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Automatic update, changed: ai.image.processing.sync-conflict-20220627-125137-HIYJI7N.md, audio.datasets.md, audio.datasets.sync-conflict-20230116-192617-HIYJI7N.md, audio.granular.sync-conflict-20240105-122811-TGMJYDV.md, audio.metadata.md, audio.noise.pollution.sync-conflict-20231210-155549-ZL4KNMY.md, concepts.map.sync-conflict-20231208-124205-57S5HTF.md, concepts.map.sync-conflict-20231208-163621-57S5HTF.md, concepts.map.sync-conflict-20231208-173620-57S5HTF.md, concepts.map.sync-conflict-20231209-222438-57S5HTF.md, concepts.map.sync-conflict-20231210-084345-57S5HTF.md, concepts.map.sync-conflict-20231210-123823-57S5HTF.md, concepts.playlisting.md, concepts.playlisting.sync-conflict-20220720-131013-HIYJI7N.md, concepts.playlisting.sync-conflict-20220720-131014-HIYJI7N.md, concepts.playlisting.sync-conflict-20230701-135440-HIYJI7N.md, incubation.audio.sample.managment.md, incubation.audio.synthesis.concatenative.sync-conflict-20221116-160822-ZL4KNMY.md, incubation.audio.synthesis.concatenative.sync-conflict-20230413-162908-ZL4KNMY.md, incubation.audio.synthesis.concatenative.sync-conflict-20230413-162909-ZL4KNMY.md, incubation.codes.sync-conflict-20221102-143536-HIYJI7N.md, incubation.codes.sync-conflict-20221102-143537-HIYJI7N.md, tools.chat.local.sync-conflict-20221203-143236-ZL4KNMY.md, tools.chat.local.sync-conflict-20221203-153236-ZL4KNMY.md, tools.chat.local.sync-conflict-20221204-000402-ZL4KNMY.md, tools.chat.local.sync-conflict-20221204-002158-ZL4KNMY.md, tools.chat.local.sync-conflict-20221204-094213-ZL4KNMY.md, tools.chat.local.sync-conflict-20221204-144030-ZL4KNMY.md
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# AI and image processing
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## Lists and forums
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- https://github.com/stars/LinuxBeaver/lists/beaver-s-image-editing-software
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- https://www.reddit.com/r/bigsleep/comments/tvw5js/list_of_sitesprogramsprojects_that_use_openais/
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- https://blenderartists.org/t/smart-or-ai-upscaling-resize-open-source-solutions/1242386/11
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- https://ai.plainenglish.io/top-5-open-source-image-super-resolution-projects-to-boost-your-image-processing-tasks-e6008c978685
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## Video
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### upscale
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#### topaz - commercial
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- gaia CG
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- VEDE
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- artemis
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- dobra na glitche a textury
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- https://upscale.wiki/wiki/Model_Database
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#### linux & opensource
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- [[projects.feedfarm.video2x]]
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### slowmo
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- dainapp - commercial
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## Image
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- https://github.com/microsoft/Bringing-Old-Photos-Back-to-Life
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- https://github.com/eugenesiow/super-image
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- waifu2x
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- https://github.com/IBM/MAX-Image-Resolution-Enhancer
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- https://github.com/kritiksoman/GIMP-ML [[tools.gimp]]
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## style transfer
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### online
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- https://deepai.org/machine-learning-model/fast-style-transfer twoway
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- https://tenso.rs/demos/fast-neural-style/
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## text to
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### image
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#### online
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- https://hypnogram.xyz/
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### video
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- https://app.pictory.ai/textinput
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- https://openai.com/blog/dall-e/
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#### DiscoDiffusion
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- `A frankensteinian amalgamation of notebooks, models and techniques for the generation of AI Art and Animations.`
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- https://github.com/alembics/disco-diffusion
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- https://www.reddit.com/r/deepdream/comments/sa5q9p/march_15_44bc_the_roman_senate_proclaims_death_to/
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- https://colab.research.google.com/drive/1sHfRn5Y0YKYKi1k-ifUSBFRNJ8_1sa39?authuser=2#scrollTo=BGBzhk3dpcGO
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- https://www.reddit.com/r/MediaSynthesis/comments/t4q8iv/journey_into_the_other_disco_diffusion/
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##### # New Technique: Adding Text While Processing
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- https://www.reddit.com/r/DiscoDiffusion/comments/uaem27/new_technique_adding_text_while_processing/
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## Generating views
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`[NeRF](http://www.matthewtancik.com/nerf) (Neural Radiance Fields) is a method that achieves state-of-the-art results for synthesizing novel views of complex scenes. Here are some videos generated by this repository (pre-trained models are provided below):`
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- https://github.com/yenchenlin/nerf-pytorch
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## Adjacent
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- https://github.com/dtschump/gmic
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- [[ai.image.on-line]]
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- [[ai.image.generation]]
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- [[ai.narration]]
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- [[ai.image.processing]]
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- [Visions of Chaos - non-ai generator](https://softology.pro/voc.htm)
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- mandelbulb
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@ -246,3 +246,4 @@ https://paperswithcode.com/dataset/mimii
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- schaeffer
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- google - magenta
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- ...
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- --> [[audio.metadata]]
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# audio.datasets
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- https://towardsdatascience.com/40-open-source-audio-datasets-for-ml-59dc39d48f06
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- https://dagshub.com/kinkusuma/children-song-dataset
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- https://dagshub.com/kingabzpro/Public_Domain_Sounds
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### Body / medical datasets
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#### Articles
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- [Recording and Analysis of Bowel Sounds](https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5578529/)
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#### cardio
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##### An Open Access Database for the Evaluation of Heart Sound Algorithms
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- https://www.ncbi.nlm.nih.gov/pmc/articles/PMC7199391/
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> The Michigan Heart Sound and Murmur database (MHSDB) was provided by the University of Michigan Health System. It includes only 23 heart sound recordings with a total of time length of 1496.8 s and is available from http://www.med.umich.edu/lrc/psb/heartsounds/index.htm
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>
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>The PASCAL database comprises 176 recordings for heart sound segmentation and 656 recordings for heart sound classification. Although the number of the recordings is relatively large, the recordings have the limited time length from 1 s to 30 s. They also have a limited frequency range below 195 Hz due to the applied low-pass filter, which removes many of the useful heart sound components for clinical diagnosis. It is available from http://www.peterjbentlev.com/heartchallenge
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>
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>The Cardiac Auscultation of Heart Murmurs database is provided by eGeneral Medical Inc., includes 64 recordings. It is not open and requires payment for access from: http://www.egeneralmedical.com/listohearmur.html
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##### unsorted cardio
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- https://paperswithcode.com/dataset/physionet-challenge-2016
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- https://www.kaggle.com/datasets/kinguistics/heartbeat-sounds
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- https://physionet.org/content/fetalheartsounddata/
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- https://physionet.org/content/sufhsdb/
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- https://physionet.org/content/circor-heart-sound
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#### Respiratory
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##### A Progressively Expanded Database for Automated Lung Sound Analysis: An Update
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- https://www.mdpi.com/2076-3417/12/15/7623
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+ **sounds**
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- https://gitlab.com/techsupportHF/HF_Lung_V1
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- https://gitlab.com/techsupportHF/HF_Tracheal_V1
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##### ICBHI Respiratory Sound Database (The Respiratory Sound database - ICBHI 2017 Challenge)
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- https://paperswithcode.com/dataset/icbhi-respiratory-sound-database
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>The database consists of a total of 5.5 hours of recordings containing 6898 respiratory cycles, of which 1864 contain crackles, 886 contain wheezes, and 506 contain both crackles and wheezes, in 920 annotated audio samples from 126 subjects.
