Automatic update, changed: concepts.playlisting.md, incubation.attention.economy.md, incubation.audio.synthesis.concetative.md, las.quotes.cities.md

pages/concepts.playlisting.md

@@ -8,6 +8,7 @@ this is place to colect flows and notions around
 - channeling
 - streaming
 as gamechangers of culture `consumption`
+and also see [[incubation.attention.economy]]
 
 ## Flows and notions
 
@@ -15,14 +16,14 @@ as gamechangers of culture `consumption`
 >> -  https://www.theguardian.com/books/2021/sep/08/i-dont-care-text-shows-modern-poetry-began-much-earlier-than-believed
 
 >In 1989, British scientist Tim Berners-Lee invented the World Wide Web. By the dawn of the ’90s, the internet had awakened everyone to new technological possibilities. Similarly, music and music listeners were becoming more forward-thinking than ever before. Grunge and heavy metal met in the gauntlet; hip-hop traveled from the underground to the pop charts (N.W.A. out-charted R.E.M. in 1991); pop music became more daring; electronic music began its ascent from small clubs to festival stages. 1991 marked the start of this aggressive reinvention. It was a year that shaped the music we’ve heard for the last three decades. Even today, these 13 albums that were once in rotation in six-disc Sony stereos are responsible for current digital playlists.
->> https://www.spin.com/photos/1991-albums-shaped-future-music/
+> - https://www.spin.com/photos/1991-albums-shaped-future-music/
 
 >https://mamot.fr/@pluralistic/106359487243544156 pluralistic@mamot.fr - Thus, when the internet was demilitarized and the general public started trickling - and then rushing - to use it, there was a widespread hope that we might break free of the tyranny of concentrated, linear programming (in the sense of "what's on," and "what it does to you").
 >Much of the excitement over Napster wasn't about getting music for free - it was about the mix-tapification of all music, where your custom playlists would replace the linear album. 
 >6/
 
 >Songs circulate online among fans for whom an MP3 player set to Shuffle trumps conventional genre as an organizing principle. Refined tastes intertwine with semi-random surf trails to become indistinguishable from each other. Timelines fray, genealogies wander. These under-the-radar exchanges generally happen outside commercial spheres, adding to the fertile mess. You must sift through a lot of junky MP3s to uncover the great ones, but in the end, all the world's sonic secrets are out there, clumped irregularly across the Internet's flat and mighty sprawl. A catchy genre name or evocative creation myth can make the output of a few friends appear as a bustling scene to outside eyes, and the online hype can turn into a selffulfilling prophecy if global excitement trickles down into actual gigs.
->> [[people.JaceClayton]]  
+> - [[people.JaceClayton]]  
 
 
 ![[netflix.showplanning.png]]

pages/incubation.attention.economy.md

@@ -1,15 +1,8 @@
 
-utopiah@mastodon.pirateparty.be - Yes ... https://twitter.com/utopiah/status/1554074975862226946 and sadly my still so terribly current (yet raw) notes on Postman's Amusing Ourselves To Death https://fabien.benetou.fr/ReadingNotes/AmusingOurselvesToDeath​
-
-RT @noUpside@twitter.com
-
-Glad people are coming around to this pov. There is a structure to social networks/media, impossible to separate out fully from the substance (content, behavior) it incentivizes. A mutually-shaping system.
-
-https://www.nytimes.com/2022/08/07/opinion/media-message-twitter-instagram.html?smid=nytcore-ios-share https://www.nytimes.com/2022/08/07/opinion/media-message-twitter-instagram.html?referringSource=articleShare​
-
-🐦🔗: https://twitter.com/noUpside/status/1556684435113889792​
 # attention.economy
 
+## 101
+
 > **Attention economics** is an approach to the [management of information](https://en.wikipedia.org/wiki/Information_management "Information management") that treats human [attention](https://en.wikipedia.org/wiki/Attention "Attention") as a scarce [commodity](https://en.wikipedia.org/wiki/Commodity "Commodity") and applies [economic theory](https://en.wikipedia.org/wiki/Economic_theory "Economic theory") to solve various information management problems. According to [Matthew Crawford](https://en.wikipedia.org/wiki/Matthew_Crawford "Matthew Crawford"), "Attention is a [resource](https://en.wikipedia.org/wiki/Resource "Resource")—a person has only so much of it.
 >  - https://en.wikipedia.org/wiki/Attention_economy
 
@@ -27,7 +20,7 @@ https://www.nytimes.com/2022/08/07/opinion/media-message-twitter-instagram.html?
 - [[people.AndyMatuschak]] note on Programmable attention 
 	- https://notes.andymatuschak.org/zJrfPCbY7GcpV9asEc8NTVzXTAV4TvRFMuY6
 
-![[Pasted image 20220824013443.png]]
+
 
 ## Adjacent
 
@@ -43,7 +36,21 @@ https://www.nytimes.com/2022/08/07/opinion/media-message-twitter-instagram.html?
 - Apathy as tool of [[incubation.attention.economy]]
 - Server nomadism and patchy junctions
 
+-----------
 
 pluralistic@mamot.fr - This is the commercial pressure that turned the esoteric web into the generic web of sensationalism, clickbait and cute animals. It didn't just transform what writers wrote - it also transformed how writers and readers related to one another.
 
 8/
+
+### unclean
+
+utopiah@mastodon.pirateparty.be - Yes ... https://twitter.com/utopiah/status/1554074975862226946 and sadly my still so terribly current (yet raw) notes on Postman's Amusing Ourselves To Death https://fabien.benetou.fr/ReadingNotes/AmusingOurselvesToDeath​
+
+RT @noUpside@twitter.com
+
+Glad people are coming around to this pov. There is a structure to social networks/media, impossible to separate out fully from the substance (content, behavior) it incentivizes. A mutually-shaping system.
+
+https://www.nytimes.com/2022/08/07/opinion/media-message-twitter-instagram.html?smid=nytcore-ios-share https://www.nytimes.com/2022/08/07/opinion/media-message-twitter-instagram.html?referringSource=articleShare​
+
+🐦🔗: https://twitter.com/noUpside/status/1556684435113889792​
+![[Pasted image 20220824013443.png]]

pages/incubation.audio.synthesis.concetative.md

@@ -28,6 +28,7 @@
 - https://github.com/benhackbarth/audioguide
 	- OSX but promising
 
+
 #### Audiostellar
 - https://audiostellar.xyz/
 	- https://www.arj.no/tag/sox/

pages/las.quotes.cities.md

@@ -279,6 +279,9 @@ Here, however, constructional relations are not illumined by a feeling for the o
 
 >Edent - Book Review: Me++ The Cyborg Self and the Networked City - William J. Mitchell https://shkspr.mobi/blog/2022/07/book-review-me-the-cyborg-self-and-the-networked-city-william-j-mitchell/​
 
+Consider Lewis Mumford:
+
+“Between 1820 and 1900 the destruction and disorder within great cities is like that of a battlefield, proportionate to the very extent of their equipment and the strength of the forces employed. In the new province of city building, one must now keep one’s eyes on the bankers, industrialists, and the mechanical inventors. They were responsible for most of what was good and almost all that was bad. In their own image, they created a new type of city—that which Dickens, in Hard Times, called Coketown. In a greater or lesser degree, every city in the Western World was stamped with the archetypal characteristics of Coketown. Industrialism, the main creative force of the nineteenth century, produced the most degraded urban environment the world had yet seen: for even the quarters of the ruling classes were befouled and overcrowded.” (The City In History, 1961).
 
 ------
 - city density? information density? parix x new york