a human being, he is part of the public, of the crowd."[8][1]

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