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##### unsorted lungs / respiratory
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- https://paperswithcode.com/dataset/respiratory-and-drug-actuation-dataset
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- https://paperswithcode.com/dataset/dicova
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- https://paperswithcode.com/dataset/coughvid
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- https://www.kaggle.com/datasets/vbookshelf/respiratory-sound-database
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#### fat tissue
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- https://physionet.org/content/maternal-ultrasound-nutrition/
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#### speech
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##### KSoF (The Kassel State of Fluency Dataset – A Therapy Centered Dataset of Stuttering)
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- https://paperswithcode.com/dataset/ksof
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##### RWCP-SSD-Onomatopoeia
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- https://paperswithcode.com/dataset/rwcp-ssd-onomatopoeia
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> RWCP-SSD-Onomatopoeia is a dataset consisting of 155,568 onomatopoeic words paired with audio samples for environmental sound synthesis
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- **Words that imitate the sound they describe**
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### Enviroment
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- https://paperswithcode.com/dataset/20-hours-microphone-collecting-radio
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##### FSDnoisy18k
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- https://paperswithcode.com/dataset/fsdnoisy18k
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> The FSDnoisy18k dataset is an open dataset containing 42.5 hours of audio across 20 sound event classes, including a small amount of manually-labeled data and a larger quantity of real-world noisy data. The audio content is taken from Freesound, and the dataset was curated using the Freesound Annotator. The noisy set of FSDnoisy18k consists of 15,813 audio clips (38.8h), and the test set consists of 947 audio clips (1.4h) with correct labels. The dataset features two main types of label noise: in-vocabulary (IV) and out-of-vocabulary (OOV). IV applies when, given an observed label that is incorrect or incomplete, the true or missing label is part of the target class set. Analogously, OOV means that the true or missing label is not covered by those 20 classes.
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##### STARSS22 (Sony-TAu Realistic Spatial Soundscapes 2022)
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- https://paperswithcode.com/dataset/starss22
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>The Sony-TAu Realistic Spatial Soundscapes 2022(STARSS22) dataset consists of recordings of real scenes captured with high channel-count spherical microphone array (SMA). The recordings are conducted from two different teams at two different sites, Tampere University in Tammere, Finland, and Sony facilities in Tokyo, Japan. Recordings at both sites share the same capturing and annotation process, and a similar organization. They are organized in sessions, corresponding to distinct rooms, human participants, and sound making props with a few exceptions.
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##### ARCA23K
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- https://paperswithcode.com/dataset/arca23k
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> ARCA23K is a dataset of labelled sound events created to investigate real-world label noise. It contains 23,727 audio clips originating from Freesound, and each clip belongs to one of 70 classes taken from the AudioSet ontology. The dataset was created using an entirely automated process with no manual verification of the data. For this reason, many clips are expected to be labelled incorrectly.
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##### ADVANCE (AuDio Visual Aerial sceNe reCognition datasEt)
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- https://paperswithcode.com/dataset/advance
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##### ESC50 (ESC: Dataset for Environmental Sound Classification)
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- https://paperswithcode.com/dataset/esc50
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>The dataset consists of 5-second-long recordings organized into 50 semantical classes (with 40 examples per class) loosely arranged into 5 major categories.
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##### SoundingEarth
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- https://paperswithcode.com/dataset/soundingearth
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>SoundingEarth consists of co-located aerial imagery and audio samples all around the world.
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#### City
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##### UrbanSound8k
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- https://paperswithcode.com/dataset/urbansound8k-1
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> Urban Sound 8K is an audio dataset that contains 8732 labeled sound excerpts (<=4s) of urban sounds from 10 classes: air_conditioner, car_horn, children_playing, dog_bark, drilling, enginge_idling, gun_shot, jackhammer, siren, and street_music. The classes are drawn from the urban sound taxonomy. All excerpts are taken from field recordings uploaded to www.freesound.org.
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##### URBAN-SED
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- https://paperswithcode.com/dataset/urban-sed
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>URBAN-SED is a dataset of 10,000 soundscapes with sound event annotations generated using the scraper library. The dataset includes 10,000 soundscapes, totals almost 30 hours and includes close to 50,000 annotated sound events.
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#### Room / home
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#unsorted
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- https://paperswithcode.com/dataset/meshrir
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- https://www.academia.edu/89769760/A_sound_database_for_health_smart_home
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- https://archive.org/details/chime-home
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- https://www.semanticscholar.org/paper/The-CHiME-corpus%3A-a-resource-and-a-challenge-for-in-Christensen-Barker/7e6acdbbe3b5512cb3bb220c7083a222c97ef136
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#### Nature
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##### Datasets for automatic acoustic identification of insects (Orthoptera and Cicadidae)
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- https://paperswithcode.com/dataset/datasets-for-automatic-acoustic
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##### Warblr
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- https://paperswithcode.com/dataset/warblr
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> Warblr is a dataset for the acoustic detection of birds. The dataset comes from a UK bird-sound crowdsourcing research spinout called Warblr. From this initiative the authors collected over 10,000 ten-second smartphone audio recordings from around the UK. The audio totals around 28 hours duration.
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#### Other
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##### Sound Dataset for Malfunctioning Industrial Machine Investigation and Inspection (MIMII)
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https://paperswithcode.com/dataset/mimii
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>is a sound dataset of industrial machine sounds.
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##### ToyADMOS2
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- https://paperswithcode.com/dataset/toyadmos2
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>ToyADMOS2 is a dataset of miniature-machine operating sounds for anomalous sound detection under domain shift conditions.
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##### FSD50K (Freesound Database 50K)
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- https://paperswithcode.com/dataset/fsd50k
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>Freesound Dataset 50k (or FSD50K for short) is an open dataset of human-labeled sound events containing 51,197 Freesound clips unequally distributed in 200 classes drawn from the AudioSet Ontology. FSD50K has been created at the Music Technology Group of Universitat Pompeu Fabra. It consists mainly of sound events produced by physical sound sources and production mechanisms, including human sounds, sounds of things, animals, natural sounds, musical instruments and more.
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##### USM-SED
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- https://paperswithcode.com/dataset/usm-sed
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> USM-SED is a dataset for polyphonic sound event detection in urban sound monitoring use-cases. Based on isolated sounds taken from the FSD50k dataset, 20,000 polyphonic soundscapes are synthesized with sounds being randomly positioned in the stereo panorama using different loudness levels.
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## Adjacent
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- [[incubation.audio.sample.managment]]
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- [[incubation.concepts.DatabaseArt]]
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- [[incubation.ai.audio]]
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- [[incubation.audio.synthesis.concatenative]]
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- [[concepts.archives.art]]
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- [[concepts.Digital Asset Managment]]
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- [[incubation.tools.gis]]
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# Granular synthesis & adjacent
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- !! list https://wiki.thingsandstuff.org/Granular_synthesis
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- **https://github.com/enrike/slicer**
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- http://www.ixi-audio.net/content/software.html
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## windows
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- https://www.kvraudio.com/product/emergence-by-daniel-gergely
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- https://2mgt.st8.ru/Nasca_2.html
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### ableton
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- https://www.edmprod.com/granular-synthesis/
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### borderlands
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- [[borderlands-controls]]
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- also there is sexy & paid iphone version
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## linux
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- https://linuxmusicians.com/viewtopic.php?t=24099
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- https://linuxmusicians.com/viewtopic.php?t=18464
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### chaolist
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- https://github.com/sjaehn/BHarvestr
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- https://github.com/linuxmao-org/Frontieres ??
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### Soundgrain
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also win
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- https://github.com/belangeo/soundgrain
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- http://ajaxsoundstudio.com/software/soundgrain/
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- RTAudio issues?
