diff --git a/.gitattributes b/.gitattributes
index 31541f8..09108df 100644
Binary files a/.gitattributes and b/.gitattributes differ
diff --git a/pages/000_start-here.md b/pages/000_start-here.md
index 61a07da..b8c8c63 100644
--- a/pages/000_start-here.md
+++ b/pages/000_start-here.md
@@ -23,15 +23,15 @@ Focus of this vault is collecting notes in these:
## Areas
- [[concepts.knowledge managment]] and [concepts.digital garden](concepts.digital%20garden.md)s
-- [File tagging](concepts.filetag.md), [[digital asset managment]] and [[concepts.annotation.media]] tools
+- [File tagging](areas.filetag.md), [[concepts.Digital Asset Managment]] and [[incubation.annotation.media]] tools
- [areas.self-hosting](areas.self-hosting.md)
-- [[file system]]s as non-hierarchical databases
-- [[database art]]
+- [[concepts.filesystem]] as non-hierarchical databases
+- [[concepts.Database Art]]
## Projects
- [[dga]] - digital garden anabasis - this site
-- [[projects.upend]]
+- [[projects.upend]] >>>
- [ALEADUB](projects.ALEADUB.md)
- [Line and Surface](las.md)
- sdbs [[concepts.digital garden]]
@@ -55,18 +55,23 @@ Focus of this vault is collecting notes in these:
--------------------------------------------
> 
- >>maggie apleton
+ >>[[people.MaggieAppleton]]
+
-------------------------------------------
- https://web.archive.org/web/20190607172020/http://people.umass.edu/klement/tlp/tlp.html
+
+- https://web.archive.org/web/20190607172020/http://people.umass.edu/klement/tlp/tlp.html
+- [[people.VilemFlusser]]
-------------------------------------------
>![[nelson-ttomuchtosay.png]]
>>[[people.TedNelson]]
- -------------------------------------------
+
+-------------------------------------------
>
>> NASA #update
----------------------------
-![[Pasted image 20210423172411.png]]
\ No newline at end of file
+> ![[img_layers_How buildings learn Steward Brand 1994.png]]
+>> How buildings learn, Steward Brand, 1994
\ No newline at end of file
diff --git a/pages/1000p.md b/pages/1000p.md
new file mode 100644
index 0000000..a78b107
--- /dev/null
+++ b/pages/1000p.md
@@ -0,0 +1,5 @@
+We must ask if reflexive, spiritual reality does not compensate for this state of things by demanding an even more comprehensive secret unity, or a more extensive totality. Take William Burroughs’s cut-up method: the folding of one text onto another, which constitutes multiple and even adventitious roots (like a cutting), implies a supplementary dimension to that of the texts under consideration. In this supplementary dimension of folding, unity continues its spiritual labor. That is why the most resolutely fragmented work can also be presented as the Total Work or Magnum Opus. Most modern methods for making series proliferate or a multiplicity grow are perfectly valid in one direction, for example, a linear direction, whereas a unity of totalization asserts itself even more firmly in another, circular or cyclic, dimension.
+#blacksun
+
+---
+"Does it not seem that alongside the two models, sacrifice and series, totem institution and structure, there is still room for something else, something more semore" (Gilles Deleuze, Felix Guattari – A Thousand Plateaus)
diff --git a/pages/1000p.warburg.md b/pages/1000p.warburg.md
new file mode 100644
index 0000000..cf51a1b
--- /dev/null
+++ b/pages/1000p.warburg.md
@@ -0,0 +1,7 @@
+
+## to check
+### didi on warburg and rhizome
+https://contempaesthetics.org/newvolume/pages/article.php?articleID=812#FN19
+
+[[hermes]]
+
diff --git a/pages/1000plateus.md b/pages/1000plateus.md
new file mode 100644
index 0000000..1ec3bba
--- /dev/null
+++ b/pages/1000plateus.md
@@ -0,0 +1 @@
+[[1000p]]
\ No newline at end of file
diff --git a/pages/incubation.topography.sync-conflict-20210504-115409-HIYJI7N.md b/pages/Bottom up writing prevents confirmation bias and provide a shorter and iterative feedback loop.md
similarity index 100%
rename from pages/incubation.topography.sync-conflict-20210504-115409-HIYJI7N.md
rename to pages/Bottom up writing prevents confirmation bias and provide a shorter and iterative feedback loop.md
diff --git a/pages/Caminos_Ferrari_1982.png b/pages/Caminos_Ferrari_1982.png
new file mode 100644
index 0000000..1ecb6b9
--- /dev/null
+++ b/pages/Caminos_Ferrari_1982.png
@@ -0,0 +1,3 @@
+version https://git-lfs.github.com/spec/v1
+oid sha256:2a33746ede96c0c04f5825ef2ca54662568aca4652fba37c0444926dab4ce8f2
+size 445617
diff --git a/pages/JamesCorner_AgencyOfMapping2021-07-18 20-56-45.png b/pages/JamesCorner_AgencyOfMapping2021-07-18 20-56-45.png
new file mode 100644
index 0000000..7617c9e
--- /dev/null
+++ b/pages/JamesCorner_AgencyOfMapping2021-07-18 20-56-45.png
@@ -0,0 +1,3 @@
+version https://git-lfs.github.com/spec/v1
+oid sha256:7271f618910e6a1ed35d95f221492815c3101938d751a04304368740db6d987e
+size 40289
diff --git a/pages/JamesCorner_AgencyOfMapping2021-07-18 20-56-45.png.annotations.md b/pages/JamesCorner_AgencyOfMapping2021-07-18 20-56-45.png.annotations.md
new file mode 100644
index 0000000..7edfddb
--- /dev/null
+++ b/pages/JamesCorner_AgencyOfMapping2021-07-18 20-56-45.png.annotations.md
@@ -0,0 +1,12 @@
+![[JamesCorner_AgencyOfMapping2021-07-18 20-56-45.png]]
+
+>Mapping is a fantastic cultural project, creating and building the world as
+much as measuring and describing it. Long affiliated with the planning
+and design of cities, landscapes and buildings, mapping is particularly
+instrumental in the construing and constructing of lived space. In this
+active sense, the function of mapping is less to mirror reality than to
+engender the re-shaping of the worlds in which people live. While there
+
+
+ - James Corner - Agency of Mapping
+-- - https://architecturesofspatialjustice.wordpress.com/2012/10/09/agency_mapping/
\ No newline at end of file
diff --git a/pages/Pasted image 20201030141445.png.annotations.md b/pages/Pasted image 20201030141445.png.annotations.md
new file mode 100644
index 0000000..1e9f949
--- /dev/null
+++ b/pages/Pasted image 20201030141445.png.annotations.md
@@ -0,0 +1,18 @@
+![[Pasted image 20201030141445.png]]
+
+The images and sounds that issue from the box have a mmeaning2 for
+their receiver. They form a code, (let "code" be a system of symbols). The
+receiver can decodify the images and sounds and thus read a message, The Ti
+code is a new one. Western civilisation disposes basically of two types of
+codes: surface ones and linear ones. (Three-dimensional codes like sculp-
+ture and dance will not be considered.) Surface codes consist of images
+which depict their meaninge. (F.1. paintings and maps.) Linear codes con-
+sist of point-like elements forming a line, and they scan their meaning,
+(F.1, spoken language, alphabets and arithmetics.) Surface codes are read
+through "imagination", linear ones through conceptualisation". TV, (and
+film), has a code in which surfaces follow a linear structure. They can be
+read two ways. Like surfaces, (through "imagination"), and 11ke lines in
+which the point-like elements are surfaces, (through conceptualisation of
+images" and imagination of concepts"). The fórst way of reading is the on
+ly one permitted by the present use of TV, and 18, in a sense, a return to
+analphabetism. (See my article "Iine and Surface", in MAIN CURRENTS Jan.73)
diff --git a/pages/Pasted image 20210512234350.png b/pages/Pasted image 20210512234350.png
new file mode 100644
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--- /dev/null
+++ b/pages/Pasted image 20210512234350.png
@@ -0,0 +1,3 @@
+version https://git-lfs.github.com/spec/v1
+oid sha256:94f2207fec40ba91f76124877543682e7bc1d0859c9c2b251bdae18ba97de3ac
+size 114651
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new file mode 100644
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--- /dev/null
+++ b/pages/Pasted image 20210617195358.png
@@ -0,0 +1,3 @@
+version https://git-lfs.github.com/spec/v1
+oid sha256:53596050d71c15d933fcc91b2c1323c8425d3aac860c92aa2a47e733bd7d6371
+size 105233
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new file mode 100644
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+++ b/pages/Pasted image 20210713135730.png
@@ -0,0 +1,3 @@
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+oid sha256:159e17727d2cb4d2be8cb02ae0da98fcf891b59dba34beef466d598ca780f0e7
+size 364653
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new file mode 100644
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--- /dev/null
+++ b/pages/Pasted image 20210725225803.png
@@ -0,0 +1,3 @@
+version https://git-lfs.github.com/spec/v1
+oid sha256:254713475a6a1e03813bbdd68ed358b53a15897696256c2d19d2c08a96db4297
+size 794844
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new file mode 100644
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--- /dev/null
