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# city theme
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## Adjacent
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- [[concepts.map]]
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- [[concepts.map]]
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## ??
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- cities as metacities
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- cities as metacities
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- Zoli professes: “Each time, a city is inscribed into a long cultural sequence, of which it is the utmost incident”3.
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- Zoli professes: “Each time, a city is inscribed into a long cultural sequence, of which it is the utmost incident”3.
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- A city is a condition which more or less efficiently meets its citizens. Also it is a context within which consciousness develops. How would a historian describe the contemporary urban period in about 50 years from now?
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- A city is a condition which more or less efficiently meets its citizens. Also it is a context within which consciousness develops. How would a historian describe the contemporary urban period in about 50 years from now?
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> The Internet, which I think of as a sort of meta-city, has made it possible for people who don't live in cities to master areas of expertise that previously required residence in a city, but I think it's still a faith in concentrated choice that drives migration to cities.
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> The Internet, which I think of as a sort of meta-city, has made it possible for people who don't live in cities to master areas of expertise that previously required residence in a city, but I think it's still a faith in concentrated choice that drives migration to cities.
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## Patocka
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- ![[Pasted image 20210617195358.png]]
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- ![[patocka.polis.png]]
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patocka
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patocka
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## ???
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V rámci Světové výstavy EXPO 1910 která se konala v Bruselu vytvořil Otlet s La Fontainem instalaci Mundaneum jako utopickou vizi kosmopolitního „města intelektu.“ Za podpory belgické vlády se Otletův plán začal formovat do podoby enormní kolekce kartiček a dokumentů, tehdy nejmodernější technologie pro skladování informací. S iniciativou byla spojená i vyhledávací služba – uživatelé mohli poštou zaslat dotazy a za poplatek 27 franků na tisíc kartiček obdrželi odpověď. (ibid., s. 188–189)
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V rámci Světové výstavy EXPO 1910 která se konala v Bruselu vytvořil Otlet s La Fontainem instalaci Mundaneum jako utopickou vizi kosmopolitního „města intelektu.“ Za podpory belgické vlády se Otletův plán začal formovat do podoby enormní kolekce kartiček a dokumentů, tehdy nejmodernější technologie pro skladování informací. S iniciativou byla spojená i vyhledávací služba – uživatelé mohli poštou zaslat dotazy a za poplatek 27 franků na tisíc kartiček obdrželi odpověď. (ibid., s. 188–189)
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## ???
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https://www.bbc.com/future/article/20210505-how-cities-will-fossilise
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https://www.bbc.com/future/article/20210505-how-cities-will-fossilise
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> Architecture real or imagined-prompts memory so etfficiently because our brains are hardwired to recall things-in-places and unusual or -disturbing scenes. Memory-quiz champion envision fantastic images that correspond to what they want to remember and "place" each icon in some specific nook of their mental building. These mnemonic aids are called memory palaces. Their effectiveness speaks to how when a place is destroyed or erased, all the personal histories linked to it slip further into the past. #las
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> Architecture real or imagined-prompts memory so etfficiently because our brains are hardwired to recall things-in-places and unusual or -disturbing scenes. Memory-quiz champion envision fantastic images that correspond to what they want to remember and "place" each icon in some specific nook of their mental building. These mnemonic aids are called memory palaces. Their effectiveness speaks to how when a place is destroyed or erased, all the personal histories linked to it slip further into the past. #las
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## ??
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- https://contempaesthetics.org/newvolume/pages/article.php?articleID=607&searchstr=warburg
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- https://contempaesthetics.org/newvolume/pages/article.php?articleID=607&searchstr=warburg
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![[DigitalGardenAnabasis/patocka.polis.png]]
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ská nejasnost, útočiště našeho životního rutinérství. Proto má
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v základech dějinného procesu tak velký význam vznik epické
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a potom zvláště dramatické poezie, v níž člověk přihlíží vnitřním
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a pak vnějším okem k dění, jehož se účastnit znamená propadnout
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orgii; dějiny vznikají jako povznesení z úpadku, jako pochopení,
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že život dosud byl životem v úpadku a že existuje jiná možnost či
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možnosti, jak žít, než na jedné straně mozolení za naplněným ža-
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ludkem v bídě, nedostatku, důmyslně kroceném lidskými techni-
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kami – a na druhé straně orgiastické chvíle soukromé a veřejné,
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sexualita a kult. Řecká polis, epos, tragédie a filosofie jsou různé
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stránky téhož elánu, který znamená vzmach z úpadku.
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