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- https://www.youtube.com/watch?v=tJ72-yEJgmU
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### Spectmorph
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- morphing between 2 sounds
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- https://www.spectmorph.org/downloads/
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### emission control
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- https://github.com/EmissionControl2/EmissionControl2
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## paid
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- https://www.tracktion.com/products/spacecraft
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- apple
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- https://apps.apple.com/nl/app/fluss-granular-playground/id6443472888?l=en
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## other synths
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- https://www.tunefish-synth.com/
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- http://www.hrastprogrammer.com/hrastwerk/tranzistow.htm
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## unsorted
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- https://www.audiopluginsforfree.com/procedural-ambient-noise-orchestra-pano/
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- https://2mgt.st8.ru/Nasca.html
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- https://www.noisemakers.fr/downloads/#1450094621447-c1c781d1-21d4=
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- https://notam.no/prosjekter/ceres/
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- https://github.com/ssj71/infamousPlugins
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- https://plugins4free.com/plugin/3941/
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- g rainbow multiplatform synth
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### ai music
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- https://www.youtube.com/watch?v=ry5eCasj2S4
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- https://www.amazon.com/power-sequencer/s?k=power+sequencer
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## in pure data
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- http://www.pd-tutorial.com/english/ch03s07.html
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- vocabulary
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- https://dictionary.cambridge.org/topics/senses-and-sounds/sounds-made-by-objects-movement-or-impact/
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## Metadata solutions
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- id3tag
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- *used by consumers and more?*
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- bwf - https://en.wikipedia.org/wiki/Broadcast_Wave_Format
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#### Universal Category System
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- https://universalcategorysystem.com/ ***!!!***
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- voluntary filename standart
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- synonym search possible
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- [[audio.software.reaper]] - https://www.aaroncendan.me/side-projects/ucs
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### articles
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- https://www.creativefieldrecording.com/2014/06/04/an-introduction-to-sound-fx-metadata-1-the-basics/
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- https://www.asoundeffect.com/metadata-style-guide/
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- reddit
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- https://www.reddit.com/r/LocationSound/comments/13ijzq0/efficient_metadata_edit_software/
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- https://www.reddit.com/r/fieldrecording/comments/wk8lke/sound_database_software/
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- https://www.reddit.com/r/fieldrecording/comments/wk8lke/sound_database_software/
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- https://www.reddit.com/r/fieldrecording/comments/y784qg/comment/isv2w8r/
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## Metadata standarts
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### id3tag
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- *used by consumers and more?*
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### bwf
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- https://en.wikipedia.org/wiki/Broadcast_Wave_Format
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- *this seems to be liked by profesionals*
|
||||
- https://mediaarea.net/BWFMetaEdit/xml_chunks
|
||||
- https://www2.archivists.org/sites/all/files/Andrec,%20Michael.pdf fulltext? where?
|
||||
|
||||
### Others
|
||||
- XMP - https://en.wikipedia.org/wiki/Extensible_Metadata_Platform
|
||||
- dolby - https://professionalsupport.dolby.com/s/topic/0TO4u000000f1pFGAQ/audio-metadata?language=en_US
|
||||
- probably interesting just for dolby
|
||||
|
||||
|
||||
## Tagging
|
||||
## Tagging software
|
||||
- https://sourceforge.net/projects/kid3/ #multiplatform
|
||||
- https://onetagger.github.io/ also spotify analysis / genre analysis
|
||||
- spotify genres - https://docs.google.com/spreadsheets/d/1wYokScjoS5Xb1IvqFMXbSbknrXJ7bySLLihTucOS4qY/edit#gid=0
|
||||
- https://docs.mp3tag.de/mapping/
|
||||
- [[inform.reaper]] / [[audio.software.reaper]]
|
||||
- [[inform.reaper]] / [[audio.software.reaper]] **!!!**
|
||||
- https://reaper.blog/2021/11/metadata-editing-in-reaper/
|
||||
- https://www.youtube.com/watch?v=bDfuMIeqawc
|
||||
- https://reaper.blog/2018/03/sound-library-metadata/https://www.stephenschappler.com/2020/05/11/reaper-quick-tip-exporting-audio-with-embedded-metadata/
|
||||
- https://reaper.blog/2018/03/sound-library-metadata/
|
||||
- https://www.stephenschappler.com/2020/05/11/reaper-quick-tip-exporting-audio-with-embedded-metadata/
|
||||
|
||||
## Articles
|
||||
- https://www.production-expert.com/production-expert-1/metadata ac3
|
||||
|
|
|
|||
|
|
@ -1,20 +0,0 @@
|
|||
>**Cities have become the epicentre of a type of pollution, acoustics,** which, although its invisibility and the fact that coronavirus crisis reduced it until almost yearn it, is severely damaging to human beings. So much so that the European Environment Agency estimates that noise is responsible for 72,000 hospital admissions and 16,600 premature deaths every year in Europe alone.
|
||||
>...
|
||||
>Not all sound is considered noise pollution. **The World Health Organization (WHO) defines noise above 65 decibels (dB) as noise pollution.** To be precise, noise becomes harmful when it exceeds 75 decibels (dB) and is painful above 120 dB. As a consequence, it is recommended noise levels be kept below 65 dB during the day and indicates that restful sleep is impossible with nighttime ambient noise levels in excess of 30 dB.
|
||||
> - https://www.iberdrola.com/sustainability/what-is-noise-pollution-causes-effects-solutions
|
||||
> - #cities #noise
|
||||
|
||||
https://www.eea.europa.eu/en/advanced-search?q=noise+pollution&size=n_10_n&filters%5B0%5D%5Bfield%5D=readingTime&filters%5B0%5D%5Btype%5D=any&filters%5B0%5D%5Bvalues%5D%5B0%5D%5Bname%5D=All&filters%5B0%5D%5Bvalues%5D%5B0%5D%5BrangeType%5D=fixed&filters%5B1%5D%5Bfield%5D=issued.date&filters%5B1%5D%5Btype%5D=any&filters%5B1%5D%5Bvalues%5D%5B0%5D=Last+5+years&filters%5B2%5D%5Bfield%5D=language&filters%5B2%5D%5Btype%5D=any&filters%5B2%5D%5Bvalues%5D%5B0%5D=en
|
||||
|
||||
https://www.sciencedirect.com/topics/earth-and-planetary-sciences/noise-emission ?
|
||||
|
||||
## See also
|
||||
- Noise pollution and violent crime
|
||||
- https://www.sciencedirect.com/science/article/pii/S0047272722001505
|
||||
- Noise Pollution: _A Modern Plague_
|
||||
- https://www.nonoise.org/library/smj/smj.htm
|
||||
- ..
|
||||
- https://environmentalevidencejournal.biomedcentral.com/articles/10.1186/s13750-020-00202-y
|
||||
## Attention
|
||||
- What about notification sounds
|
||||
- What about portable speakers
|
||||
|
|
@ -1,135 +0,0 @@
|
|||
# Map
|
||||
#chaostream
|
||||
|
||||
## Mapping [[quotes]]
|
||||
|
||||
>what is the map is not a bug, it's a future
|
||||
>> delojza ([KSX byproduct](https://kunsaxan.sdbs.cz/)) [markov chain generator](https://en.wikipedia.org/wiki/Markov_chain)
|
||||
|
||||
-----------
|
||||
|
||||
>Because there is no limit to the number of possible map projections, there can be no comprehensive list.
|
||||
>> https://en.wikipedia.org/wiki/List_of_map_projections
|
||||
|
||||
-----------
|
||||
|
||||
> a map is a (usually fixed) representation to help navigate a space—it wouldn’t necessarily contain the kind of qualitative inquiry you’re referring to.
|
||||
>> https://forum.obsidian.md/t/lyt-kit-now-downloadable/390
|
||||
|
||||
-----------
|
||||
|
||||
> Unlike the graphic arts, drawing, or photography, unlike tracings, the rhizome pertains to a map that must be produced, constructed, a map that is always detachable, connectable, reversible, modifiable, and has multiple entryways and exits and its own lines of flight.
|
||||
>>[\[17\]](https://contempaesthetics.org/newvolume/pages/article.php?articleID=812#FN17)]
|
||||
|
||||
-----------
|
||||
|
||||
> What distinguishes the map from the tracing is that it is entirely oriented toward an experimentation in contact with the real. The map does not reproduce an unconscious closed in upon itself; it constructs the unconscious. It fosters connections between fields, the removal of blockages on bodies without organs, the maximum opening of bodies without organs onto a plane of consistency. It is itself a part of the rhizome. The map is open and connectable in all of its dimensions; it is detachable, reversible, susceptible to constant modification. It can be torn, reversed, adapted to any kind of mounting, reworked by an individual, group, or social formation. It can be drawn on a wall, conceived of as a work of art, constructed as a political action or as a meditation.