+++ b/pages/Pasted image 20210725230846.png
@@ -0,0 +1,3 @@
+version https://git-lfs.github.com/spec/v1
+oid sha256:2e4a38cc5ab74ed27fee3b9ede1f646d72ed1eed09a37a17ca64f62fa26cd287
+size 83020
diff --git a/pages/Pasted image 20210729114352.png b/pages/Pasted image 20210729114352.png
new file mode 100644
index 0000000..a1e4fdd
--- /dev/null
+++ b/pages/Pasted image 20210729114352.png
@@ -0,0 +1,3 @@
+version https://git-lfs.github.com/spec/v1
+oid sha256:5b5680f256ae5d7a7ce314957d5a97f8d701a1a33c1c39e44f02ddc98440bd8d
+size 893447
diff --git a/pages/Pasted image 20210802171947.png b/pages/Pasted image 20210802171947.png
new file mode 100644
index 0000000..eaf2d87
--- /dev/null
+++ b/pages/Pasted image 20210802171947.png
@@ -0,0 +1,3 @@
+version https://git-lfs.github.com/spec/v1
+oid sha256:c107a26f49367f62b727b51c75899b27f13e010da837ae2563c0cc3489cc8a79
+size 23986
diff --git a/pages/Pasted image 20210804005638.png b/pages/Pasted image 20210804005638.png
new file mode 100644
index 0000000..2b7bd18
--- /dev/null
+++ b/pages/Pasted image 20210804005638.png
@@ -0,0 +1,3 @@
+version https://git-lfs.github.com/spec/v1
+oid sha256:ce25cb780443e36fb418105b5a9ffc874749645f7128e349d3fb58e85b7d809a
+size 38275
diff --git a/pages/Pasted image 20210804161429.png b/pages/Pasted image 20210804161429.png
new file mode 100644
index 0000000..38bef4a
--- /dev/null
+++ b/pages/Pasted image 20210804161429.png
@@ -0,0 +1,3 @@
+version https://git-lfs.github.com/spec/v1
+oid sha256:78bb9e3a404e8428625a5dd5e4d5883f7b212d28f2cd609cd47f4b36bf8efa1e
+size 17171
diff --git a/pages/Quotes.transmitting.architecture.md b/pages/Quotes.transmitting.architecture.md
new file mode 100644
index 0000000..3fa7bb7
--- /dev/null
+++ b/pages/Quotes.transmitting.architecture.md
@@ -0,0 +1,12 @@
+#lalar
+> When space existed as a separate category, architecture was the art of space; when time existed as a separate category, music was the art of time. The realization of the deep relation between space and time as spacetime, and the corresponding parallel relation between mass and energy, challenges the idea that architecture and music are separate, and prompts us to conceive of a new art of spacetime: archiMusic. But while we can surely imagine such an artform, we have had no way to actually construct and inhabit the spatiotemporal edifices of that imagination. While our science examines microscopic and macroscopic regions of curved, higher dimensional spacetime, we build within the confines of the small lots of what our limited sensorium can comprehend directly. Even though we depend on devices that rely on phenomena at these other scales, our architecture does nothing to help us form an intuition of the larger world we know through our theories and instruments.
+
+
+>Sampling implies the existence of a field to be sampled, a sampling rate or frequency, and a sampling resolution or sensitivity. From subatomic particles to scanning tunneling microscopes to compact disks to video, film, meteorological and cosmological information, what we know empirically we know through this very particular form of observation. What we know synthetically or by simulation does not escape this either: whether we gather or produce data, we do so at increments and intervals that reduce the infinite, or merely vast, to the manageable. Our own senses operate by sampling: the finite grids of rods and cones that form our retinas feed a finite number of nerve endings at finite intervals: whatever continuity we perceive in the world is an illusion we construct.
+
+
+>**An alternative architectural** poetics would look past the static depiction of objects and surfaces to the description of latent information fields. The air we move through is permeated by intersecting emanations of information from every object: electromagnetic flux, intensities of light, pressure, and body heat form complex dancing geometries around us at every instant. We already inhabit an invisible world of shapes, an architecture of latent information that is modulated by our every breath and transmission. The shapes are definite, and with the right tools of sampling and visualization, can be seen, captured, and, if so desired, manufactured. It is imperative that architects embrace these tools critically and creatively, and set aside the tools that Alberti used as beautiful, but finally nostalgic, vestiges of another era.
+
+>**Just as chaos** and complexity have switched polarities from negative to positive value, so too are all the expressions of disjunction and discontinuity being revisited as forms of a higher order. Unlike the disjunction of collage that has characterized much of this century, the new disjunction is one of morphing. Where collage merely superposes materials from different contexts, morphing operates through them, blending them. True to the technologies of their respective times, collage is mechanical whereas morphing is alchemical. Sphinx and werewolf, gargoyle and griffin are the mascots of this time. The character of morphing is genetic, not surgical, more like genetic cross-breeding than transplanting. Where collage emphasized differences by recontextualizing the familiar, the morphing operation blends the unfamiliar in ways that illuminate unsuspected similarities and becomings.
+
+>**Narrative structures are** similarly affected. Cinematically, the cut yields to the crossfade the crossfade yields to the morphed blend, until what would be consequent scenes merge into modulated, varying composite of simultaneous existences. The elements of meaning become atmospheric and temperamental, and narrative sequence proceeds from ellipsis to ellipsis, in a stochastic perpetual motion machine.
\ No newline at end of file
diff --git a/pages/Screenshot from 2021-08-03 01-59-10.png b/pages/Screenshot from 2021-08-03 01-59-10.png
new file mode 100644
index 0000000..6e1cc7b
--- /dev/null
+++ b/pages/Screenshot from 2021-08-03 01-59-10.png
@@ -0,0 +1,3 @@
+version https://git-lfs.github.com/spec/v1
+oid sha256:f89ff4c4dcade5c691986016d52c5239ba64cfd3b8fd1d02526ddfb294141ee1
+size 27731
diff --git a/pages/_INFORM/avg.md b/pages/_INFORM/avg.md
index 345e577..90fcea2 100644
--- a/pages/_INFORM/avg.md
+++ b/pages/_INFORM/avg.md
@@ -36,7 +36,7 @@ AUDIO
- audacity
-
- foobar
-- [reaper](reaper) \[advanced\]
+- [inform.reaper](inform.reaper.md) \[advanced\]
### semi-bizzare
diff --git a/pages/_INFORM/manuals.md b/pages/_INFORM/manuals.md
index e77131b..58caad9 100644
--- a/pages/_INFORM/manuals.md
+++ b/pages/_INFORM/manuals.md
@@ -13,7 +13,7 @@ Software
- Media
- [DigitalGardenAnabasis/_INFORM/ffmpeg](DigitalGardenAnabasis/_INFORM/ffmpeg.md)
- [OBS Studio](obs) FIXME
- - [Reaper](reaper)
+ - [Reaper](inform.reaper.md)
- [SuperCollider](supercollider)
- Systems
- [Linux tips](Linux tips)
diff --git a/pages/_INFORM/ninjam.md b/pages/_INFORM/ninjam.md
index a75cf46..f59084b 100644
--- a/pages/_INFORM/ninjam.md
+++ b/pages/_INFORM/ninjam.md
@@ -5,7 +5,7 @@ Ninjam
> music together via the Internet. Every participant can hear every
> other participant. Each user can also tweak their personal mix to his
> or her liking. NINJAM is cross-platform, with clients available for
-> Mac OS X, Linux, and Windows. [REAPER](reaper) (our digital audio
+> Mac OS X, Linux, and Windows. [REAPER](inform.reaper.md) (our digital audio
> workstation software for Windows and OS X) also includes NINJAM
> support (ReaNINJAM plug-in). [^1]
diff --git a/pages/concepts.filetag.md b/pages/areas.filetag.md
similarity index 50%
rename from pages/concepts.filetag.md
rename to pages/areas.filetag.md
index 2dd2527..bcf8f85 100644
--- a/pages/concepts.filetag.md
+++ b/pages/areas.filetag.md
@@ -1,15 +1,30 @@
# filetag
#knowledge #media
+## 101
+
_How to organize and tag local files?_
_How to work with various media files?_
-## Tools
+## Concepts
+- [[concepts.filesystem]]
+ - [[concepts.flat-file]]
+- [[concepts.archive]]
+ - [[concepts.archives.art]]
+- [[concepts.trailblazers]]
+- [[incubation.interface]]
+- [[incubation.mediamateriality]]
-## [[concepts.filesystem]] related
+
+- [[fulldocs.matuschak.ontologies.associative]]
+- [[fulldocs.voit.files.managment]]
+
+## Computer Tools
+
+### [[concepts.filesystem]] related
#### [Everything](https://www.voidtools.com/)
- Windows file indexation + search
-- linux alternative:
+- linux alternative: fsearch
#### [tagspaces](https://www.tagspaces.org/)
- file manager + tagger ==> organizer
@@ -19,30 +34,21 @@ _How to work with various media files?_
#### [tmsu](https://tmsu.org/)
>TMSU is a tool for tagging your files. It provides a simple command-line tool for applying tags and a virtual filesystem so that you can get a tag-based view of your files from within any other program.
