diff --git a/pages/areas.stream.md b/pages/areas.stream.md index 7e2500a..8fbdefa 100644 --- a/pages/areas.stream.md +++ b/pages/areas.stream.md @@ -78,13 +78,12 @@ https://upstage.org.nz/ ## #techmech -https://nageru.sesse.net/ +- https://nageru.sesse.net/ +- https://github.com/owncast/owncast +- https://stagetimer.io/ +- https://framablog.org/2021/01/07/peertube-v3-its-a-live-a-liiiiive/ +- http://websdr.org/ -https://github.com/owncast/owncast - -https://stagetimer.io/ - -https://framablog.org/2021/01/07/peertube-v3-its-a-live-a-liiiiive/ ### Android diff --git a/pages/concepts.playlisting.md b/pages/concepts.playlisting.md index e4b5ebf..b4c5cf3 100644 --- a/pages/concepts.playlisting.md +++ b/pages/concepts.playlisting.md @@ -54,8 +54,6 @@ as gamechangers of culture `consumption` -## #techmech -- http://websdr.org/ -------------- @@ -65,7 +63,10 @@ as gamechangers of culture `consumption` ![[meme.spotify.20211027162958.png]] -**Apple Buys Startup That Makes Music With AI to Fit Your Mood | Time** +>**Apple Buys Startup That Makes Music With AI to Fit Your Mood | Time** [https://time.com/6146000/apple-ai-music/](https://time.com/6146000/apple-ai-music/) - -The idea is to generate dynamic soundtracks that change based on user interaction. A song in a video game could change to fit the mood, for instance, or music during a workout could adapt to the user’s intensity. \ No newline at end of file +> +>The idea is to generate dynamic soundtracks that change based on user interaction. A song in a video game could change to fit the mood, for instance, or music during a workout could adapt to the user’s intensity. + +>Comment from YT: +>_I remember when I was growing up, where TV's were basic that didn't have all the surround sound speakers, the local FM station would do a simulcast of Star Wars, while it was aired on TV. My dad had our TV hooked up to our stereo system. It was great. Sounded like that you had a mini movie theatre_ \ No newline at end of file diff --git a/pages/concepts.playlisting.sync-conflict-20220720-131013-HIYJI7N.md b/pages/concepts.playlisting.sync-conflict-20220720-131013-HIYJI7N.md new file mode 100644 index 0000000..4a8123a --- /dev/null +++ b/pages/concepts.playlisting.sync-conflict-20220720-131013-HIYJI7N.md @@ -0,0 +1,74 @@ +# Playlist +#incubation #chaosstream #radio + +## 101 +this is place to colect flows and notions around +- playlist +- curatorship +- channeling +- streaming +as gamechangers of culture `consumption` + +## Flows and notions + +> “You didn’t need specialist poets to create this kind of musicalised language, and the diction is very simple, so this was clearly a democratising form of literature. We’re getting an exciting glimpse of a form of oral pop culture that lay under the surface of classical culture.” +>> - https://www.theguardian.com/books/2021/sep/08/i-dont-care-text-shows-modern-poetry-began-much-earlier-than-believed + +>In 1989, British scientist Tim Berners-Lee invented the World Wide Web. By the dawn of the ’90s, the internet had awakened everyone to new technological possibilities. Similarly, music and music listeners were becoming more forward-thinking than ever before. Grunge and heavy metal met in the gauntlet; hip-hop traveled from the underground to the pop charts (N.W.A. out-charted R.E.M. in 1991); pop music became more daring; electronic music began its ascent from small clubs to festival stages. 1991 marked the start of this aggressive reinvention. It was a year that shaped the music we’ve heard for the last three decades. Even today, these 13 albums that were once in rotation in six-disc Sony stereos are responsible for current digital playlists. +>> https://www.spin.com/photos/1991-albums-shaped-future-music/ + +>https://mamot.fr/@pluralistic/106359487243544156 pluralistic@mamot.fr - Thus, when the internet was demilitarized and the general public started trickling - and then rushing - to use it, there was a widespread hope that we might break free of the tyranny of concentrated, linear programming (in the sense of "what's on," and "what it