|
||||
> - DnG - ATP [[1000p]]
|
||||
|
||||
-----------
|
||||
|
||||
> ![[JamesCorner_AgencyOfMapping2021-07-18 20-56-45.png.annotations]]> > [[JamesCorner_AgencyOfMapping2021-07-18 20-56-45.png.annotations]]
|
||||
|
||||
|
||||
-----------
|
||||
|
||||
> Indeed, Carter refers to the ‘inertia and levelling of possibilities’, even political impossibility, designers face in trying to realize projects out of the ordinary in a mass democracy. Because of the duality of a map – that is both analogous to reality yet abstracted from it – and hence its association with objectivity, truth and neutrality, the process of mapping offers a potent vehicle for the actualization of theory in the built environment, especially at the urban scale.
|
||||
> Half a century before Corner, in “On Exactitude in Science,” Jorge Luis Borges had presaged the uselessness of cartography as tracing. In Borges’s tale, a gigantic, over-detailed map is abandoned specifically because of its redundancy with the actual territory. Corner cites Borges to support his argument that mappings as replicas are worthless. Indeed, maps cannot be entirely objective, as representing spatiality entails some form of cultural situatedness. The techniques of ‘drift’, ‘layering’, ‘game-board’ and ‘rhizomes’ are described by Corner as practices in contemporary design and planning that open up new possibilities for mapping. Such thematic techinques share a personal approach to territorial representation, the contestation of dominant images of the city as well as the multiplicity and decentering of mappings. Challenging the traditional conception of static space, Corner aims for a return to the original exploratory character of mapping, not physically like the first explorers, but creatively through mind.
|
||||
> - Camille Bédard
|
||||
> - https://architecturesofspatialjustice.wordpress.com/2012/10/09/agency_mapping/
|
||||
|
||||
-----------
|
||||
|
||||
> Drift- This are the maps which are created using series of explanations and participatory acts with no rules to it. This helps in mapping some of the hidden topographies in the city.
|
||||
>
|
||||
> Layering- In this the city or the place is divided in terms of layers which are superimposed on one another, each of the layer here shows a different mapped aspect of that place.
|
||||
>
|
||||
> Game-board- Maps are kept as a game board with particular game rules and anyone can take part in this game, it’s like a competition which helps in negotiating some of the complex planning decisions.
|
||||
>
|
||||
> Rhizome- It has a concept of open ended maps in which a point connects to any other point, this type of maps always be in the middle with no beginning or end to it. This is a continuous process and different aspects keep on adding to the map in terms of point connections.
|
||||
> - https://ideabatch2.wordpress.com/2017/01/25/the-agency-of-mapping-speculation-critique-and-invention-james-corner-edited-by-denis-cosgrove-1999-divyarajsinh-rana/
|
||||
|
||||
[[concepts.situationism]]
|
||||
|
||||
|
||||
---------
|
||||
----------
|
||||
## Questions of perspective
|
||||
![[Pasted image 20220223003021.png]]
|
||||
![[Pasted image 20220226142108.png]]
|
||||
![[Pasted image 20220725011331.png]] - Jan Micker - Bird's Eye View of Amsterdam (ca. 1652)
|
||||
### Space
|
||||
- https://www.boredpanda.com/different-perspective-telephoto-lens-vs-wide-angle-philip-davali-olafur-steinar-ry/
|
||||
### Time
|
||||
- https://www.lancaster.ac.uk/chronotopic-cartographies/
|
||||
|
||||
### Projection
|
||||
![[5857327792872601812_120.jpg]]
|
||||
![[Pasted image 20221219001002.png]]
|
||||
![[Pasted image 20220212150603.png]]
|
||||
|
||||
![[Pasted image 20220212150614.png]]
|
||||
|
||||
![[Pasted image 20220212150621.png]]
|
||||
![[Pasted image 20220212150628.png]]
|
||||
![[Pasted image 20220212150644.png]]
|
||||
|
||||
- https://www.jasondavies.com/maps/transition/
|
||||
- https://www.jasondavies.com/maps/
|
||||
|
||||
|
||||
---------------
|
||||
![[Pasted image 20220614205311.png]]
|
||||
|
||||
![[Pasted image 20220624140211.png]]
|
||||
|
||||
![[Share_Media_20220806_214208.png]]
|
||||
![[Pasted image 20230828233821.png]]
|
||||
-----------------
|
||||
-----------------
|
||||
|
||||
## Linking / visualising
|
||||
|
||||
|
||||
|
||||
## Language
|
||||
![[mapping_language.png]]
|
||||
### mapping neuromancer
|
||||
- [[people.WilliamGibson]]
|
||||
- https://cindyjuheunlee.blogspot.com/2011/11/proposal-for-mapping.html
|
||||
|
||||
|
||||
-------------------
|
||||
|
||||
-------------------
|
||||
## Interesting online maps and map projection interpretations
|
||||
- https://geodienst.github.io/lighthousemap/
|
||||
- https://mapfight.xyz
|
||||
- https://twitter.com/leviwesterveld/status/1506253203704356867
|
||||
- https://www.loc.gov/resource/g4104c.ct003853/?st=image&r=0.069%2C0.39%2C0.348%2C0.188%2C0
|
||||
- https://travelerdoor.com/2022/07/06/mapped/
|
||||
|
||||
-----------
|
||||
-----------
|
||||
|
||||
## [[fulldocs]].at.garage
|
||||
|
||||
- [[fulldocs.twitter.booksasmaps]]
|
||||
- https://old.reddit.com/r/slatestarcodex/comments/mvs0vf/what_books_are_for_a_response_to_why_books_dont/
|
||||
- [[fulldocs.mastodon.gis]]
|
||||
|
||||
## Adjacent
|
||||
|
||||
- [[1000p]]
|
||||
- [[concepts.topology]]
|
||||
- [[concepts.topography]]
|
||||
- [[concepts.disambiguation]]
|
||||
- [[incubation.areas.diagrammatic]]
|
||||
|
||||
-----------------
|
||||
-----------------
|
||||
|
||||
![[Pasted image 20230131184939.png]]
|
||||
|
||||
|
||||
https://www.youtube.com/watch?v=bCvpoHxSVIE - Why Google Maps Is The Most Important Tech Product Of The 2020s - maps --> AR
|
||||
|
|
@ -1,135 +0,0 @@
|
|||
# Map
|
||||
#chaostream
|
||||
|
||||
## Mapping [[quotes]]
|
||||
|
||||
>what is the map is not a bug, it's a future
|
||||
>> delojza ([KSX byproduct](https://kunsaxan.sdbs.cz/)) [markov chain generator](https://en.wikipedia.org/wiki/Markov_chain)
|
||||
|
||||
-----------
|
||||
|
||||
>Because there is no limit to the number of possible map projections, there can be no comprehensive list.
|
||||
>> https://en.wikipedia.org/wiki/List_of_map_projections
|
||||
|
||||
-----------
|
||||
|
||||
> a map is a (usually fixed) representation to help navigate a space—it wouldn’t necessarily contain the kind of qualitative inquiry you’re referring to.
|
||||
>> https://forum.obsidian.md/t/lyt-kit-now-downloadable/390
|
||||
|
||||
-----------
|
||||
|
||||
> Unlike the graphic arts, drawing, or photography, unlike tracings, the rhizome pertains to a map that must be produced, constructed, a map that is always detachable, connectable, reversible, modifiable, and has multiple entryways and exits and its own lines of flight.