-### Digital Asset Managment
+### [[concepts.Digital Asset Managment]]
_Operations on a collection of digital assets require the use of a computer application implementing digital asset management to ensure that the owner, and possibly their delegates, can perform operations on the data files._
-#### [entermediadb](https://entermediadb.org/)
-
-#### [ResourceSpace](https://www.resourcespace.com/features)
-
-#### [Phraseanet](https://www.phraseanet.com/en/)
-
-https://www.youtube.com/watch?v=Uko_rEOjf4Uo
## Related
-### [concepts.annotation.media](concepts.annotation.media.md)
-
-### [areas.Algorithmic Editing](areas.Algorithmic%20Editing.md)
+### [incubation.annotation.media](incubation.annotation.media.md)
+### [concepts.Algorithmic Editing](concepts.Algorithmic%20Editing.md)
+### [[concepts.map]]
+### [[projects.upend]]
+### [[concepts.trailblazers]]
+### [[dga.flat.graph]]
+
+
------
-https://notes.andymatuschak.org/z29hLZHiVt7W2uss2uMpSZquAX5T6vaeSF6Cy
------
----
-https://graz.social/@publicvoit/104901758632761136 publicvoit@graz.social - My Concept and Workflow for Managing Digital Files (e.g., #Photographs) in Files and Folders:
-https://karl-voit.at/managing-digital-photographs/ 🏷️
-#publicvoit #PIM #tags #filetags #DIY
diff --git a/pages/areas.stream.md b/pages/areas.stream.md
index 1c354ca..6969363 100644
--- a/pages/areas.stream.md
+++ b/pages/areas.stream.md
@@ -17,10 +17,10 @@ inventiveness or uniqueness of content, what
makes surfing the Web compelling can only be
attributed to an accumulation of effect, or …
momentum, continuing across the linkages.
-(Massumi, 2002: 140-141)
+>-([[people.BrianMassumi]], 2002: 140-141)
>History decays into images, not into stories.
-> - Walter Benjamin, The Arcades Project, 476.
+> - [[people.WalterBenjamin]], The Arcades Project, 476.
------------------------
## conflicts
@@ -38,6 +38,13 @@ https://docdrop.org/
[projects.sermon](projects.sermon.md)
https://github.com/gatteo/react-jitsi
+## Related
+- [[concepts.hypertext]]
+- [[DigitalGardenAnabasis/annotation]]
+- [[incubation.decentralization]]
+- [[tech.stream.jamming]]
+- [[tool.stream.tech.audio]]
+- [[concepts.archives.art.tours]]
# #chaostream
------------------------
@@ -45,12 +52,31 @@ https://live.sdbs.cz
-----------------------
https://upstage.org.nz/
+
-------------------------------------------
[CatalogOFFDigitalDiscomfort.pdf](CatalogOFFDigitalDiscomfort.pdf)
+
--------------------------------------
-## Related
-[[concepts.hypertext]]
-[[DigitalGardenAnabasis/annotation]]
-[[incubation.decentralization]]
+
+## #techmech
+
+https://nageru.sesse.net/
+
+https://github.com/owncast/owncast
+
+https://stagetimer.io/
+
+https://framablog.org/2021/01/07/peertube-v3-its-a-live-a-liiiiive/
+
+## Android
+
+IP CAM
+
+## profi tools
+### NDI
+[[NDI]]
+### SRT
+- https://www.srtalliance.org/about-srt-technology/
+
diff --git a/pages/areas.text.md b/pages/areas.text.md
new file mode 100644
index 0000000..86f8121
--- /dev/null
+++ b/pages/areas.text.md
@@ -0,0 +1,13 @@
+- [[concepts.hypertext]]
+-
+- [[incubation.annotation]]
+
+- [[tools.markdown]]
+
+- [[tools.text.comparison]]
+- [[tools.tts]]
+
+- [[areas.stream]]
+- [[concepts.parallel textface]]
+- [[concepts.context]]
+- [[concepts.disambiguation]]
\ No newline at end of file
diff --git a/pages/areas.Algorithmic Editing.md b/pages/concepts.Algorithmic Editing.md
similarity index 83%
rename from pages/areas.Algorithmic Editing.md
rename to pages/concepts.Algorithmic Editing.md
index 39afb75..90ecc2d 100644
--- a/pages/areas.Algorithmic Editing.md
+++ b/pages/concepts.Algorithmic Editing.md
@@ -1,4 +1,6 @@
# Algorithmic Editing
+#chaostream
+
## Articles
- [A Brief History of Algorithmic Editing](https://medium.com/janbot/a-brief-history-of-algorithmic-editing-732c3e19884b)
- [Why should machines make art?](https://medium.com/janbot/should-machines-b59af9c5c7ab)
@@ -9,7 +11,7 @@
- [Immersive mediums replace thought](https://notes.azlen.me/s3husuaw/)
-## Tools
+## #techmech
-
### Commercial
@@ -18,14 +20,17 @@ https://www.magisto.com/
### [AviSynth](http://avisynth.nl/index.php/Main_Page)
### [Auto-Editor](https://github.com/WyattBlue/auto-editor)
+
### Video
- https://github.com/DevonCrawford/Video-Editing-Automation
- Video Puppet
- https://pypi.org/project/moviepy/
+
### Audio
- https://github.com/delthas/libpaulstretch
- https://github.com/Singhak/MultimediaChanger
- https://github.com/Sciss/Eisenkraut
+
### Codecs
- https://forum.shotcut.org/t/suggested-codecs-file-formats-for-editing-speed-reduced-lagging/11756
@@ -35,6 +40,16 @@ https://www.magisto.com/
-
-
- [narra project AKA CAS in the past](https://narra.eu/)
+- popcorn (check [[tools.EDL]])
---
https://link.medium.com/TrPYQzYVPbb
+
+----
+https://subconscious.substack.com/p/hypertext-montage
+
+# Adjacent
+- [[concepts.hypertext]]
+- [[Bottom up writing prevents confirmation bias and provide a shorter and iterative feedback loop]]
+- [[concepts.Database Art]]
+- [[tools.EDL]]
\ No newline at end of file
diff --git a/pages/concepts.Database Art.md b/pages/concepts.Database Art.md
new file mode 100644
index 0000000..296eff5
--- /dev/null
+++ b/pages/concepts.Database Art.md
@@ -0,0 +1,19 @@
+# Database Art
+
+#incubation #chaosstream
+
+> The computer age brought with it a new cultural algorithm: reality → media → data → database” (224). By developing Manovich’s cultural algorithm further, I suggest expanding this diagram to: reality → media → data → database → algorithmic editing → new forms of narrative. To Manovich, cinema “is the intersection between database and narrative,” therefore, the expansion of the database must lead to more innovative and complex narratives (237).
+> - [A Brief History of Algorithmic Editing](https://medium.com/janbot/a-brief-history-of-algorithmic-editing-732c3e19884b)\
+
+
+>Indeed, if after the death of God (Nietzche), the end of grand Narratives of Enlightenment (Lyotard) and the arrival of the Web (Tim Berners-Lee)
+the world appears to us as an endless and unstructured collection of images, texts, and other data records, it is only appropriate that we will be moved to model it as a database. But it is also appropriate that we would want to develops poetics, aesthetics, and ethics of this database.
+> - http://manovich.net/content/04-projects/022-database-as-a-symbolic-form/19_article_1998.pdf
+
+--------------------
+- [[people.DzigaVertov]]
+- [[concepts.Algorithmic Editing]]
+- [[areas.filetag]]
+- [[concepts.archives.art]]
+- [[concepts.linearity]]
+- [[concepts.hypertext]]
\ No newline at end of file
diff --git a/pages/concepts.Digital Asset Managment.md b/pages/concepts.Digital Asset Managment.md
new file mode 100644
index 0000000..3bd0f6d
--- /dev/null
+++ b/pages/concepts.Digital Asset Managment.md
@@ -0,0 +1,31 @@
+# Digital Asset Managment
+
+_Operations on a collection of digital assets require the use of a computer application implementing digital asset management to ensure that the owner, and possibly their delegates, can perform operations on the data files._
+
+
+## Tools
+
+### [entermediadb](https://entermediadb.org/)
+
+### [ResourceSpace](https://www.resourcespace.com/features)
+
+### [Phraseanet](https://www.phraseanet.com/en/)
+- !!!