does to you"). +>Much of the excitement over Napster wasn't about getting music for free - it was about the mix-tapification of all music, where your custom playlists would replace the linear album. +>6/ + +>Songs circulate online among fans for whom an MP3 player set to Shuffle trumps conventional genre as an organizing principle. Refined tastes intertwine with semi-random surf trails to become indistinguishable from each other. Timelines fray, genealogies wander. These under-the-radar exchanges generally happen outside commercial spheres, adding to the fertile mess. You must sift through a lot of junky MP3s to uncover the great ones, but in the end, all the world's sonic secrets are out there, clumped irregularly across the Internet's flat and mighty sprawl. A catchy genre name or evocative creation myth can make the output of a few friends appear as a bustling scene to outside eyes, and the online hype can turn into a selffulfilling prophecy if global excitement trickles down into actual gigs. +>> [[people.JaceClayton]] + + +![[netflix.showplanning.png]] + +--- + +## Links +- [Programming Your Own Channel](https://graceoneill.wordpress.com/2009/05/08/programming-your-own-channel/) + +- [Contextualize Your Listening: The Playlist as Recommendation Engine](http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.302.1754&rep=rep1&type=pdf) + +- [DJ-boids: emergent collective behavior as multichannel radio station programming](https://dl.acm.org/doi/10.1145/604045.604089) + +- https://www.economist.com/europe/2021/03/31/how-netflix-is-creating-a-common-european-culture + +- [Aggregators aren't open-ended - by Gordon Brander - Subconscious](https://via.hypothes.is/https://subconscious.substack.com/p/aggregators-arent-open-ended ) + +- https://www.documentjournal.com/2021/01/the-internet-didnt-kill-counterculture-you-just-wont-find-it-on-instagram/ + +## Adjacent +- [incubation.anarcheology](incubation.anarcheology.md) +- [[incubation.attention.economy]] +- [[concepts.linearity]] +- [[incubation.compression]] +- [[people.JaceClayton]] +- [[concepts.hypertext]] +- [[incubation.mediamateriality]] +- [[areas.stream]] + + + +## #techmech +- http://websdr.org/ + + +-------------- +------------- +------------------ +------------------ + +![[meme.spotify.20211027162958.png]] + +**Apple Buys Startup That Makes Music With AI to Fit Your Mood | Time** +[https://time.com/6146000/apple-ai-music/](https://time.com/6146000/apple-ai-music/) + +The idea is to generate dynamic soundtracks that change based on user interaction. A song in a video game could change to fit the mood, for instance, or music during a workout could adapt to the user’s intensity. + +>Comment from YT: +>_I remember when I was growing up, where TV's were basic that didn't have all the surround sound speakers, the local FM station would do a simulcast of Star Wars, while it was aired on TV. My dad had our TV hooked up to our stereo system. It was great. Sounded like that you had a mini movie theatre_ \ No newline at end of file diff --git a/pages/concepts.playlisting.sync-conflict-20220720-131014-HIYJI7N.md b/pages/concepts.playlisting.sync-conflict-20220720-131014-HIYJI7N.md new file mode 100644 index 0000000..4a8123a --- /dev/null +++ b/pages/concepts.playlisting.sync-conflict-20220720-131014-HIYJI7N.md @@ -0,0 +1,74 @@ +# Playlist +#incubation #chaosstream #radio + +## 101 +this is place to colect flows and notions around +- playlist +- curatorship +- channeling +- streaming +as gamechangers of culture `consumption` + +## Flows and notions + +> “You didn’t need specialist poets to create this kind of musicalised language, and the diction is very simple, so this was clearly a democratising form of literature. We’re getting an exciting glimpse of a form of oral pop culture that lay under the surface of classical culture.” +>> - https://www.theguardian.com/books/2021/sep/08/i-dont-care-text-shows-modern-poetry-began-much-earlier-than-believed + +>In 1989, British scientist Tim Berners-Lee invented the World Wide Web. By the dawn of the ’90s, the internet had awakened everyone to new technological possibilities. Similarly, music and music listeners were becoming more forward-thinking than ever before. Grunge and heavy metal met in the gauntlet; hip-hop traveled from the underground to the pop charts (N.W.A. out-charted R.E.M. in 1991); pop music became more daring; electronic music began its ascent from small clubs to festival stages. 