|
||||
>>[\[17\]](https://contempaesthetics.org/newvolume/pages/article.php?articleID=812#FN17)]
|
||||
|
||||
-----------
|
||||
|
||||
> What distinguishes the map from the tracing is that it is entirely oriented toward an experimentation in contact with the real. The map does not reproduce an unconscious closed in upon itself; it constructs the unconscious. It fosters connections between fields, the removal of blockages on bodies without organs, the maximum opening of bodies without organs onto a plane of consistency. It is itself a part of the rhizome. The map is open and connectable in all of its dimensions; it is detachable, reversible, susceptible to constant modification. It can be torn, reversed, adapted to any kind of mounting, reworked by an individual, group, or social formation. It can be drawn on a wall, conceived of as a work of art, constructed as a political action or as a meditation.
|
||||
> - DnG - ATP [[1000p]]
|
||||
|
||||
-----------
|
||||
|
||||
> ![[JamesCorner_AgencyOfMapping2021-07-18 20-56-45.png.annotations]]> > [[JamesCorner_AgencyOfMapping2021-07-18 20-56-45.png.annotations]]
|
||||
|
||||
|
||||
-----------
|
||||
|
||||
> Indeed, Carter refers to the ‘inertia and levelling of possibilities’, even political impossibility, designers face in trying to realize projects out of the ordinary in a mass democracy. Because of the duality of a map – that is both analogous to reality yet abstracted from it – and hence its association with objectivity, truth and neutrality, the process of mapping offers a potent vehicle for the actualization of theory in the built environment, especially at the urban scale.
|
||||
> Half a century before Corner, in “On Exactitude in Science,” Jorge Luis Borges had presaged the uselessness of cartography as tracing. In Borges’s tale, a gigantic, over-detailed map is abandoned specifically because of its redundancy with the actual territory. Corner cites Borges to support his argument that mappings as replicas are worthless. Indeed, maps cannot be entirely objective, as representing spatiality entails some form of cultural situatedness. The techniques of ‘drift’, ‘layering’, ‘game-board’ and ‘rhizomes’ are described by Corner as practices in contemporary design and planning that open up new possibilities for mapping. Such thematic techinques share a personal approach to territorial representation, the contestation of dominant images of the city as well as the multiplicity and decentering of mappings. Challenging the traditional conception of static space, Corner aims for a return to the original exploratory character of mapping, not physically like the first explorers, but creatively through mind.
|
||||
> - Camille Bédard
|
||||
> - https://architecturesofspatialjustice.wordpress.com/2012/10/09/agency_mapping/
|
||||
|
||||
-----------
|
||||
|
||||
> Drift- This are the maps which are created using series of explanations and participatory acts with no rules to it. This helps in mapping some of the hidden topographies in the city.
|
||||
>
|
||||
> Layering- In this the city or the place is divided in terms of layers which are superimposed on one another, each of the layer here shows a different mapped aspect of that place.
|
||||
>
|
||||
> Game-board- Maps are kept as a game board with particular game rules and anyone can take part in this game, it’s like a competition which helps in negotiating some of the complex planning decisions.
|
||||
>
|
||||
> Rhizome- It has a concept of open ended maps in which a point connects to any other point, this type of maps always be in the middle with no beginning or end to it. This is a continuous process and different aspects keep on adding to the map in terms of point connections.
|
||||
> - https://ideabatch2.wordpress.com/2017/01/25/the-agency-of-mapping-speculation-critique-and-invention-james-corner-edited-by-denis-cosgrove-1999-divyarajsinh-rana/
|
||||
|
||||
[[concepts.situationism]]
|
||||
|
||||
|
||||
---------
|
||||
----------
|
||||
## Questions of perspective
|
||||
![[Pasted image 20220223003021.png]]
|
||||
![[Pasted image 20220226142108.png]]
|
||||
![[Pasted image 20220725011331.png]] - Jan Micker - Bird's Eye View of Amsterdam (ca. 1652)
|
||||
### Space
|
||||
- https://www.boredpanda.com/different-perspective-telephoto-lens-vs-wide-angle-philip-davali-olafur-steinar-ry/
|
||||
### Time
|
||||
- https://www.lancaster.ac.uk/chronotopic-cartographies/
|
||||
|
||||
### Projection
|
||||
![[5857327792872601812_120.jpg]]
|
||||
![[Pasted image 20221219001002.png]]
|
||||
![[Pasted image 20220212150603.png]]
|
||||
|
||||
![[Pasted image 20220212150614.png]]
|
||||
|
||||
![[Pasted image 20220212150621.png]]
|
||||
![[Pasted image 20220212150628.png]]
|
||||
![[Pasted image 20220212150644.png]]
|
||||
|
||||
- https://www.jasondavies.com/maps/transition/
|
||||
- https://www.jasondavies.com/maps/
|
||||
|
||||
|
||||
---------------
|
||||
![[Pasted image 20220614205311.png]]
|
||||
|
||||
![[Pasted image 20220624140211.png]]
|
||||
|
||||
![[Share_Media_20220806_214208.png]]
|
||||
![[Pasted image 20230828233821.png]]
|
||||
-----------------
|
||||
-----------------
|
||||
|
||||
## Linking / visualising
|
||||
|
||||
|
||||
|
||||
## Language
|
||||
![[mapping_language.png]]
|
||||
### mapping neuromancer
|
||||
- [[people.WilliamGibson]]
|
||||
- https://cindyjuheunlee.blogspot.com/2011/11/proposal-for-mapping.html
|
||||
|
||||
|
||||
-------------------
|
||||
|
||||
-------------------
|
||||
## Interesting online maps and map projection interpretations
|
||||
- https://geodienst.github.io/lighthousemap/
|
||||
- https://mapfight.xyz
|
||||
- https://twitter.com/leviwesterveld/status/1506253203704356867
|
||||
- https://www.loc.gov/resource/g4104c.ct003853/?st=image&r=0.069%2C0.39%2C0.348%2C0.188%2C0
|
||||
- https://travelerdoor.com/2022/07/06/mapped/
|
||||
|
||||
-----------
|
||||
-----------
|
||||
|
||||
## [[fulldocs]].at.garage
|
||||
|
||||
- [[fulldocs.twitter.booksasmaps]]
|
||||
- https://old.reddit.com/r/slatestarcodex/comments/mvs0vf/what_books_are_for_a_response_to_why_books_dont/
|
||||
- [[fulldocs.mastodon.gis]]
|
||||
|
||||
## Adjacent
|
||||
|
||||
- [[1000p]]
|
||||
- [[concepts.topology]]
|
||||
- [[concepts.topography]]
|
||||
- [[concepts.disambiguation]]
|
||||
- [[incubation.areas.diagrammatic]]
|
||||
|
||||
-----------------
|
||||
-----------------
|
||||
|
||||
![[Pasted image 20230131184939.png]]
|
||||
|
||||
|
||||
https://www.youtube.com/watch?v=bCvpoHxSVIE - Why Google Maps Is The Most Important Tech Product Of The 2020s - maps --> AR
|
||||
|
|
@ -1,135 +0,0 @@
|
|||
# Map
|
||||
#chaostream
|
||||
|
||||
## Mapping [[quotes]]
|
||||
|
||||
>what is the map is not a bug, it's a future
|
||||
>> delojza ([KSX byproduct](https://kunsaxan.sdbs.cz/)) [markov chain generator](https://en.wikipedia.org/wiki/Markov_chain)
|
||||
|
||||
-----------
|
||||
|
||||
>Because there is no limit to the number of possible map projections, there can be no comprehensive list.
|
||||
>> https://en.wikipedia.org/wiki/List_of_map_projections
|
||||
|
||||
-----------
|
||||
|
||||
> a map is a (usually fixed) representation to help navigate a space—it wouldn’t necessarily contain the kind of qualitative inquiry you’re referring to.
|
||||
>> https://forum.obsidian.md/t/lyt-kit-now-downloadable/390
|
||||
|
||||
-----------
|
||||
|
||||
> Unlike the graphic arts, drawing, or photography, unlike tracings, the rhizome pertains to a map that must be produced, constructed, a map that is always detachable, connectable, reversible, modifiable, and has multiple entryways and exits and its own lines of flight.