+### [pimcore community edition](https://pimcore.com/en/platform/community-edition)
+
+### https://www.southpawtech.com/tactic-open-source
+### https://www.razuna.org/
+
+### HyperCMS
+- https://www.youtube.com/watch?v=Uko_rEOjf4Uo
+
+### Lists+articles
+- https://opensource.com/article/18/3/movie-open-source-software
+- https://www.goodfirms.co/blog/best-free-open-source-digital-asset-management-software
+- https://www.softwaresuggest.com/asset-management-software/free-open-source-softwares
+
+## PornOrganizers
+### https://github.com/porn-vault/porn-vault
+### https://stashapp.cc/
+
+## [[incubation.audio.sample.managment]]
\ No newline at end of file
diff --git a/pages/concepts.annotation.md b/pages/concepts.annotation.md
deleted file mode 100644
index f17b2d6..0000000
--- a/pages/concepts.annotation.md
+++ /dev/null
@@ -1,28 +0,0 @@
-# Annotation
-
-## #incubation
-------------
-- https://docdrop.org/
-
-- https://teachingcenter.wustl.edu/2018/06/online-annotation-tools/
-- https://iteachu.uaf.edu/annotate-collaboratively/
-
-- https://www.goodannotations.com/tools/draw-on-pdf
-
-- bit off
- - https://github.com/writefreely/text-pic
-
-
----------
-## Tools
-https://screenotate.com/
-------------
-https://notes.andymatuschak.org/z8aiVRywvJYDB9gvpCDxa4KUBcKr8R4geNAiJ
-
-https://notes.andymatuschak.org/z8ZWYXFwXV38qiCgRx7zf2ySy9WCxWvcizNVr
-
-------------
-
->![[discuss_sum.png]]
-> - https://arxiv.org/pdf/2009.07446.pdf
-
diff --git a/pages/concepts.annotation.music notation.md b/pages/concepts.annotation.music notation.md
deleted file mode 100644
index 7e76740..0000000
--- a/pages/concepts.annotation.music notation.md
+++ /dev/null
@@ -1,12 +0,0 @@
-# music notation / [annotation](concepts.annotation.md)
-
-## musicXML
->MusicXML is an XML-based file format for representing Western musical notation. The format is open, fully documented, and can be freely used
-
-- https://www.musicxml.com/
-- https://www.soundslice.com/musicxml-viewer/
-
-## Incubation
-- https://www.vexflow.com/
-- https://lilypond.org/
-- https://www.coreymwamba.co.uk/musify/
\ No newline at end of file
diff --git a/pages/concepts.archive.md b/pages/concepts.archive.md
index ee90ff8..869b643 100644
--- a/pages/concepts.archive.md
+++ b/pages/concepts.archive.md
@@ -1,11 +1,21 @@
# Archive
+**To store or not to store....**
+
## Theory
### [[concepts.archives.art]]
+### [[concepts.memory]]
+### [[concepts.trailblazers]]
-## Digital
+## #techmech
### Tools
[[tools.archivebox]]]
-#### Twitter
-https://the.rip
\ No newline at end of file
+#### [[concepts.bookmarking]]
+
+#### Twitter thread to markdown
+https://the.rip
+
+#### [[tools.markdown]]
+- [MarkDownload](https://addons.mozilla.org/en-GB/firefox/addon/markdownload/) :+1:
+- better than single page download?
\ No newline at end of file
diff --git a/pages/concepts.archives.art.md b/pages/concepts.archives.art.md
index cfad5b0..52e3980 100644
--- a/pages/concepts.archives.art.md
+++ b/pages/concepts.archives.art.md
@@ -17,7 +17,7 @@
>As can be seen, the _Mnemosyne Atlas_ is not properly a book or atlas in the traditional sense. It is rather a deconstructive space, a milieu for contrast and dialogue, and a battleground of images and mutable concepts that proceeds according to connections and disjunctions. As is well known, Warburg called such mechanism the "law of the good neighbor." For his part, Georges Didi-Huberman, who has carried out exhaustive research into the _Atlas_ of Aby Warburg, alludes to a dialectical montage aimed at dealing with discontinuities and partial knowledge. In Didi-Huberman’s view, Warburg shows a destructive behavior that paradoxically makes room for the appearance of creative relations. Thus, thanks to this anti-method, Warburg promotes the arousal of unpredictable events within the epistemological realm. In this context, it is highly significant that Warburg’s disorganized procedure bears a strong resemblance to Gilles Deleuze and Félix Guattari’s rhizomatic proposal.[\[8\]](https://contempaesthetics.org/newvolume/pages/article.php?articleID=812#FN8) As it is put by those authors, a rhizome is not a root and neither a tree, both of which grow vertically. On the contrary, the rhizome grows horizontally, connecting and disconnecting diverse points.
-### Online tours
+### Online tours --> [[concepts.archives.art.tours]]
- https://warburg.sas.ac.uk/aby-warburgs-bilderatlas-mnemosyne-virtual-exhibition
- https://warburg.sas.ac.uk/library-collections/warburg-institute-archive/online-bilderatlas-mnemosyne
- [Cornell Uni - Ten panels from the Mnemosyne Atlas](https://warburg.library.cornell.edu/)
@@ -33,14 +33,15 @@
- https://web.archive.org/web/20171113093551/http://zkm.de/en/blog/2016/10/what-can-be-done-with-images
- https://markamerika.com/news/from-the-zkm-collection-writing-the-history-of-the-future
- [From rhizome perspective?](https://contempaesthetics.org/newvolume/pages/article.php?articleID=812#FN3)
- - [[concepts.rhizome]]
+ - [[incubation.rhizome]]
### [[people.AbyWarburg]]
>There were other problems that made the work on the Atlas an infinite endeavour. Warburg was a technophile. He was interested in telecommunication, the press and travelling; all these new technologies enabled new forms of travelling, but also prolonged the old idea of migration that connected civilizations from the beginning. _Technology_, for example in the form of printing,was also the direct link between Dürer’s engravings and the 28 telephones in his avant-garde library building. He had already written an article entitled „Airship and submarine in medieval imagination“ that suggested that former societies had anticipated what he called “vehicles of thought” and imagination that we dispose of today. Images were their vehicles.
> - http://www.educ.fc.ul.pt/hyper/resources/mbruhn/
### [[people.GeorgesDidiHuberman]]
-
+- I of Hermes
+-
## [Arcades Project](https://en.wikipedia.org/wiki/Arcades_Project)
- [[people.WalterBenjamin]]
@@ -48,6 +49,6 @@
## media archeology
- - [[linearity]]
- - [[areas.anarcheology]]
+ - [[concepts.linearity]]
+ - [[incubation.anarcheology]]
- [[incubation.speednote.]]
diff --git a/pages/concepts.archives.art.tours.md b/pages/concepts.archives.art.tours.md
new file mode 100644
index 0000000..b7a87f8
--- /dev/null
+++ b/pages/concepts.archives.art.tours.md
@@ -0,0 +1,13 @@
+# Online tours
+
+### Mnemosyne Atlas --> [[people.AbyWarburg]]
+- https://warburg.sas.ac.uk/aby-warburgs-bilderatlas-mnemosyne-virtual-exhibition
+- https://warburg.sas.ac.uk/library-collections/warburg-institute-archive/online-bilderatlas-mnemosyne
+- [Cornell Uni - Ten panels from the Mnemosyne Atlas](https://warburg.library.cornell.edu/)
+
+
+### Jan Patocka -->[[people.JanPatocka]]
+- https://my.matterport.com/show/?m=JguEFtshpUo
+
+### +
+- https://sketchfab.com/3d-models/calvin-hobbes-the-big-bang-dd484cd2dc9e477381e152b69d329506
diff --git a/pages/concepts.backlinks.md b/pages/concepts.backlinks.md
index 45f24a6..a2c862a 100644
--- a/pages/concepts.backlinks.md
+++ b/pages/concepts.backlinks.md
@@ -2,4 +2,16 @@
kind of a big deal in rome
---
+
+> A core technical difference between a Nelsonian network and what we have become familiar with online is that \[Nelson's\] network links were two-way instead of one-way. In a network with two-way links, each node knows what other nodes are linked to it. ... Two-way linking would preserve context. It's a small simple change in how online information should be stored that couldn't have vaster implications for culture and the economy.[\[16\]](https://en.wikipedia.org/wiki/Ted_Nelson#cite_note-16)
+> - [Jaron Lanier](https://en.wikipedia.org/wiki/Jaron_Lanier "Jaron Lanier") explains the difference between the World Wide Web and Nelson's vision, and the implications:
+
+---
+
+How do backlinks relate to
+- [[concepts.context]]
+- [[concepts.map]]
+- [[concepts.bookmarking]]
+
+## #techmech
[GitHub - andymatuschak/note-link-janitor: Maintains backlink structure among interlinked Markdown notes](https://github.com/andymatuschak/note-link-janitor)
diff --git a/pages/concepts.bookmarking.md b/pages/concepts.bookmarking.md
index 8b6fe30..d886808 100644
--- a/pages/concepts.bookmarking.md
+++ b/pages/concepts.bookmarking.md
@@ -1,13 +1,15 @@
-## bookmarking
+## #techmech
+
+### bookmarking
https://unmark.it/
shaarli.org/
-## images
+### images
https://docs.getpinry.com/
-## reading
+### reading
https://wallabag.org/en
https://github.com/go-shiori/shiori
-## archiving
-archivebox
\ No newline at end of file
+### archiving
+[[tools.archivebox]]
\ No newline at end of file
diff --git a/pages/concepts.context.md b/pages/concepts.context.md
new file mode 100644
index 0000000..31d92a9
--- /dev/null
+++ b/pages/concepts.context.md
@@ -0,0 +1,3 @@
+??????