1991 marked the start of this aggressive reinvention. It was a year that shaped the music we’ve heard for the last three decades. Even today, these 13 albums that were once in rotation in six-disc Sony stereos are responsible for current digital playlists. +>> https://www.spin.com/photos/1991-albums-shaped-future-music/ + +>https://mamot.fr/@pluralistic/106359487243544156 pluralistic@mamot.fr - Thus, when the internet was demilitarized and the general public started trickling - and then rushing - to use it, there was a widespread hope that we might break free of the tyranny of concentrated, linear programming (in the sense of "what's on," and "what it does to you"). +>Much of the excitement over Napster wasn't about getting music for free - it was about the mix-tapification of all music, where your custom playlists would replace the linear album. +>6/ + +>Songs circulate online among fans for whom an MP3 player set to Shuffle trumps conventional genre as an organizing principle. Refined tastes intertwine with semi-random surf trails to become indistinguishable from each other. Timelines fray, genealogies wander. These under-the-radar exchanges generally happen outside commercial spheres, adding to the fertile mess. You must sift through a lot of junky MP3s to uncover the great ones, but in the end, all the world's sonic secrets are out there, clumped irregularly across the Internet's flat and mighty sprawl. A catchy genre name or evocative creation myth can make the output of a few friends appear as a bustling scene to outside eyes, and the online hype can turn into a selffulfilling prophecy if global excitement trickles down into actual gigs. +>> [[people.JaceClayton]] + + +![[netflix.showplanning.png]] + +--- + +## Links +- [Programming Your Own Channel](https://graceoneill.wordpress.com/2009/05/08/programming-your-own-channel/) + +- [Contextualize Your Listening: The Playlist as Recommendation Engine](http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.302.1754&rep=rep1&type=pdf) + +- [DJ-boids: emergent collective behavior as multichannel radio station programming](https://dl.acm.org/doi/10.1145/604045.604089) + +- https://www.economist.com/europe/2021/03/31/how-netflix-is-creating-a-common-european-culture + +- [Aggregators aren't open-ended - by Gordon Brander - Subconscious](https://via.hypothes.is/https://subconscious.substack.com/p/aggregators-arent-open-ended ) + +- https://www.documentjournal.com/2021/01/the-internet-didnt-kill-counterculture-you-just-wont-find-it-on-instagram/ + +## Adjacent +- [incubation.anarcheology](incubation.anarcheology.md) +- [[incubation.attention.economy]] +- [[concepts.linearity]] +- [[incubation.compression]] +- [[people.JaceClayton]] +- [[concepts.hypertext]] +- [[incubation.mediamateriality]] +- [[areas.stream]] + + + +## #techmech +- http://websdr.org/ + + +-------------- +------------- +------------------ +------------------ + +![[meme.spotify.20211027162958.png]] + +**Apple Buys Startup That Makes Music With AI to Fit Your Mood | Time** +[https://time.com/6146000/apple-ai-music/](https://time.com/6146000/apple-ai-music/) + +The idea is to generate dynamic soundtracks that change based on user interaction. A song in a video game could change to fit the mood, for instance, or music during a workout could adapt to the user’s intensity. + +>Comment from YT: +>_I remember when I was growing up, where TV's were basic that didn't have all the surround sound speakers, the local FM station would do a simulcast of Star Wars, while it was aired on TV. My dad had our TV hooked up to our stereo system. It was great. Sounded like that you had a mini movie theatre_ \ No newline at end of file