mirror of
https://git.sdbs.cz/sdbs/digital-garden-anabasis.git
synced 2025-01-22 19:15:46 +01:00
Automatic update, changed: areas.stream.md, concepts.playlisting.md
This commit is contained in:
parent
7153e2431e
commit
a32698159a
4 changed files with 159 additions and 11 deletions
|
@ -78,13 +78,12 @@ https://upstage.org.nz/
|
||||||
|
|
||||||
## #techmech
|
## #techmech
|
||||||
|
|
||||||
https://nageru.sesse.net/
|
- https://nageru.sesse.net/
|
||||||
|
- https://github.com/owncast/owncast
|
||||||
|
- https://stagetimer.io/
|
||||||
|
- https://framablog.org/2021/01/07/peertube-v3-its-a-live-a-liiiiive/
|
||||||
|
- http://websdr.org/
|
||||||
|
|
||||||
https://github.com/owncast/owncast
|
|
||||||
|
|
||||||
https://stagetimer.io/
|
|
||||||
|
|
||||||
https://framablog.org/2021/01/07/peertube-v3-its-a-live-a-liiiiive/
|
|
||||||
|
|
||||||
### Android
|
### Android
|
||||||
|
|
||||||
|
|
|
@ -54,8 +54,6 @@ as gamechangers of culture `consumption`
|
||||||
|
|
||||||
|
|
||||||
|
|
||||||
## #techmech
|
|
||||||
- http://websdr.org/
|
|
||||||
|
|
||||||
|
|
||||||
--------------
|
--------------
|
||||||
|
@ -65,7 +63,10 @@ as gamechangers of culture `consumption`
|
||||||
|
|
||||||
![[meme.spotify.20211027162958.png]]
|
![[meme.spotify.20211027162958.png]]
|
||||||
|
|
||||||
**Apple Buys Startup That Makes Music With AI to Fit Your Mood | Time**
|
>**Apple Buys Startup That Makes Music With AI to Fit Your Mood | Time**
|
||||||
[https://time.com/6146000/apple-ai-music/](https://time.com/6146000/apple-ai-music/)
|
[https://time.com/6146000/apple-ai-music/](https://time.com/6146000/apple-ai-music/)
|
||||||
|
>
|
||||||
|
>The idea is to generate dynamic soundtracks that change based on user interaction. A song in a video game could change to fit the mood, for instance, or music during a workout could adapt to the user’s intensity.
|
||||||
|
|
||||||
The idea is to generate dynamic soundtracks that change based on user interaction. A song in a video game could change to fit the mood, for instance, or music during a workout could adapt to the user’s intensity.
|
>Comment from YT:
|
||||||
|
>_I remember when I was growing up, where TV's were basic that didn't have all the surround sound speakers, the local FM station would do a simulcast of Star Wars, while it was aired on TV. My dad had our TV hooked up to our stereo system. It was great. Sounded like that you had a mini movie theatre_
|
|
@ -0,0 +1,74 @@
|
||||||
|
# Playlist
|
||||||
|
#incubation #chaosstream #radio
|
||||||
|
|
||||||
|
## 101
|
||||||
|
this is place to colect flows and notions around
|
||||||
|
- playlist
|
||||||
|
- curatorship
|
||||||
|
- channeling
|
||||||
|
- streaming
|
||||||
|
as gamechangers of culture `consumption`
|
||||||
|
|
||||||
|
## Flows and notions
|
||||||
|
|
||||||
|
> “You didn’t need specialist poets to create this kind of musicalised language, and the diction is very simple, so this was clearly a democratising form of literature. We’re getting an exciting glimpse of a form of oral pop culture that lay under the surface of classical culture.”
|
||||||
|
>> - https://www.theguardian.com/books/2021/sep/08/i-dont-care-text-shows-modern-poetry-began-much-earlier-than-believed
|
||||||
|
|
||||||
|
>In 1989, British scientist Tim Berners-Lee invented the World Wide Web. By the dawn of the ’90s, the internet had awakened everyone to new technological possibilities. Similarly, music and music listeners were becoming more forward-thinking than ever before. Grunge and heavy metal met in the gauntlet; hip-hop traveled from the underground to the pop charts (N.W.A. out-charted R.E.M. in 1991); pop music became more daring; electronic music began its ascent from small clubs to festival stages. 1991 marked the start of this aggressive reinvention. It was a year that shaped the music we’ve heard for the last three decades. Even today, these 13 albums that were once in rotation in six-disc Sony stereos are responsible for current digital playlists.
|
||||||
|
>> https://www.spin.com/photos/1991-albums-shaped-future-music/
|
||||||
|
|
||||||
|
>https://mamot.fr/@pluralistic/106359487243544156 pluralistic@mamot.fr - Thus, when the internet was demilitarized and the general public started trickling - and then rushing - to use it, there was a widespread hope that we might break free of the tyranny of concentrated, linear programming (in the sense of "what's on," and "what it does to you").
