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@ -15,6 +15,37 @@ Generation Z: Experiments in Sound and Electronic Music in Early 20th Century Ru
------------------------
## Quotes and screenshots
### Generation:Z
> «Russian philosopher Lev Gumilev has described the people who drive mankind into the future as ‘passionaries’. Many of the figures included in this publication might be described as constituting ‘Generation Z’—ingenious, creative people trying to move forward during a period of great transformation» [
#las #visionaries
>«Russian Futurist Velimir Hlebnikov asserted: ‘Radio has solved a problem that the Temple as such has not solved... the problem of joining the uniform soul of mankind to a uniform daily wave... This problem is solved by means of lightning.’»
#radio [[concepts.playlisting]]
> «Projectionism (from the latin projectus, thrown forward) was intended to reflect the urge to rush ahead, or more accurately, to rush into the future. Solomon Nikritin applied this term not only to new approaches in painting and methods of art criticism, but also to the methodology of constructing a new society, to which it was considered necessary to aspire. In 1919 Nikritin developed his fundamental theory of Projectionism. According to his philosophy, the rational essence of nature is the highest goal of technology and culture»
> «Nikritin developed, for example, biomechanical temperaments and scales for body movements. As a basis for the metrics he introduced the notion of the octave. In this case it defines the maximum area mechanically reachable by a dancer with their feet in a fixed position»
>![[Pasted image 20230317114006.png]]
Pic. 4 - Solomon Nikritin. Draft manuscript. 1922. The manuscript illustrates an attempt to develop a typology and classification system for human movements according to the principles and terms of biomechanics and acoustics. RGALI.
> «In 1924 he went so far as to attempt to chart the process of the evolution of consciousness and the creative energy of society from simple, primitive states to the perfection of a future classless society. Based on a creative human network, this projected society would function without any central authority»
> «One of the paradoxes within the early history of Russian sound art is that only a few professional, academically educated composers were involved in it. To discover its roots researchers have to explore the activities of avantgarde artists, actors, painters, poets, scholars and inventors»
> «Many cross-disciplinary artists from the 1910s were self-taught amateurs, combining knowledge in music, acoustics, literature, arts, psychology, physics, mathematics and other disciplines. The same was true worldwide. As the Hungarian painter and photographer, pioneering avantgarde polymath László Moholy-Nagy stated in an article of 1928-30: ‘Contemporary “musicians” have so far not even attempted to develop the potential resources of the gramophone record, not to mention the wireless or ether-waves.’»
> «Anticipating the upcoming musical trends he wrote: ‘The music of nature is free in its choice of notes—light, thunder, the whistling of wind, the rippling of water, the singing of birds. The nightingale sings not only the notes of contemporary music, but the notes of all the music it likes. Free music follows the same laws of nature as does music and the whole art of nature. Like the nightingale, the artist of free music is not restricted by tones and halftones.’»
> «Kulbin developed his art theory on the basis of his physiological and neurological studies. For him, the physical action of the universal movement of colour or sound served as outer stimuli that caused psychical effects in the spectator’s brain. Kulbin declared harmony and dissonance to be basic principles of art»
> «The same year during the summer vacation he began his first experiments with sound, which he called the Laboratory of Hearing: .’On vacation, near Lake Ilmen. There was a lumber-mill which belonged to a landowner called Slavjaninov. At this lumber-mill I arranged a rendezvous with my girlfriend… I had to wait hours for her. These hours were devoted to listening to the lumber-mill. I tried to describe the audio impression of the lumber-mill in the way a blind person would perceive it.’»
> «As Sholpo noted: We were sure that by knowing this data we could get an analytical insight into the secrets of creativity (at least in performance) and, armed with mathematical formulae, break mystical and idealistic tendencies with an explanation of the phenomena of music creation»
#### Cyborganization
>
@ -101,36 +132,11 @@ Arterial pumps, activate.
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> «Russian philosopher Lev Gumilev has described the people who drive mankind into the future as ‘passionaries’. Many of the figures included in this publication might be described as constituting ‘Generation Z’—ingenious, creative people trying to move forward during a period of great transformation» [
#las #visionaries
>«Russian Futurist Velimir Hlebnikov asserted: ‘Radio has solved a problem that the Temple as such has not solved... the problem of joining the uniform soul of mankind to a uniform daily wave... This problem is solved by means of lightning.’»