+
+[[concepts.map]]
\ No newline at end of file
diff --git a/pages/concepts.cryptoart.md b/pages/concepts.cryptoart.md
index 0fc4e57..6887853 100644
--- a/pages/concepts.cryptoart.md
+++ b/pages/concepts.cryptoart.md
@@ -21,6 +21,8 @@
## Stores
+>opensea či rarible jsou spíš takové katalagy nft tokenu na ethereu... mintnout tam může každý cokoliv.. pokud svému dílu neuděláš náležité promo na sociálních sítích /twitter, insta, discord/ tak je jen malá pravděpodobnost že si ho někdo všimne... na druhou stranu existuje spousta výběrových marketů, které si hlídají kvalitu, ale je na ně o poznání těžší se dostat... na základě pozvánek fugnuje třeba foundation.app, je to stejný princip jako býval tady na nyxu... na výběrové markety jako nifty niftygateway a nebo superare musíš poslat poměrně dost informací o sobě, představit se v krátkém videu a mít už za sebou zřetelnou uměleckou dráhu. v současné době dost lidí z nifty gateway utíká právě směrem superrare a makersplace.
+
### 101
- https://blockonomi.com/nfts-collecting-creating-guide/
- https://dappradar.com/blog/top-7-nft-marketplaces-beginners-guide
diff --git a/pages/concepts.digital garden.md b/pages/concepts.digital garden.md
index 37222f9..ef000b4 100644
--- a/pages/concepts.digital garden.md
+++ b/pages/concepts.digital garden.md
@@ -6,6 +6,11 @@
![[dg_scheme.png]]
__________________________________
+### Garage doors open
+
+[Szymon Kaliski on Twitter: "two things have been on my mind lately (or maybe I‘m only verbalizing them now): pixel space in digital tools (https://t.co/FUo2NUwHo5) and “fractality” of some things in software (https://t.co/t8OlhGOGPJ) sharing in an attempt to “work with the garage doors open”" / Twitter](https://mobile.twitter.com/szymon_k/status/1320040354117263362?s=20)
+
+
### Articles
- [A Brief History & Ethos of the Digital Garden](https://maggieappleton.com/garden-history)
- [Digital Gardening by Maggie Appleton](https://github.com/MaggieAppleton/digital-gardeners) !!!
@@ -22,8 +27,9 @@ __________________________________
- [maggieappleton](https://maggieappleton.com/garden/)
- [Andy Matuschak](https://notes.andymatuschak.org)
- - [nikitavoloboev/knowledge: Everything I know](https://github.com/nikitavoloboev/knowledge)
+- https://groktiddlywiki.com/read/
-### Knowledge Managment
+### [[concepts.knowledge managment]]
- [Every Page Is Page One](https://everypageispageone.com/the-book/)
- [PARA](https://fortelabs.co/blog/para/) #para
@@ -61,36 +67,12 @@ __________________________________
- https://growi.org/en/#features
#hedgedoc
-### Related - hyperlinks
-
-#### [inform](https://inform.sdbs.cz)
-
-#### [pile](https://pile.sdbs.cz)
-
-#### [sdbs hedgedoc](https://hedgedoc.sdbs.cz)
### Related internal
-#### [concepts.filetag](concepts.filetag.md)
-
-
+#### [areas.filetag](areas.filetag.md)
---------------------------------
---------------------------------
-## Praxis
-
-### almost essential to sort out
-- [ ] jak syncovat tento document
- - [x] syncthing
- - [x] markdown server/parser => [gardenserver](gardenserver.md)
-- [ ] folders?
- - [ ] how to aproach
- - [ ] folders x vaults
- - [ ] vaults x domains
- -  ?
- - ! [ ](screen.areas.png)
- - digital.garden.sdbs.cz x aleadub.garden.sdbs.cz x ksx.garden.sdbs.cz
-- [x] webmentions?
----------------------------------
## To Sort
- https://wiki.thingsandstuff.org/Main_Page
@@ -100,7 +82,7 @@ __________________________________
- https://busterbenson.com/piles/
- http://gordonbrander.com/pattern/design-patterns/
----------------------------------
------------------------------
+
+
https://www.are.na/ajmir-kandola/gardens-of-tomorrow
\ No newline at end of file
diff --git a/pages/concepts.disambiguation.md b/pages/concepts.disambiguation.md
index 52de79d..a7f6a9e 100644
--- a/pages/concepts.disambiguation.md
+++ b/pages/concepts.disambiguation.md
@@ -1 +1,3 @@
-https://blogs.harvard.edu/sj/2009/06/25/on-disambiguation-and-the-atomization-of-meaning/
\ No newline at end of file
+> _Disambiguate_ has been a somewhat obscure term for ‘specify’ for ages. And the noun form, _disambiguation_, has been used even more sparingly. At some point in the last century, perhaps in the 1950s, it became a popular term in computational linguistics. And before that it was basically only used by one person, writing about logic and semantics in the early 19th century. All of this sprang to my mind because of the tremendous popularity of the word in and through Wikipedia. In the encyclopedia, it is the canonical way to describe the clarification of an ambiguous term, the indication of type used to specify the context of an article title.
+> - https://blogs.harvard.edu/sj/2009/06/25/on-disambiguation-and-the-atomization-of-meaning/
+
diff --git a/pages/concepts.filesystem.md b/pages/concepts.filesystem.md
index 45a1b0a..7460ea7 100644
--- a/pages/concepts.filesystem.md
+++ b/pages/concepts.filesystem.md
@@ -2,4 +2,5 @@
--------
-[making computers better - how we store and collaborate on our work](https://adamwiggins.com/making-computers-better/storage)
\ No newline at end of file
+[making computers better - how we store and collaborate on our work](https://adamwiggins.com/making-computers-better/storage)
+
diff --git a/pages/concepts.hypertext.md b/pages/concepts.hypertext.md
index 1d7d71d..550b223 100644
--- a/pages/concepts.hypertext.md
+++ b/pages/concepts.hypertext.md
@@ -1,27 +1,46 @@
# hypertext
-## #incubation
-------------
-### blazers summary
-- [Web, který nebyl: Xanadu a alternativní pojetí hypertextu](https://pile.sdbs.cz/item/82)
+
+
+## blazers PoV
+- [[projects.pile]] >> docs: https://pile.sdbs.cz/tag/19
+ - [Web, který nebyl: Xanadu a alternativní pojetí hypertextu](https://pile.sdbs.cz/item/82)
- http://www.eastgate.com/HypertextNow/
-------------
+
+
+
+### [[people.TedNelson]]
+
+#### - [[concepts.parallel textface]]/[[concepts.knowledge managment]] / [[areas.filetag]]
+> A document is not necessarily a simulation of paper. **In the most general sense, a document is a package of ideas created by human minds and addressed to human minds, intended for the furtherance of those ideas and those minds.** Human ideas manifest as text, connections, diagrams and more: thus how to store them and present them is a crucial issue for civilization.
+> - Theodor H. Nelson in “[Transliterature: A Humanist Format for Re-Usable Documents and Media](http://transliterature.org)” \[site seems to be offline\]
+
+#### about web
+> _I DON’T BUY IN_
+>
+>_[…]_
+>
+>_The original hypertext project, Xanadu®, has always been about pure document structures where authors and readers don’t have to think about computerish structures of files and hierarchical directories. The Xanadu project has endeavored to implement a pure structure of links and facilitated re-use of content in any amounts and ways, allowing authors to concentrate on what mattered._
+>
+>_[…]_
+>
+>_Markup must not be embedded. Hierarchies and files must not be part of the mental structure of documents. Links must go both ways. All these fundamental errors of the Web must be repaired. But the geeks have tried to lock the door behind them to make nothing else possible._
+
+#### ![[concepts.backlinks]]
+
### etc
+- https://www.wired.com/1995/06/xanadu/
+- https://ben.balter.com/2015/11/12/why-urls/
+- ----> https://subconscious.substack.com/p/hypertext-montage
+
+#### [[people.MaggieAppleton]] summaries about current state
- https://maggieappleton.com/bidirectionals
- https://maggieappleton.com/pattern-languages
- https://maggieappleton.com/xanadu-patterns
- https://maggieappleton.com/neocyborgs
-- https://ben.balter.com/2015/11/12/why-urls/
-- https://www.wired.com/1995/06/xanadu/
-
-------------
-
-> A core technical difference between a Nelsonian network and what we have become familiar with online is that \[Nelson's\] network links were two-way instead of one-way. In a network with two-way links, each node knows what other nodes are linked to it. ... Two-way linking would preserve context. It's a small simple change in how online information should be stored that couldn't have vaster implications for culture and the economy.[\[16\]](https://en.wikipedia.org/wiki/Ted_Nelson#cite_note-16)
-> - [Jaron Lanier](https://en.wikipedia.org/wiki/Jaron_Lanier "Jaron Lanier") explains the difference between the World Wide Web and Nelson's vision, and the implications:
-
-> A document is not necessarily a simulation of paper. **In the most general sense, a document is a package of ideas created by human minds and addressed to human minds, intended for the furtherance of those ideas and those minds.** Human ideas manifest as text, connections, diagrams and more: thus how to store them and present them is a crucial issue for civilization.
