Automatic update, changed: 1000p.md, 1000p.warburg.md, Quotes.transmitting.architecture.md, concepts.ephemeralization.md, concepts.structure.md, fulldocs.twitter.selforganizing-system.md, incubation.naming.md

pages/1000p.md

@@ -5,9 +5,12 @@ We must ask if reflexive, spiritual reality does not compensate for this state o
 
 "Does it not seem that alongside the two models, sacrifice and series, totem institution and structure, there is still room for something else, something more semore" (Gilles Deleuze, Felix Guattari – A Thousand Plateaus)
 
+![[Pasted image 20220812165534.png]]
 
----
-
-[[1000p]] [[concepts.rhizome]] 
-
+## Adjacent
+- [[1000p]] 
+- [[concepts.rhizome]] 
+- [[1000p.warburg]]
+- [[concepts.alchemy]]
+- [[incubation.hermes]]
 ---

pages/1000p.warburg.md

@@ -1,4 +1,4 @@
-# [[1000plateus]]  
+# [[1000plateus]]  . warburg
 ### [[people.GeorgesDidiHuberman]] on [[people.AbyWarburg]] and [[concepts.rhizome]] 
 >Didi-Huberman continuously refers to the rhizome in his book, _L’Image survivante_, in which he explicitly connects the _Mnemosyne Atlas_ with rhizomatic processes. See, for example: “_Dialectique du temps qui n’a besoin ni du bien ni du mal, ni des debuts ni des fins pour exprimer sa impureté: faite de rhizomes, répétitions, symptômes_.” (“Dialectics of time which do not require neither the good nor the bad, neither the beggining nor the end, to express their own impurity: make rhizomes, repetitions, symptoms.”) 2002, p. 112, (my translation). He expands this idea in _Atlas. How to Carry the World on One’s Back?_: “The atlas is guided only by changing and provisional principles, the ones that can make new relations appear inexhaustibly - far more numerous than the things themselves - between things and words that nothing seemed to have brought together before.” 2011, p. 16.
 > - https://contempaesthetics.org/newvolume/pages/article.php?articleID=812#FN19

pages/Pasted image 20220812165534.png

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pages/Quotes.transmitting.architecture.md

@@ -1,4 +1,8 @@
-#lalar #architecture
+# Quotes.transmitting.architecture
+## [[fulldocs.Transmitting Architecture-The Transphysical City]]
+
+#lalar #architecture #cyber
+
 > When space existed as a separate category, architecture was the art of space; when time existed as a separate category, music was the art of time. The realization of the deep relation between space and time as spacetime, and the corresponding parallel relation between mass and energy, challenges the idea that architecture and music are separate, and prompts us to conceive of a new art of spacetime: archiMusic. But while we can surely imagine such an artform, we have had no way to actually construct and inhabit the spatiotemporal edifices of that imagination. While our science examines microscopic and macroscopic regions of curved, higher dimensional spacetime, we build within the confines of the small lots of what our limited sensorium can comprehend directly. Even though we depend on devices that rely on phenomena at these other scales, our architecture does nothing to help us form an intuition of the larger world we know through our theories and instruments.
 
 

pages/concepts.ephemeralization.md

@@ -1 +0,0 @@
-https://en.wikipedia.org/wiki/Ephemeralization

pages/fulldocs.twitter.selforganizing-system.md

@@ -18,6 +18,7 @@
   - Norbert Wiener
 - Our pale blue soap bubble island of decreasing entropy, continually finding new creative ways to soak up that wash of warm sunlight.
 
+## Adjacent
 - [[people.AlanKay]]
 - [[people.BuckminsterFuller]]
 - [[people.NorbertWiener]]

pages/incubation.concepts.ephemeralization.md

@@ -0,0 +1,4 @@
+https://en.wikipedia.org/wiki/Ephemeralization
+
+## Adjacent
+- [[incubation.codes]]

pages/incubation.concepts.structure.md

@@ -1,3 +1,6 @@
+# concepts.structure
+
+## Bill Viola three structures
 >Viola felt as if there are 3 different structures to describe patterns of data structures. There is the branching structure, matrix structure, and schizo structure.[[19]](https://en.wikipedia.org/wiki/Bill_Viola#cite_note-19)
 >
 "The most common structure is called branching. In this structure, the viewer proceeds from the top to bottom in time."[[20]](https://en.wikipedia.org/wiki/Bill_Viola#cite_note-ReferenceA-20) The branching structure of presenting data is the typical narrative and linear structure. The viewer proceeds from a set point A to point B by taking an exact path, the same path any other reader would take. An example of this is [Google](https://en.wikipedia.org/wiki/Google "Google") because users go into this website with a certain mindset of what they want to search for, and they get a certain result as they branch off and end at another website.
@@ -5,9 +8,13 @@
 >The second structure is the Matrix structure. This structure describes media when it follows nonlinear progression through information. The viewer could enter at any point, move in any direction, at any speed, pop in and out at any place.[[20]](https://en.wikipedia.org/wiki/Bill_Viola#cite_note-ReferenceA-20) Like the branching structure, this also has its set perimeters. However, the exact path that is followed is up to the user. The user has the option of participating in decision-making that affect the viewing experience of the media. An example of this is Public Secrets, a website that reveals secrets of the justice and the incarceration system within the US for women. There is a set boundary of what users can and can't do while presenting them with different themes and subjects users are able to view. Different users will find themselves taking different paths, using flash cues to guide themselves through the website. This vast selection of paths presents many users with a unique viewing experience (in relation to that of the previous persons). As well, they have the choice to read the excerpts from these women or hear it out loud. This connects to Borges' "The Garden of Forking Paths"[[21]](https://en.wikipedia.org/wiki/Bill_Viola#cite_note-21) where the participant has a variety of choices on how they see a story unfold before them. Each time, they can create a different path.
 >
 >The last structure is called the schizo, or the spaghetti model. This form of data structure pertains to pure or mostly [randomness](https://en.wikipedia.org/wiki/Randomness "Randomness"). "Everything is irrelevant and significant at the same time. Viewers may become lost in this structure and never find their way out."[[20]](https://en.wikipedia.org/wiki/Bill_Viola#cite_note-ReferenceA-20)>
->https://en.wikipedia.org/wiki/Bill_Viola#Viola's_Three_Structures
+>
+> - https://en.wikipedia.org/wiki/Bill_Viola#Viola's_Three_Structures
 
 ## Adjacent
 - [[concepts.linearity]]
 - [[concepts.map]]
-- [[people.BillViola]]
+- [[people.BillViola]]
+- [[areas.architecture]]
+- [[concepts.rhizome]]
+- [[incubation.pattern]]

pages/incubation.naming.md

@@ -1,4 +1,4 @@
 https://web.archive.org/web/20010409194240/http://www.wikipedia.com/wiki/Naming_conventions/Disambiguating
 
-[[concepts.structure]]
+[[incubation.concepts.structure]]
 [[areas.text]]