|
||||||
|
>Much of the excitement over Napster wasn't about getting music for free - it was about the mix-tapification of all music, where your custom playlists would replace the linear album.
|
||||||
|
>6/
|
||||||
|
|
||||||
|
>Songs circulate online among fans for whom an MP3 player set to Shuffle trumps conventional genre as an organizing principle. Refined tastes intertwine with semi-random surf trails to become indistinguishable from each other. Timelines fray, genealogies wander. These under-the-radar exchanges generally happen outside commercial spheres, adding to the fertile mess. You must sift through a lot of junky MP3s to uncover the great ones, but in the end, all the world's sonic secrets are out there, clumped irregularly across the Internet's flat and mighty sprawl. A catchy genre name or evocative creation myth can make the output of a few friends appear as a bustling scene to outside eyes, and the online hype can turn into a selffulfilling prophecy if global excitement trickles down into actual gigs.
|
||||||
|
>> [[people.JaceClayton]]
|
||||||
|
|
||||||
|
|
||||||
|
![[netflix.showplanning.png]]
|
||||||
|
|
||||||
|
---
|
||||||
|
|
||||||
|
## Links
|
||||||
|
- [Programming Your Own Channel](https://graceoneill.wordpress.com/2009/05/08/programming-your-own-channel/)
|
||||||
|
|
||||||
|
- [Contextualize Your Listening: The Playlist as Recommendation Engine](http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.302.1754&rep=rep1&type=pdf)
|
||||||
|
|
||||||
|
- [DJ-boids: emergent collective behavior as multichannel radio station programming](https://dl.acm.org/doi/10.1145/604045.604089)
|
||||||
|
|
||||||
|
- https://www.economist.com/europe/2021/03/31/how-netflix-is-creating-a-common-european-culture
|
||||||
|
|
||||||
|
- [Aggregators aren't open-ended - by Gordon Brander - Subconscious](https://via.hypothes.is/https://subconscious.substack.com/p/aggregators-arent-open-ended )
|
||||||
|
|
||||||
|
- https://www.documentjournal.com/2021/01/the-internet-didnt-kill-counterculture-you-just-wont-find-it-on-instagram/
|
||||||
|
|
||||||
|
## Adjacent
|
||||||
|
- [incubation.anarcheology](incubation.anarcheology.md)
|
||||||
|
- [[incubation.attention.economy]]
|
||||||
|
- [[concepts.linearity]]
|
||||||
|
- [[incubation.compression]]
|
||||||
|
- [[people.JaceClayton]]
|
||||||
|
- [[concepts.hypertext]]
|
||||||
|
- [[incubation.mediamateriality]]
|
||||||
|
- [[areas.stream]]
|
||||||
|
|
||||||
|
|
||||||
|
|
||||||
|
## #techmech
|
||||||
|
- http://websdr.org/
|
||||||
|
|
||||||
|
|
||||||
|
--------------
|
||||||
|
-------------
|
||||||
|
------------------
|
||||||
|
------------------
|
||||||
|
|
||||||
|
![[meme.spotify.20211027162958.png]]
|
||||||
|
|
||||||
|
**Apple Buys Startup That Makes Music With AI to Fit Your Mood | Time**
|
||||||
|
[https://time.com/6146000/apple-ai-music/](https://time.com/6146000/apple-ai-music/)
|
||||||
|
|
||||||
|
The idea is to generate dynamic soundtracks that change based on user interaction. A song in a video game could change to fit the mood, for instance, or music during a workout could adapt to the user’s intensity.
|
||||||
|
|
||||||
|
>Comment from YT:
|
||||||
|
>_I remember when I was growing up, where TV's were basic that didn't have all the surround sound speakers, the local FM station would do a simulcast of Star Wars, while it was aired on TV. My dad had our TV hooked up to our stereo system. It was great. Sounded like that you had a mini movie theatre_
|
|
@ -0,0 +1,74 @@
|
||||||
|
# Playlist
|
||||||
|
#incubation #chaosstream #radio
|
||||||
|
|
||||||
|
## 101
|
||||||
|
this is place to colect flows and notions around
|
||||||
|
- playlist
|
||||||
|
- curatorship
|
||||||
|
- channeling
|
||||||
|
- streaming
|
||||||
|
as gamechangers of culture `consumption`
|
||||||
|
|
||||||
|
## Flows and notions
|
||||||
|
|
||||||
|
> “You didn’t need specialist poets to create this kind of musicalised language, and the diction is very simple, so this was clearly a democratising form of literature. We’re getting an exciting glimpse of a form of oral pop culture that lay under the surface of classical culture.”