#radio [[concepts.playlisting]]
> «Projectionism (from the latin projectus, thrown forward) was intended to reflect the urge to rush ahead, or more accurately, to rush into the future. Solomon Nikritin applied this term not only to new approaches in painting and methods of art criticism, but also to the methodology of constructing a new society, to which it was considered necessary to aspire. In 1919 Nikritin developed his fundamental theory of Projectionism. According to his philosophy, the rational essence of nature is the highest goal of technology and culture»
> «Nikritin developed, for example, biomechanical temperaments and scales for body movements. As a basis for the metrics he introduced the notion of the octave. In this case it defines the maximum area mechanically reachable by a dancer with their feet in a fixed position»
>![[Pasted image 20230317114006.png]]
Pic. 4 - Solomon Nikritin. Draft manuscript. 1922. The manuscript illustrates an attempt to develop a typology and classification system for human movements according to the principles and terms of biomechanics and acoustics. RGALI.
--------------------------------------
--------------------------------------
> «In 1924 he went so far as to attempt to chart the process of the evolution of consciousness and the creative energy of society from simple, primitive states to the perfection of a future classless society. Based on a creative human network, this projected society would function without any central authority»
> «One of the paradoxes within the early history of Russian sound art is that only a few professional, academically educated composers were involved in it. To discover its roots researchers have to explore the activities of avantgarde artists, actors, painters, poets, scholars and inventors»
> «Many cross-disciplinary artists from the 1910s were self-taught amateurs, combining knowledge in music, acoustics, literature, arts, psychology, physics, mathematics and other disciplines. The same was true worldwide. As the Hungarian painter and photographer, pioneering avantgarde polymath László Moholy-Nagy stated in an article of 1928-30: ‘Contemporary “musicians” have so far not even attempted to develop the potential resources of the gramophone record, not to mention the wireless or ether-waves.’»
> «Anticipating the upcoming musical trends he wrote: ‘The music of nature is free in its choice of notes—light, thunder, the whistling of wind, the rippling of water, the singing of birds. The nightingale sings not only the notes of contemporary music, but the notes of all the music it likes. Free music follows the same laws of nature as does music and the whole art of nature. Like the nightingale, the artist of free music is not restricted by tones and halftones.’»
> «Kulbin developed his art theory on the basis of his physiological and neurological studies. For him, the physical action of the universal movement of colour or sound served as outer stimuli that caused psychical effects in the spectator’s brain. Kulbin declared harmony and dissonance to be basic principles of art»
> «The same year during the summer vacation he began his first experiments with sound, which he called the Laboratory of Hearing: .’On vacation, near Lake Ilmen. There was a lumber-mill which belonged to a landowner called Slavjaninov. At this lumber-mill I arranged a rendezvous with my girlfriend… I had to wait hours for her. These hours were devoted to listening to the lumber-mill. I tried to describe the audio impression of the lumber-mill in the way a blind person would perceive it.’»
> «As Sholpo noted: We were sure that by knowing this data we could get an analytical insight into the secrets of creativity (at least in performance) and, armed with mathematical formulae, break mystical and idealistic tendencies with an explanation of the phenomena of music creation»
### Music, class and party in 1920s Russia • International Socialism
@ -163,13 +169,13 @@ Varvara Stepanova. Design for textile, 1924. / Private collection
The most renowned of these is the project to build a monument to the Third International (an association of international Communist parties) created by Vladimir Tatlin in 1919. The tilting steel frame was to contain three objects made of glass: A cube, a cylinder, and a cone. These were designed to rotate at different rates, completing one circle within one year, one month, and one day, thus counting the time passed since the beginning of the new era. Had the project been realized, it would have been taller than the Eiffel Tower.
## Adjacent and other
### [[incubation.people.ArsenyAvraamov]]
- [[incubation.people.ArsenyAvraamov]]
- [[incubation.areas.diagrammatic]]
-
- https://monoskop.org/Aleksei_Gastev
- https://monoskop.org/Computing_and_cybernetics_in_CEE#former_Soviet_Union
- https://monoskop.org/Central_Institute_of_Labour *not working?*
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