|
||||
>>[\[17\]](https://contempaesthetics.org/newvolume/pages/article.php?articleID=812#FN17)]
|
||||
|
||||
-----------
|
||||
|
||||
> What distinguishes the map from the tracing is that it is entirely oriented toward an experimentation in contact with the real. The map does not reproduce an unconscious closed in upon itself; it constructs the unconscious. It fosters connections between fields, the removal of blockages on bodies without organs, the maximum opening of bodies without organs onto a plane of consistency. It is itself a part of the rhizome. The map is open and connectable in all of its dimensions; it is detachable, reversible, susceptible to constant modification. It can be torn, reversed, adapted to any kind of mounting, reworked by an individual, group, or social formation. It can be drawn on a wall, conceived of as a work of art, constructed as a political action or as a meditation.
|
||||
> - DnG - ATP [[1000p]]
|
||||
|
||||
-----------
|
||||
|
||||
> ![[JamesCorner_AgencyOfMapping2021-07-18 20-56-45.png.annotations]]> > [[JamesCorner_AgencyOfMapping2021-07-18 20-56-45.png.annotations]]
|
||||
|
||||
|
||||
-----------
|
||||
|
||||
> Indeed, Carter refers to the ‘inertia and levelling of possibilities’, even political impossibility, designers face in trying to realize projects out of the ordinary in a mass democracy. Because of the duality of a map – that is both analogous to reality yet abstracted from it – and hence its association with objectivity, truth and neutrality, the process of mapping offers a potent vehicle for the actualization of theory in the built environment, especially at the urban scale.
|
||||
> Half a century before Corner, in “On Exactitude in Science,” Jorge Luis Borges had presaged the uselessness of cartography as tracing. In Borges’s tale, a gigantic, over-detailed map is abandoned specifically because of its redundancy with the actual territory. Corner cites Borges to support his argument that mappings as replicas are worthless. Indeed, maps cannot be entirely objective, as representing spatiality entails some form of cultural situatedness. The techniques of ‘drift’, ‘layering’, ‘game-board’ and ‘rhizomes’ are described by Corner as practices in contemporary design and planning that open up new possibilities for mapping. Such thematic techinques share a personal approach to territorial representation, the contestation of dominant images of the city as well as the multiplicity and decentering of mappings. Challenging the traditional conception of static space, Corner aims for a return to the original exploratory character of mapping, not physically like the first explorers, but creatively through mind.
|
||||
> - Camille Bédard
|
||||
> - https://architecturesofspatialjustice.wordpress.com/2012/10/09/agency_mapping/
|
||||
|
||||
-----------
|
||||
|
||||
> Drift- This are the maps which are created using series of explanations and participatory acts with no rules to it. This helps in mapping some of the hidden topographies in the city.
|
||||
>
|
||||
> Layering- In this the city or the place is divided in terms of layers which are superimposed on one another, each of the layer here shows a different mapped aspect of that place.
|
||||
>
|
||||
> Game-board- Maps are kept as a game board with particular game rules and anyone can take part in this game, it’s like a competition which helps in negotiating some of the complex planning decisions.
|
||||
>
|
||||
> Rhizome- It has a concept of open ended maps in which a point connects to any other point, this type of maps always be in the middle with no beginning or end to it. This is a continuous process and different aspects keep on adding to the map in terms of point connections.
|
||||
> - https://ideabatch2.wordpress.com/2017/01/25/the-agency-of-mapping-speculation-critique-and-invention-james-corner-edited-by-denis-cosgrove-1999-divyarajsinh-rana/
|
||||
|
||||
[[concepts.situationism]]
|
||||
|
||||
|
||||
---------
|
||||
----------
|
||||
## Questions of perspective
|
||||
![[Pasted image 20220223003021.png]]
|
||||
![[Pasted image 20220226142108.png]]
|
||||
![[Pasted image 20220725011331.png]] - Jan Micker - Bird's Eye View of Amsterdam (ca. 1652)
|
||||
### Space
|
||||
- https://www.boredpanda.com/different-perspective-telephoto-lens-vs-wide-angle-philip-davali-olafur-steinar-ry/
|
||||
### Time
|
||||
- https://www.lancaster.ac.uk/chronotopic-cartographies/
|
||||
|
||||
### Projection
|
||||
![[5857327792872601812_120.jpg]]
|
||||
![[Pasted image 20221219001002.png]]
|
||||
![[Pasted image 20220212150603.png]]
|
||||
|
||||
![[Pasted image 20220212150614.png]]
|
||||
|
||||
![[Pasted image 20220212150621.png]]
|
||||
![[Pasted image 20220212150628.png]]
|
||||
![[Pasted image 20220212150644.png]]
|
||||
|
||||
- https://www.jasondavies.com/maps/transition/
|
||||
- https://www.jasondavies.com/maps/
|
||||
|
||||
|
||||
---------------
|
||||
![[Pasted image 20220614205311.png]]
|
||||
|
||||
![[Pasted image 20220624140211.png]]
|
||||
|
||||
![[Share_Media_20220806_214208.png]]
|
||||
![[Pasted image 20230828233821.png]]
|
||||
-----------------
|
||||
-----------------
|
||||
|
||||
## Linking / visualising
|
||||
|
||||
|
||||
|
||||
## Language
|
||||
![[mapping_language.png]]
|
||||
### mapping neuromancer
|
||||
- [[people.WilliamGibson]]
|
||||
- https://cindyjuheunlee.blogspot.com/2011/11/proposal-for-mapping.html
|
||||
|
||||
|
||||
-------------------
|
||||
|
||||
-------------------
|
||||
## Interesting online maps and map projection interpretations
|
||||
- https://geodienst.github.io/lighthousemap/
|
||||
- https://mapfight.xyz
|
||||
- https://twitter.com/leviwesterveld/status/1506253203704356867
|
||||
- https://www.loc.gov/resource/g4104c.ct003853/?st=image&r=0.069%2C0.39%2C0.348%2C0.188%2C0
|
||||
- https://travelerdoor.com/2022/07/06/mapped/
|
||||
|
||||
-----------
|
||||
-----------
|
||||
|
||||
## [[fulldocs]].at.garage
|
||||
|
||||
- [[fulldocs.twitter.booksasmaps]]
|
||||
- https://old.reddit.com/r/slatestarcodex/comments/mvs0vf/what_books_are_for_a_response_to_why_books_dont/
|
||||
- [[fulldocs.mastodon.gis]]
|
||||
|
||||
## Adjacent
|
||||
|
||||
- [[1000p]]
|
||||
- [[concepts.topology]]
|
||||
- [[concepts.topography]]
|
||||
- [[concepts.disambiguation]]
|
||||
- [[incubation.areas.diagrammatic]]
|
||||
|
||||
-----------------
|
||||
-----------------
|
||||
|
||||
![[Pasted image 20230131184939.png]]
|
||||
|
||||
|
||||
https://www.youtube.com/watch?v=bCvpoHxSVIE - Why Google Maps Is The Most Important Tech Product Of The 2020s - maps --> AR
|
||||
|
|
@ -1,135 +0,0 @@
|
|||
# Map
|
||||
#chaostream
|
||||
|
||||
## Mapping [[quotes]]
|
||||
|
||||
>what is the map is not a bug, it's a future
|
||||
>> delojza ([KSX byproduct](https://kunsaxan.sdbs.cz/)) [markov chain generator](https://en.wikipedia.org/wiki/Markov_chain)
|
||||
|
||||
-----------
|
||||
|
||||
>Because there is no limit to the number of possible map projections, there can be no comprehensive list.
|
||||
>> https://en.wikipedia.org/wiki/List_of_map_projections
|
||||
|
||||
-----------
|
||||
|
||||
> a map is a (usually fixed) representation to help navigate a space—it wouldn’t necessarily contain the kind of qualitative inquiry you’re referring to.
|
||||
>> https://forum.obsidian.md/t/lyt-kit-now-downloadable/390
|
||||
|
||||
-----------
|
||||
|
||||
> Unlike the graphic arts, drawing, or photography, unlike tracings, the rhizome pertains to a map that must be produced, constructed, a map that is always detachable, connectable, reversible, modifiable, and has multiple entryways and exits and its own lines of flight.
