Automatic update, changed: las.reconcept.md

pages/las.quotes.md

@@ -56,8 +56,8 @@ The sciences, and other articulations of linear thought such as poetry, literatu
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-## [[codified world]] - [[flusser]]
+## [[flusser]] -[[codified world]]
-
+#image
 The red traffic light means “Stop!” and the obnoxious green of peas means “Buy me!” This explosion of colors means something.
 
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@@ -71,13 +71,13 @@ https://notes.andymatuschak.org/z8aiVRywvJYDB9gvpCDxa4KUBcKr8R4geNAi
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 ## Walter Benjamin
-### Stories against images
+
+### Arcades
+#image
 
 History decays into images, not into stories.
 Walter Benjamin, The Arcades Project, 476.
 
-### Arcades
-
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@@ -106,4 +106,9 @@ Walter Benjamin, The Arcades Project, 476.
 #### Magician to Atom
 ??
 #### snakes
-Snakes and dream serpents provide an example of how agents ofnature can be translated into the symbols of culture. For hundreds of thousands of years, time enough for genetic changes in the brain to program the algorithms of prepared learning, poisonous snakes have been a significant source of injury and death to human beings. The re-sponse to the threat is not simply to avoid it, in the way that certain berries are recognized as poisonous through painful trial and error, but to feel the kind of apprehension and morbid fascination displayed in the presence of snakes by the nonhuman primates. The snake image also attracts many extraneous details that are purely learned, and as a result the intense emotion it evokes enriches cultures around theworld. The tendency of the serpent to appear suddenly in trances and dreams, its sinuous form, and its power and mystery are logical ingredi-ents of myth and religion.
+Snakes and dream serpents provide an example of how agents ofnature can be translated into the symbols of culture. For hundreds of thousands of years, time enough for genetic changes in the brain to program the algorithms of prepared learning, poisonous snakes have been a significant source of injury and death to human beings. The re-sponse to the threat is not simply to avoid it, in the way that certain berries are recognized as poisonous through painful trial and error, but to feel the kind of apprehension and morbid fascination displayed in the presence of snakes by the nonhuman primates. The snake image also attracts many extraneous details that are purely learned, and as a result the intense emotion it evokes enriches cultures around theworld. The tendency of the serpent to appear suddenly in trances and dreams, its sinuous form, and its power and mystery are logical ingredi-ents of myth and religion.
+
+
+## WS Burroughs
+> Cut word lines Cut music lines Smash the control images Smash the control machine Burn the books Kill the priests Kill! Kill! Kill!
+> - William S. Burroughs - The Soft Machine (1961) 

pages/las.reconcept.md

@@ -46,6 +46,7 @@ anchor pages
 	- machine motion
 	- libraries
 	- sand castles
+	- color explosion
 
 ### motion graphics
 - txt ---> in motion
@@ -53,8 +54,10 @@ anchor pages
 
 ## Topics - mainline
 - prophet / visionary
+	- **one-dimensional man is disappearing**
 - image x line
 - machine vision x interpretation
+	- color explosions
 
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