|
||||||
|
>> - https://www.theguardian.com/books/2021/sep/08/i-dont-care-text-shows-modern-poetry-began-much-earlier-than-believed
|
||||||
|
|
||||||
|
>In 1989, British scientist Tim Berners-Lee invented the World Wide Web. By the dawn of the ’90s, the internet had awakened everyone to new technological possibilities. Similarly, music and music listeners were becoming more forward-thinking than ever before. Grunge and heavy metal met in the gauntlet; hip-hop traveled from the underground to the pop charts (N.W.A. out-charted R.E.M. in 1991); pop music became more daring; electronic music began its ascent from small clubs to festival stages. 1991 marked the start of this aggressive reinvention. It was a year that shaped the music we’ve heard for the last three decades. Even today, these 13 albums that were once in rotation in six-disc Sony stereos are responsible for current digital playlists.
|
||||||
|
>> https://www.spin.com/photos/1991-albums-shaped-future-music/
|
||||||
|
|
||||||
|
>https://mamot.fr/@pluralistic/106359487243544156 pluralistic@mamot.fr - Thus, when the internet was demilitarized and the general public started trickling - and then rushing - to use it, there was a widespread hope that we might break free of the tyranny of concentrated, linear programming (in the sense of "what's on," and "what it does to you").
|
||||||
|
>Much of the excitement over Napster wasn't about getting music for free - it was about the mix-tapification of all music, where your custom playlists would replace the linear album.
|
||||||
|
>6/
|
||||||
|
|
||||||
|
>Songs circulate online among fans for whom an MP3 player set to Shuffle trumps conventional genre as an organizing principle. Refined tastes intertwine with semi-random surf trails to become indistinguishable from each other. Timelines fray, genealogies wander. These under-the-radar exchanges generally happen outside commercial spheres, adding to the fertile mess. You must sift through a lot of junky MP3s to uncover the great ones, but in the end, all the world's sonic secrets are out there, clumped irregularly across the Internet's flat and mighty sprawl. A catchy genre name or evocative creation myth can make the output of a few friends appear as a bustling scene to outside eyes, and the online hype can turn into a selffulfilling prophecy if global excitement trickles down into actual gigs.
|
||||||
|
>> [[people.JaceClayton]]
|
||||||
|
|
||||||
|
|
||||||
|
![[netflix.showplanning.png]]
|
||||||
|
|
||||||
|
---
|
||||||
|
|
||||||
|
## Links
|
||||||
|
- [Programming Your Own Channel](https://graceoneill.wordpress.com/2009/05/08/programming-your-own-channel/)
|
||||||
|
|
||||||
|
- [Contextualize Your Listening: The Playlist as Recommendation Engine](http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.302.1754&rep=rep1&type=pdf)
|
||||||
|
|
||||||
|
- [DJ-boids: emergent collective behavior as multichannel radio station programming](https://dl.acm.org/doi/10.1145/604045.604089)
|
||||||
|
|
||||||
|
- https://www.economist.com/europe/2021/03/31/how-netflix-is-creating-a-common-european-culture
|
||||||
|
|
||||||
|
- [Aggregators aren't open-ended - by Gordon Brander - Subconscious](https://via.hypothes.is/https://subconscious.substack.com/p/aggregators-arent-open-ended )
|
||||||
|
|
||||||
|
- https://www.documentjournal.com/2021/01/the-internet-didnt-kill-counterculture-you-just-wont-find-it-on-instagram/
|
||||||
|
|
||||||
|
## Adjacent
|
||||||
|
- [incubation.anarcheology](incubation.anarcheology.md)
|
||||||
|
- [[incubation.attention.economy]]
|
||||||
|
- [[concepts.linearity]]
|
||||||
|
- [[incubation.compression]]
|
||||||
|
- [[people.JaceClayton]]
|
||||||
|
- [[concepts.hypertext]]
|
||||||
|
- [[incubation.mediamateriality]]
|
||||||
|
- [[areas.stream]]
|
||||||
|
|
||||||
|
|
||||||
|
|
||||||
|
## #techmech
|
||||||
|
- http://websdr.org/
|
||||||
|
|
||||||
|
|
||||||
|
--------------
|
||||||
|
-------------
|
||||||
|
------------------
|
||||||
|
------------------
|
||||||
|
|
||||||
|
![[meme.spotify.20211027162958.png]]
|
||||||
|
|
||||||
|
**Apple Buys Startup That Makes Music With AI to Fit Your Mood | Time**
|
||||||
|
[https://time.com/6146000/apple-ai-music/](https://time.com/6146000/apple-ai-music/)
|
||||||
|
|
||||||
|
The idea is to generate dynamic soundtracks that change based on user interaction. A song in a video game could change to fit the mood, for instance, or music during a workout could adapt to the user’s intensity.
|
||||||
|
|
||||||
|
>Comment from YT:
|
||||||
|
>_I remember when I was growing up, where TV's were basic that didn't have all the surround sound speakers, the local FM station would do a simulcast of Star Wars, while it was aired on TV. My dad had our TV hooked up to our stereo system. It was great. Sounded like that you had a mini movie theatre_
|
Loading…
Add table
Reference in a new issue