|
||||
>>[\[17\]](https://contempaesthetics.org/newvolume/pages/article.php?articleID=812#FN17)]
|
||||
|
||||
-----------
|
||||
|
||||
> What distinguishes the map from the tracing is that it is entirely oriented toward an experimentation in contact with the real. The map does not reproduce an unconscious closed in upon itself; it constructs the unconscious. It fosters connections between fields, the removal of blockages on bodies without organs, the maximum opening of bodies without organs onto a plane of consistency. It is itself a part of the rhizome. The map is open and connectable in all of its dimensions; it is detachable, reversible, susceptible to constant modification. It can be torn, reversed, adapted to any kind of mounting, reworked by an individual, group, or social formation. It can be drawn on a wall, conceived of as a work of art, constructed as a political action or as a meditation.
|
||||
> - DnG - ATP [[1000p]]
|
||||
|
||||
-----------
|
||||
|
||||
> ![[JamesCorner_AgencyOfMapping2021-07-18 20-56-45.png.annotations]]> > [[JamesCorner_AgencyOfMapping2021-07-18 20-56-45.png.annotations]]
|
||||
|
||||
|
||||
-----------
|
||||
|
||||
> Indeed, Carter refers to the ‘inertia and levelling of possibilities’, even political impossibility, designers face in trying to realize projects out of the ordinary in a mass democracy. Because of the duality of a map – that is both analogous to reality yet abstracted from it – and hence its association with objectivity, truth and neutrality, the process of mapping offers a potent vehicle for the actualization of theory in the built environment, especially at the urban scale.
|
||||
> Half a century before Corner, in “On Exactitude in Science,” Jorge Luis Borges had presaged the uselessness of cartography as tracing. In Borges’s tale, a gigantic, over-detailed map is abandoned specifically because of its redundancy with the actual territory. Corner cites Borges to support his argument that mappings as replicas are worthless. Indeed, maps cannot be entirely objective, as representing spatiality entails some form of cultural situatedness. The techniques of ‘drift’, ‘layering’, ‘game-board’ and ‘rhizomes’ are described by Corner as practices in contemporary design and planning that open up new possibilities for mapping. Such thematic techinques share a personal approach to territorial representation, the contestation of dominant images of the city as well as the multiplicity and decentering of mappings. Challenging the traditional conception of static space, Corner aims for a return to the original exploratory character of mapping, not physically like the first explorers, but creatively through mind.
|
||||
> - Camille Bédard
|
||||
> - https://architecturesofspatialjustice.wordpress.com/2012/10/09/agency_mapping/
|
||||
|
||||
-----------
|
||||
|
||||
> Drift- This are the maps which are created using series of explanations and participatory acts with no rules to it. This helps in mapping some of the hidden topographies in the city.
|
||||
>
|
||||
> Layering- In this the city or the place is divided in terms of layers which are superimposed on one another, each of the layer here shows a different mapped aspect of that place.
|
||||
>
|
||||
> Game-board- Maps are kept as a game board with particular game rules and anyone can take part in this game, it’s like a competition which helps in negotiating some of the complex planning decisions.
|
||||
>
|
||||
> Rhizome- It has a concept of open ended maps in which a point connects to any other point, this type of maps always be in the middle with no beginning or end to it. This is a continuous process and different aspects keep on adding to the map in terms of point connections.
|
||||
> - https://ideabatch2.wordpress.com/2017/01/25/the-agency-of-mapping-speculation-critique-and-invention-james-corner-edited-by-denis-cosgrove-1999-divyarajsinh-rana/
|
||||
|
||||
[[concepts.situationism]]
|
||||
|
||||
|
||||
---------
|
||||
----------
|
||||
## Questions of perspective
|
||||
![[Pasted image 20220223003021.png]]
|
||||
![[Pasted image 20220226142108.png]]
|
||||
![[Pasted image 20220725011331.png]] - Jan Micker - Bird's Eye View of Amsterdam (ca. 1652)
|
||||
### Space
|
||||
- https://www.boredpanda.com/different-perspective-telephoto-lens-vs-wide-angle-philip-davali-olafur-steinar-ry/
|
||||
### Time
|
||||
- https://www.lancaster.ac.uk/chronotopic-cartographies/
|
||||
|
||||
### Projection
|
||||
![[5857327792872601812_120.jpg]]
|
||||
![[Pasted image 20221219001002.png]]
|
||||
![[Pasted image 20220212150603.png]]
|
||||
|
||||
![[Pasted image 20220212150614.png]]
|
||||
|
||||
![[Pasted image 20220212150621.png]]
|
||||
![[Pasted image 20220212150628.png]]
|
||||
![[Pasted image 20220212150644.png]]
|
||||
|
||||
- https://www.jasondavies.com/maps/transition/
|
||||
- https://www.jasondavies.com/maps/
|
||||
|
||||
|
||||
---------------
|
||||
![[Pasted image 20220614205311.png]]
|
||||
|
||||
![[Pasted image 20220624140211.png]]
|
||||
|
||||
![[Share_Media_20220806_214208.png]]
|
||||
![[Pasted image 20230828233821.png]]
|
||||
-----------------
|
||||
-----------------
|
||||
|
||||
## Linking / visualising
|
||||
|
||||
|
||||
|
||||
## Language
|
||||
![[mapping_language.png]]
|
||||
### mapping neuromancer
|
||||
- [[people.WilliamGibson]]
|
||||
- https://cindyjuheunlee.blogspot.com/2011/11/proposal-for-mapping.html
|
||||
|
||||
|
||||
-------------------
|
||||
|
||||
-------------------
|
||||
## Interesting online maps and map projection interpretations
|
||||
- https://geodienst.github.io/lighthousemap/
|
||||
- https://mapfight.xyz
|
||||
- https://twitter.com/leviwesterveld/status/1506253203704356867
|
||||
- https://www.loc.gov/resource/g4104c.ct003853/?st=image&r=0.069%2C0.39%2C0.348%2C0.188%2C0
|
||||
- https://travelerdoor.com/2022/07/06/mapped/
|
||||
|
||||
-----------
|
||||
-----------
|
||||
|
||||
## [[fulldocs]].at.garage
|
||||
|
||||
- [[fulldocs.twitter.booksasmaps]]
|
||||
- https://old.reddit.com/r/slatestarcodex/comments/mvs0vf/what_books_are_for_a_response_to_why_books_dont/
|
||||
- [[fulldocs.mastodon.gis]]
|
||||
|
||||
## Adjacent
|
||||
|
||||
- [[1000p]]
|
||||
- [[concepts.topology]]
|
||||
- [[concepts.topography]]
|
||||
- [[concepts.disambiguation]]
|
||||
- [[incubation.areas.diagrammatic]]
|
||||
|
||||
-----------------
|
||||
-----------------
|
||||
|
||||
![[Pasted image 20230131184939.png]]
|
||||
|
||||
|
||||
https://www.youtube.com/watch?v=bCvpoHxSVIE - Why Google Maps Is The Most Important Tech Product Of The 2020s - maps --> AR
|
||||
|
|
@ -1,135 +0,0 @@
|
|||
# Map
|
||||
#chaostream
|
||||
|
||||
## Mapping [[quotes]]
|
||||
|
||||
>what is the map is not a bug, it's a future
|
||||
>> delojza ([KSX byproduct](https://kunsaxan.sdbs.cz/)) [markov chain generator](https://en.wikipedia.org/wiki/Markov_chain)
|
||||
|
||||
-----------
|
||||
|
||||
>Because there is no limit to the number of possible map projections, there can be no comprehensive list.
|
||||
>> https://en.wikipedia.org/wiki/List_of_map_projections
|
||||
|
||||
-----------
|
||||
|
||||
> a map is a (usually fixed) representation to help navigate a space—it wouldn’t necessarily contain the kind of qualitative inquiry you’re referring to.