-> - Theodor H. Nelson in “[Transliterature: A Humanist Format for Re-Usable Documents and Media](http://transliterature.org)” \[site seems to be offline\]
+-
+#### Quotes about web
>My internet is substantially quieter than yours, and teaches me new things every day.
> - [Bruce Sterling](https://www.wired.com/beyond-the-beyond/2020/06/islands-in-the-blog/)
@@ -29,11 +48,23 @@
>If someone thinks putting work online or putting subtitles on a video or turning the volume up or having a transcript compromises the experience, then we don’t need to work together. Surprisingly, these are rebuttals I hear mostly from administrators and curators— rarely from artists. I’m very fortunate in that I commission new work almost exclusively from artists, specifically for the digital space, so these are conversations that we’re having at the outset, not after the fact, and even that isn’t enough. I could and need to do more.
>- [What We Mean When We Rant about Digital Art](https://canadianart.ca/interviews/what-we-mean-when-we-rant-about-digital-art/)
-## Related
-[[DigitalGardenAnabasis/annotation]]
-[[concepts.ergodic.literature]]
+>Hosts control URLs. When they delete a URL’s content, intentionally or not, readers find an unreachable website. This often irreversible decay of Web content is commonly known as linkrot. It is similar to the related problem of content drift, or the typically unannounced changes––retractions, additions, replacement––to the content at a particular URL.
+>- https://www.cjr.org/analysis/linkrot-content-drift-new-york-times.php
------
-
+## Adjacent
+
+- [[incubation.annotation]]
+- [[concepts.archives.art]]
+- [[concepts.trailblazers]]
+- [[concepts.literature.ergodic]]
+- [[concepts.map]]
+
+
+-------------
+-------------
+-------------
+
+
+
+-------------
--------------
\ No newline at end of file
diff --git a/pages/concepts.knowledge managment.md b/pages/concepts.knowledge managment.md
index ab735c9..d9a06a2 100644
--- a/pages/concepts.knowledge managment.md
+++ b/pages/concepts.knowledge managment.md
@@ -1,5 +1,4 @@
# knowledge managment
-#incubation
## normcore.essential
>Knowledge management (KM) is the process of creating, sharing, using and managing the knowledge and information of an organization.[1] It refers to a multidisciplinary approach to achieve organisational objectives by making the best use of knowledge.[2]
@@ -7,37 +6,47 @@
>Personal knowledge management (PKM) is a process of collecting information that a person uses to gather, classify, store, search, retrieve and share knowledge in their daily activities (Grundspenkis 2007) and the way in which these processes support work activities (Wright 2005). It is a response to the idea that knowledge workers need to be responsible for their own growth and learning (Smedley 2009). It is a bottom-up approach to knowledge management (KM) (Pollard 2008).
>>https://en.wikipedia.org/wiki/Personal_knowledge_management
-### Memex & [[people.VannevarBush ]] & [[concepts.trailblazers]]
+### Memex & [[people.VannevarBush]] & [[concepts.trailblazers]]
>The memex (originally coined "at random",[1] though sometimes said to be a portmanteau of "memory" and "index"[2]) is the name of the hypothetical proto-hypertext system that Vannevar Bush described in his 1945 The Atlantic Monthly article "As We May Think". Bush envisioned the memex as a device in which individuals would compress and store all of their books, records, and communications, "mechanized so that it may be consulted with exceeding speed and flexibility". The memex would provide an "enlarged intimate supplement to one's memory".[3] The concept of the memex influenced the development of early hypertext systems (eventually leading to the creation of the World Wide Web) and personal knowledge base software.[4] The hypothetical implementation depicted by Bush for the purpose of concrete illustration was based upon a document bookmark list of static microfilm pages and lacked a true hypertext system, where parts of pages would have internal structure beyond the common textual format. Early electronic hypertext systems were thus inspired by memex rather than modeled directly upon it.
>>https://en.wikipedia.org/wiki/Memex
-#chaostream
+- https://learningmetonymy.wordpress.com/2008/12/26/bush-more-memex/
+- https://www.theatlantic.com/magazine/archive/1945/07/as-we-may-think/303881/
-## Methodologies and theory
-[Knowledge Managment](concepts.digital%20garden.md#Knowledge%20Managment)
+## [[concepts.knowledge managment.methodologies]]
-### Zettelkasten
->A zettelkasten consists of many individual notes with ideas and other short pieces of information that are taken down as they occur or are acquired. The notes are numbered hierarchically, so that new notes may be inserted at the appropriate place, and contain metadata to allow the note-taker to associate notes with each other. For example, notes may contain tags that describe key aspects of the note, and they may reference other notes. The numbering, metadata, format and structure of the notes is subject to variation depending on the specific method employed.
->> https://en.wikipedia.org/wiki/Zettelkasten
+## Adjacent
-- https://leananki.com/zettelkasten-method-smart-notes/
+- [[fulldocs.matuschak.ontologies.associative]] by [[people.AndyMatuschak]]
-### PARA
+### [Memory](concepts.memory.md)
+### [[concepts.archives.art]]
+### [[concepts.Digital Asset Managment]]
+### [[concepts.digital garden]]
-### Evergreen notes
-- [Evergreen notes](https://notes.andymatuschak.org/Evergreen_notes)
+-----------
-### [[concepts.moc]]
+
+
+-----------
+
+
+---
-### UDC
->The Universal Decimal Classification (UDC) is a bibliographic and library classification representing the systematic arrangement of all branches of human knowledge organized as a coherent system in which knowledge fields are related and inter-linked.
->> - https://www.reddit.com/r/datacurator/comments/5sj1g2/an_introduction_to_universal_decimal/
+--------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
+
+--------------------------------------------------------------------------------
+
+# #chaostream
+
## Tools
>A management information base (MIB) is a database used for managing the entities in a communication network.
>> https://en.wikipedia.org/wiki/Management_information_base
+- [Nice mini essay about tools and notetaking](https://macwright.com/2021/03/16/return-of-fancy-tools.html)
+
- notion
- [tools.obsidian](tools.obsidian.md)
- [[tools.dendron]]
@@ -48,40 +57,30 @@
- https://www.steveliu.co/memex
--------------------------------------------------------------------------------
-## [Memory](concepts.memory.md)
-## [[concepts.archives.art]]
-## Tools for thought
+### Tools for thought
- [How can we develop transformative tools for thought?](https://numinous.productions/ttft/)
-- [Prefer associative ontologies to hierarchical taxonomies](https://notes.andymatuschak.org/z29hLZHiVt7W2uss2uMpSZquAX5T6vaeSF6Cy)
--------------------------------------------------------------------------------
# To Sort
+
+
- https://www.notion.so/tools-and-craft/03-ted-nelson #video
-- https://www.theatlantic.com/magazine/archive/1945/07/as-we-may-think/303881/
+
- https://alumni.media.mit.edu/~rhodes/Papers/remembrance.html
- https://carroftheoverflow.wordpress.com/2016/08/06/dont-let-the-memex-be-a-dreamex/
-- https://learningmetonymy.wordpress.com/2008/12/26/bush-more-memex/
+
- https://djon.es/blog/2020/07/06/designing-a-personal-memex-with-foam/
- [Michel Foucault's Conception of Discourse as Knowledge and Power](https://www.youtube.com/watch?v=mb02e2SYdGg)
-Garage doors open
------------------
-[Szymon Kaliski on Twitter: "two things have been on my mind lately (or maybe I‘m only verbalizing them now): pixel space in digital tools (https://t.co/FUo2NUwHo5) and “fractality” of some things in software (https://t.co/t8OlhGOGPJ) sharing in an attempt to “work with the garage doors open”" / Twitter](https://mobile.twitter.com/szymon_k/status/1320040354117263362?s=20)
------------
-
------------
-
-
----
diff --git a/pages/concepts.knowledge managment.methodologies.md b/pages/concepts.knowledge managment.methodologies.md
new file mode 100644
index 0000000..1cfa636
--- /dev/null
+++ b/pages/concepts.knowledge managment.methodologies.md
@@ -0,0 +1,34 @@
+## Methodologies and theory
+[Knowledge Managment](concepts.digital%20garden.md#Knowledge%20Managment)
+
+## Terms
+### [[concepts.digital garden]]
+
+### Evergreen notes
+- [Evergreen notes](https://notes.andymatuschak.org/Evergreen_notes)
+
+### [[concepts.moc]]
+
+## Methodologies
+### Zettelkasten
+>A zettelkasten consists of many individual notes with ideas and other short pieces of information that are taken down as they occur or are acquired. The notes are numbered hierarchically, so that new notes may be inserted at the appropriate place, and contain metadata to allow the note-taker to associate notes with each other. For example, notes may contain tags that describe key aspects of the note, and they may reference other notes. The numbering, metadata, format and structure of the notes is subject to variation depending on the specific method employed.
