Automatic update, changed: incubation.interface.md, incubation.screen.md, las.quotes.cities.md

pages/incubation.interface.md

@@ -23,3 +23,9 @@ UI UX...........................
 ![[meme.interface.20210725225803.png]]
 
 [[concepts.parallel textface]]
+
+[[fulldocs.twitter.zoomable_ui]]
+
+[[incubation.screen]]
+
+[[people.SeanCubitt]]

pages/incubation.screen.md

@@ -1,4 +1,4 @@
-# Screen
+# Screen and display
 [[incubation.interface]]
 [[fulldocs.twitter.zoomable_ui]]
 

pages/las.quotes.cities.md

@@ -74,8 +74,9 @@ cisely because it sounds utopic it is realistic.
 ###  [[concepts.situationism]]
 - https://en.wikipedia.org/wiki/Psychogeography
 
+#### [[fulldocs.We Go Round and Round in the Night and Are Consumed by Fire]]
 
-#### theory of derive
+#### [[fulldocs.Theory of the Dérive]]
 > In a dérive one or more persons during a certain period drop their relations, their work and leisure activities, and all their other usual motives for movement and action, and let themselves be drawn by the attractions of the terrain and the encounters they find there. Chance is a less important factor in this activity than one might think: from a dérive point of view cities have psychogeographical contours, with constant currents, fixed points and vortexes that strongly discourage entry into or exit from certain zones.
 
 >Today the different unities of atmosphere and of dwellings are not precisely marked off, but are surrounded by more or less extended and indistinct bordering regions. The most general change that dérive experience leads to proposing is the constant diminution of these border regions, up to the point of their complete suppression. 
@@ -138,6 +139,7 @@ cisely because it sounds utopic it is realistic.
 ### Are we human 
 - tom wilkinson - article
 - Colomina and Wigley - book
+- [[incubation.interface]]
 - to follow
 	- Frederick Kietler - Magic architecture
 	-  An Unfinished Encyclopedia of Scale
@@ -180,6 +182,8 @@ believe in doctors. - Le Corbusier
 > 72. Dick, Do Androids Dream of Electric Sheep?, 28 Compare this passage from Abstraction and Empathy. “In the Ionic temple and the architectural development ensuing upon it the purely constructional skeleton, which is based solely the laws of matter […] was guided over into the more friendly and agreeable life of the organic, and purely mechanical functions became organic in their effect. The criterion of the organic is always the harmonious, always the balanced, the inwardly calm into whose movement and rhythm we can without difficulty flow with the vital sensation of our organisms. In absolute antithesis to the Greek idea of architecture, we have the, on the other hand, the Egyptian pyramid, which calls a halt to our empathy impulse and presents itself to us as a purely crystalline substance. A third possibility now confronts us in the Gothic cathedral, which indeed operates with abstract values, but nonetheless directs an extremely strong and forcible appeal to our capacity for empathy.
 Here, however, constructional relations are not illumined by a feeling for the organic, as is the process in Greek temple building, but purely mechanical relationships of forces are brought to view per se, and in addition these relationships of forces are intensified to the maximum in their tendency to movement and in their content by a power of empathy that extends to the abstract. It is not the life of an organism which we see before us, but that of mechanism. No organic harmony surrounds the feeling of reverence toward the world, but an ever growing and self-intensifying restless striving without deliverance sweeps the inwardly disharmonious psyche away with it in an extravagant ecstasy, into fervent excelsior.” (115
 
+## [[fulldocs.Transmitting Architecture-The Transphysical City]]
+
 ## Adjacent
 - [[concepts.map]]
 - [[concepts.topology]]