+>> https://en.wikipedia.org/wiki/Zettelkasten
+
+- https://leananki.com/zettelkasten-method-smart-notes/
+
+### PARA
+> ![[Pasted image 20210802171947.png]]
+> > https://medium.com/praxis-blog/the-p-a-r-a-method-a-universal-system-for-organizing-digital-information-75a9da8bfb37
+
+> 
+> > https://fortelabs.co/blog/para/
+
+
+
+
+## Libraries and history
+### [[concepts.archives.art]]
+### [[concepts.archive]]
+### UDC
+>The Universal Decimal Classification (UDC) is a bibliographic and library classification representing the systematic arrangement of all branches of human knowledge organized as a coherent system in which knowledge fields are related and inter-linked.
+>> - https://www.reddit.com/r/datacurator/comments/5sj1g2/an_introduction_to_universal_decimal/
diff --git a/pages/concepts.linearity.md b/pages/concepts.linearity.md
new file mode 100644
index 0000000..1c00e83
--- /dev/null
+++ b/pages/concepts.linearity.md
@@ -0,0 +1,5 @@
+------------->
+
+
+>> --------->
+
diff --git a/pages/concepts.map.md b/pages/concepts.map.md
new file mode 100644
index 0000000..663e9c0
--- /dev/null
+++ b/pages/concepts.map.md
@@ -0,0 +1,95 @@
+# Map
+#chaostream #incubation
+
+## Mapping quotes
+
+>what is the map is not a bug, it's a future
+>> delojza ([KSX byproduct](https://kunsaxan.sdbs.cz/)) [markov chain generator](https://en.wikipedia.org/wiki/Markov_chain)
+
+-----------
+
+>Because there is no limit to the number of possible map projections, there can be no comprehensive list.
+>> https://en.wikipedia.org/wiki/List_of_map_projections
+
+-----------
+
+> a map is a (usually fixed) representation to help navigate a space—it wouldn’t necessarily contain the kind of qualitative inquiry you’re referring to.
+>> https://forum.obsidian.md/t/lyt-kit-now-downloadable/390
+
+-----------
+
+> Unlike the graphic arts, drawing, or photography, unlike tracings, the rhizome pertains to a map that must be produced, constructed, a map that is always detachable, connectable, reversible, modifiable, and has multiple entryways and exits and its own lines of flight.
+>>[\[17\]](https://contempaesthetics.org/newvolume/pages/article.php?articleID=812#FN17)]
+
+-----------
+
+> What distinguishes the map from the tracing is that it is entirely oriented toward an experimentation in contact with the real. The map does not reproduce an unconscious closed in upon itself; it constructs the unconscious. It fosters connections between fields, the removal of blockages on bodies without organs, the maximum opening of bodies without organs onto a plane of consistency. It is itself a part of the rhizome. The map is open and connectable in all of its dimensions; it is detachable, reversible, susceptible to constant modification. It can be torn, reversed, adapted to any kind of mounting, reworked by an individual, group, or social formation. It can be drawn on a wall, conceived of as a work of art, constructed as a political action or as a meditation.
+> - DnG - ATP [[1000plateus]]
+
+-----------
+
+> ![[JamesCorner_AgencyOfMapping2021-07-18 20-56-45.png.annotations]]
+
+
+-----------
+
+> Indeed, Carter refers to the ‘inertia and levelling of possibilities’, even political impossibility, designers face in trying to realize projects out of the ordinary in a mass democracy. Because of the duality of a map – that is both analogous to reality yet abstracted from it – and hence its association with objectivity, truth and neutrality, the process of mapping offers a potent vehicle for the actualization of theory in the built environment, especially at the urban scale.
+> Half a century before Corner, in “On Exactitude in Science,” Jorge Luis Borges had presaged the uselessness of cartography as tracing. In Borges’s tale, a gigantic, over-detailed map is abandoned specifically because of its redundancy with the actual territory. Corner cites Borges to support his argument that mappings as replicas are worthless. Indeed, maps cannot be entirely objective, as representing spatiality entails some form of cultural situatedness. The techniques of ‘drift’, ‘layering’, ‘game-board’ and ‘rhizomes’ are described by Corner as practices in contemporary design and planning that open up new possibilities for mapping. Such thematic techinques share a personal approach to territorial representation, the contestation of dominant images of the city as well as the multiplicity and decentering of mappings. Challenging the traditional conception of static space, Corner aims for a return to the original exploratory character of mapping, not physically like the first explorers, but creatively through mind.
+> - Camille Bédard
+> - https://architecturesofspatialjustice.wordpress.com/2012/10/09/agency_mapping/
+
+-----------
+
+> Drift- This are the maps which are created using series of explanations and participatory acts with no rules to it. This helps in mapping some of the hidden topographies in the city.
+>
+> Layering- In this the city or the place is divided in terms of layers which are superimposed on one another, each of the layer here shows a different mapped aspect of that place.
+>
+> Game-board- Maps are kept as a game board with particular game rules and anyone can take part in this game, it’s like a competition which helps in negotiating some of the complex planning decisions.
+>
+> Rhizome- It has a concept of open ended maps in which a point connects to any other point, this type of maps always be in the middle with no beginning or end to it. This is a continuous process and different aspects keep on adding to the map in terms of point connections.
+> - https://ideabatch2.wordpress.com/2017/01/25/the-agency-of-mapping-speculation-critique-and-invention-james-corner-edited-by-denis-cosgrove-1999-divyarajsinh-rana/
+
+
+-----------
+-----------
+
+## fulldocs.at.garage
+
+- [[fulldocs.twitter.booksasmaps]]
+ - https://old.reddit.com/r/slatestarcodex/comments/mvs0vf/what_books_are_for_a_response_to_why_books_dont/
+- [[fulldocs.mastodon.gis]]
+
+---------
+----------
+## Questions of perspective
+### Space
+- https://www.boredpanda.com/different-perspective-telephoto-lens-vs-wide-angle-philip-davali-olafur-steinar-ry/
+### Time
+- https://www.lancaster.ac.uk/chronotopic-cartographies/
+
+-----------------
+-----------------
+
+## Adjacent
+
+- [[1000plateus]]
+- [[concepts.topology]]
+- [[concepts.topography]]
+- [[concepts.disambiguation]]
+
+-----------------
+-----------------
+
+# #incubation
+
+![[mapping_language.png]]
+
+
+
+-----------------
+### mapping neuromancer
+- https://cindyjuheunlee.blogspot.com/2011/11/proposal-for-mapping.html
+
+-------------------
+-------------------
+
diff --git a/pages/concepts.memory.md b/pages/concepts.memory.md
index fdeaaac..f4672eb 100644
--- a/pages/concepts.memory.md
+++ b/pages/concepts.memory.md
@@ -1,29 +1,8 @@
# Memory
:diamond_shape_with_a_dot_inside:
-> Our praxis
-(manipulations) with electronic mem-
-ories force us to admit that memory is
-not a thing but a process, whether that
-process involves computer hardware or
-our bodies. This praxis forces us to
-admit that there is no hard core within
-each of us which somehow mysteriously
-governs that process, but that the
-process of acquiring, storing and trans-
-mitting information flows through us
-and involves not only all of present and
-past society but also the whole of what
-we call 'the world'. We are but knots
-within a universal network of information flux that receive, process and trans-
-mit information. Our praxis with elec-
-tronic memories forces us to admit that
-what each of us calls 'I' is a knot of
-relations that, when unraveled, reveals
-itself to have no hook on which those
-relations may hang (like the proverbial
-onion).
-> - Vilém Flusser - ["On Memory (Electronic or Otherwise)"]
+> Our praxis (manipulations) with electronic memories force us to admit that memory is not a thing but a process, whether that process involves computer hardware or our bodies. This praxis forces us to admit that there is no hard core within each of us which somehow mysteriously governs that process, but that the process of acquiring, storing and transmitting information flows through us and involves not only all of present and past society but also the whole of what we call 'the world'. We are but knots within a universal network of information flux that receive, process and transmit information. Our praxis with electronic memories forces us to admit that what each of us calls 'I' is a knot of relations that, when unraveled, reveals itself to have no hook on which those relations may hang (like the proverbial onion).
+> - [[people.VilemFlusser]] - ["On Memory (Electronic or Otherwise)"]
## Articles, etc.
@@ -41,7 +20,7 @@ onion).
- https://getantarapp.com/
- [There is No Software - Friedrich Kittler](https://web.archive.org/web/20181016072632/http://www.ctheory.net/articles.aspx?id=74)
-### Kiergaard
+### [[people.Kiergaard]]
- memory x repetion
- https://philosophy.stackexchange.com/questions/47084/what-does-kierkegaard-mean-by-recollection-repetition-and-remembrance
- https://en.wikipedia.org/wiki/Repetition_(Kierkegaard_book)
@@ -50,4 +29,9 @@ onion).
---------------------------------
>"The best way to get the right answer on the Internet is not to ask a question; it's to post the wrong answer."
-> - [Cunningham's law](https://meta.wikimedia.org/wiki/Cunningham%27s_Law)
\ No newline at end of file
+> - [Cunningham's law](https://meta.wikimedia.org/wiki/Cunningham%27s_Law)
+
+# Adjacent
+- [[concepts.knowledge managment]]
+- [[concepts.archive]]
+- [[people.VannevarBush]]
\ No newline at end of file
diff --git a/pages/concepts.moc.md b/pages/concepts.moc.md
index c041fc9..e008435 100644
--- a/pages/concepts.moc.md
+++ b/pages/concepts.moc.md
@@ -11,4 +11,5 @@
-----------------------
## Adjacent
- [[concepts.knowledge managment]]
-- [[incubation.map]]
\ No newline at end of file
+- [[concepts.map]]
+- [[fulldocs.tags-tallguyjenks]]
\ No newline at end of file
diff --git a/pages/concepts.moc.sync-conflict-20210505-142412-HIYJI7N.md b/pages/concepts.moc.sync-conflict-20210505-142412-HIYJI7N.md
deleted file mode 100644
index 76dcb48..0000000
--- a/pages/concepts.moc.sync-conflict-20210505-142412-HIYJI7N.md
+++ /dev/null
@@ -1,12 +0,0 @@
-# [[incubation.map]] of content
-[[concepts.knowledge managment]]
-
-- Map Of Content
-
->MOCs are more than just a structure/hub/outline note.
->(1) **MOCs are incubators**. Place notes in there and let them marinate. You can see exactly this use case, upon download of the text files, here: [On the process of forging evergreen notes 214](https://forum.obsidian.md/t/on-the-process-of-forging-evergreen-notes/710)
->I have not seen any examples of hub/outline/structure notes used in this capacity.
->(2) **MOCs are curated workbenches** where ideas go to war for positioning. In an MOC, ideas are encouraged to be organized in very fluid ways: by intuition, by priority, in sequence, alphabetically, et cetera. This shuffling of ideas is like having 20 index cards on a workbench and figuring out all their foundational relationships—yet evolving the content on the note cards at the same time.
->I will provide the exact use case of this awesome power and link to it »here«. And it truly is awesome once you start using it. I have not seen any examples of hub/outline/structure notes used in this capacity.
->(3) **MOCs are summations of thought on the topic**. As MOCs mature, they can evolve into something closer to a more static annotated Table of Contents (TOC). This is the one use case that I’ve seen for hub/structure/outline notes.
->> - https://forum.obsidian.md/t/lyt-kit-now-downloadable/390/11
\ No newline at end of file
diff --git a/pages/concepts.moc.sync-conflict-20210505-142422-HIYJI7N.md b/pages/concepts.moc.sync-conflict-20210505-142422-HIYJI7N.md
deleted file mode 100644
index 7004326..0000000
--- a/pages/concepts.moc.sync-conflict-20210505-142422-HIYJI7N.md
+++ /dev/null
@@ -1,13 +0,0 @@
-# Map Of Content
-[[concepts.knowledge managment]]
-[[incubation.map]]
-
--
-
->MOCs are more than just a structure/hub/outline note.
->(1) **MOCs are incubators**. Place notes in there and let them marinate. You can see exactly this use case, upon download of the text files, here: [On the process of forging evergreen notes 214](https://forum.obsidian.md/t/on-the-process-of-forging-evergreen-notes/710)
->I have not seen any examples of hub/outline/structure notes used in this capacity.
->(2) **MOCs are curated workbenches** where ideas go to war for positioning. In an MOC, ideas are encouraged to be organized in very fluid ways: by intuition, by priority, in sequence, alphabetically, et cetera. This shuffling of ideas is like having 20 index cards on a workbench and figuring out all their foundational relationships—yet evolving the content on the note cards at the same time.
->I will provide the exact use case of this awesome power and link to it »here«. And it truly is awesome once you start using it. I have not seen any examples of hub/outline/structure notes used in this capacity.
->(3) **MOCs are summations of thought on the topic**. As MOCs mature, they can evolve into something closer to a more static annotated Table of Contents (TOC). This is the one use case that I’ve seen for hub/structure/outline notes.
->> - https://forum.obsidian.md/t/lyt-kit-now-downloadable/390/11
\ No newline at end of file
diff --git a/pages/concepts.nomadism.md b/pages/concepts.nomadism.md
new file mode 100644
index 0000000..3110aed
--- /dev/null
+++ b/pages/concepts.nomadism.md
@@ -0,0 +1,4 @@
+
+
+> “The life of the nomad is the _intermezzo_.”
+> - https://contempaesthetics.org/newvolume/pages/article.php?articleID=812#FN20
\ No newline at end of file
diff --git a/pages/concepts.parallel textface.md b/pages/concepts.parallel textface.md
index f2dcf65..f8bf3bd 100644
--- a/pages/concepts.parallel textface.md
+++ b/pages/concepts.parallel textface.md
@@ -1,7 +1,13 @@
# parallel textface
+[[people.TedNelson]]
>The Parallel Textface that Nelson added to the Xanadu Project in the early 1970's was unique because it allowed a user to create links between documents, even if they were not related. As Nelson notes, "In Bush's trails, the user had no choices to make as he moved through the sequence of items, except at an intersection of trails" (Nelson, 1972, 253). Nelson's system would improve Bush's by giving the user a choice. Additionally, lines that showed the connections between two docuemnts would be displayed on the user's screen. These choices however, would be determined by the user who created the hypertext document.
> - http://www-personal.umich.edu/~mattkaz/history/hypertext2.html
+ matuschak digital garden
+ federated wiki
- + http://fed.wiki.org/view/welcome-visitors/view/about-federated-wiki/about.fed.wiki/structures
\ No newline at end of file
+ + http://fed.wiki.org/view/welcome-visitors/view/about-federated-wiki/about.fed.wiki/structures
+
+
+[[tools.obsidian]] - andymatuschak mode plugin
+
+%{"|:?><<>>"%
\ No newline at end of file
diff --git a/pages/concepts.playlisting.md b/pages/concepts.playlisting.md
index 9c4791e..302e6c8 100644
--- a/pages/concepts.playlisting.md
+++ b/pages/concepts.playlisting.md
@@ -1,7 +1,47 @@
# Playlist
#incubation #chaosstream #radio
-- [Programming Your Own Channel](https://graceoneill.wordpress.com/2009/05/08/programming-your-own-channel/) [areas.anarcheology](areas.anarcheology.md)
+- [incubation.anarcheology](incubation.anarcheology.md)
+- [[incubation.attention.economy]]
+- [[concepts.linearity]]
+- [[incubation.compression]]
+
+>In 1989, British scientist Tim Berners-Lee invented the World Wide Web. By the dawn of the ’90s, the internet had awakened everyone to new technological possibilities. Similarly, music and music listeners were becoming more forward-thinking than ever before. Grunge and heavy metal met in the gauntlet; hip-hop traveled from the underground to the pop charts (N.W.A. out-charted R.E.M. in 1991); pop music became more daring; electronic music began its ascent from small clubs to festival stages. 1991 marked the start of this aggressive reinvention. It was a year that shaped the music we’ve heard for the last three decades. Even today, these 13 albums that were once in rotation in six-disc Sony stereos are responsible for current digital playlists.
+>> https://www.spin.com/photos/1991-albums-shaped-future-music/
+
+>https://mamot.fr/@pluralistic/106359487243544156 pluralistic@mamot.fr - Thus, when the internet was demilitarized and the general public started trickling - and then rushing - to use it, there was a widespread hope that we might break free of the tyranny of concentrated, linear programming (in the sense of "what's on," and "what it does to you").
+>Much of the excitement over Napster wasn't about getting music for free - it was about the mix-tapification of all music, where your custom playlists would replace the linear album.
+>6/
+
+
+
+Expand / Collapse
+
+
+