|
||||
>> https://forum.obsidian.md/t/lyt-kit-now-downloadable/390
|
||||
|
||||
-----------
|
||||
|
||||
> Unlike the graphic arts, drawing, or photography, unlike tracings, the rhizome pertains to a map that must be produced, constructed, a map that is always detachable, connectable, reversible, modifiable, and has multiple entryways and exits and its own lines of flight.
|
||||
>>[\[17\]](https://contempaesthetics.org/newvolume/pages/article.php?articleID=812#FN17)]
|
||||
|
||||
-----------
|
||||
|
||||
> What distinguishes the map from the tracing is that it is entirely oriented toward an experimentation in contact with the real. The map does not reproduce an unconscious closed in upon itself; it constructs the unconscious. It fosters connections between fields, the removal of blockages on bodies without organs, the maximum opening of bodies without organs onto a plane of consistency. It is itself a part of the rhizome. The map is open and connectable in all of its dimensions; it is detachable, reversible, susceptible to constant modification. It can be torn, reversed, adapted to any kind of mounting, reworked by an individual, group, or social formation. It can be drawn on a wall, conceived of as a work of art, constructed as a political action or as a meditation.
|
||||
> - DnG - ATP [[1000p]]
|
||||
|
||||
-----------
|
||||
|
||||
> ![[JamesCorner_AgencyOfMapping2021-07-18 20-56-45.png.annotations]]> > [[JamesCorner_AgencyOfMapping2021-07-18 20-56-45.png.annotations]]
|
||||
|
||||
|
||||
-----------
|
||||
|
||||
> Indeed, Carter refers to the ‘inertia and levelling of possibilities’, even political impossibility, designers face in trying to realize projects out of the ordinary in a mass democracy. Because of the duality of a map – that is both analogous to reality yet abstracted from it – and hence its association with objectivity, truth and neutrality, the process of mapping offers a potent vehicle for the actualization of theory in the built environment, especially at the urban scale.
|
||||
> Half a century before Corner, in “On Exactitude in Science,” Jorge Luis Borges had presaged the uselessness of cartography as tracing. In Borges’s tale, a gigantic, over-detailed map is abandoned specifically because of its redundancy with the actual territory. Corner cites Borges to support his argument that mappings as replicas are worthless. Indeed, maps cannot be entirely objective, as representing spatiality entails some form of cultural situatedness. The techniques of ‘drift’, ‘layering’, ‘game-board’ and ‘rhizomes’ are described by Corner as practices in contemporary design and planning that open up new possibilities for mapping. Such thematic techinques share a personal approach to territorial representation, the contestation of dominant images of the city as well as the multiplicity and decentering of mappings. Challenging the traditional conception of static space, Corner aims for a return to the original exploratory character of mapping, not physically like the first explorers, but creatively through mind.
|
||||
> - Camille Bédard
|
||||
> - https://architecturesofspatialjustice.wordpress.com/2012/10/09/agency_mapping/
|
||||
|
||||
-----------
|
||||
|
||||
> Drift- This are the maps which are created using series of explanations and participatory acts with no rules to it. This helps in mapping some of the hidden topographies in the city.
|
||||
>
|
||||
> Layering- In this the city or the place is divided in terms of layers which are superimposed on one another, each of the layer here shows a different mapped aspect of that place.
|
||||
>
|
||||
> Game-board- Maps are kept as a game board with particular game rules and anyone can take part in this game, it’s like a competition which helps in negotiating some of the complex planning decisions.
|
||||
>
|
||||
> Rhizome- It has a concept of open ended maps in which a point connects to any other point, this type of maps always be in the middle with no beginning or end to it. This is a continuous process and different aspects keep on adding to the map in terms of point connections.
|
||||
> - https://ideabatch2.wordpress.com/2017/01/25/the-agency-of-mapping-speculation-critique-and-invention-james-corner-edited-by-denis-cosgrove-1999-divyarajsinh-rana/
|
||||
|
||||
[[concepts.situationism]]
|
||||
|
||||
|
||||
---------
|
||||
----------
|
||||
## Questions of perspective
|
||||
![[Pasted image 20220223003021.png]]
|
||||
![[Pasted image 20220226142108.png]]
|
||||
![[Pasted image 20220725011331.png]] - Jan Micker - Bird's Eye View of Amsterdam (ca. 1652)
|
||||
### Space
|
||||
- https://www.boredpanda.com/different-perspective-telephoto-lens-vs-wide-angle-philip-davali-olafur-steinar-ry/
|
||||
### Time
|
||||
- https://www.lancaster.ac.uk/chronotopic-cartographies/
|
||||
|
||||
### Projection
|
||||
![[5857327792872601812_120.jpg]]
|
||||
![[Pasted image 20221219001002.png]]
|
||||
![[Pasted image 20220212150603.png]]
|
||||
|
||||
![[Pasted image 20220212150614.png]]
|
||||
|
||||
![[Pasted image 20220212150621.png]]
|
||||
![[Pasted image 20220212150628.png]]
|
||||
![[Pasted image 20220212150644.png]]
|
||||
|
||||
- https://www.jasondavies.com/maps/transition/
|
||||
- https://www.jasondavies.com/maps/
|
||||
|
||||
|
||||
---------------
|
||||
![[Pasted image 20220614205311.png]]
|
||||
|
||||
![[Pasted image 20220624140211.png]]
|
||||
|
||||
![[Share_Media_20220806_214208.png]]
|
||||
![[Pasted image 20230828233821.png]]
|
||||
-----------------
|
||||
-----------------
|
||||
|
||||
## Linking / visualising
|
||||
|
||||
|
||||
|
||||
## Language
|
||||
![[mapping_language.png]]
|
||||
### mapping neuromancer
|
||||
- [[people.WilliamGibson]]
|
||||
- https://cindyjuheunlee.blogspot.com/2011/11/proposal-for-mapping.html
|
||||
|
||||
|
||||
-------------------
|
||||
|
||||
-------------------
|
||||
## Interesting online maps and map projection interpretations
|
||||
- https://geodienst.github.io/lighthousemap/
|
||||
- https://mapfight.xyz
|
||||
- https://twitter.com/leviwesterveld/status/1506253203704356867
|
||||
- https://www.loc.gov/resource/g4104c.ct003853/?st=image&r=0.069%2C0.39%2C0.348%2C0.188%2C0
|
||||
- https://travelerdoor.com/2022/07/06/mapped/
|
||||
|
||||
-----------
|
||||
-----------
|
||||
|
||||
## [[fulldocs]].at.garage
|
||||
|
||||
- [[fulldocs.twitter.booksasmaps]]
|
||||
- https://old.reddit.com/r/slatestarcodex/comments/mvs0vf/what_books_are_for_a_response_to_why_books_dont/
|
||||
- [[fulldocs.mastodon.gis]]
|
||||
|
||||
## Adjacent
|
||||
|
||||
- [[1000p]]
|
||||
- [[concepts.topology]]
|
||||
- [[concepts.topography]]
|
||||
- [[concepts.disambiguation]]
|
||||
- [[incubation.areas.diagrammatic]]
|
||||
|
||||
-----------------
|
||||
-----------------
|
||||
|
||||
![[Pasted image 20230131184939.png]]
|
||||
|
||||
|
||||
https://www.youtube.com/watch?v=bCvpoHxSVIE - Why Google Maps Is The Most Important Tech Product Of The 2020s - maps --> AR
|
||||
|
|
@ -1,135 +0,0 @@
|
|||
# Map
|
||||
#chaostream
|
||||
|
||||
## Mapping [[quotes]]
|
||||
|
||||
>what is the map is not a bug, it's a future
|
||||
>> delojza ([KSX byproduct](https://kunsaxan.sdbs.cz/)) [markov chain generator](https://en.wikipedia.org/wiki/Markov_chain)
|
||||
|
||||
-----------
|
||||
|
||||
>Because there is no limit to the number of possible map projections, there can be no comprehensive list.
|
||||
>> https://en.wikipedia.org/wiki/List_of_map_projections
|
||||
|
||||
-----------
|
||||
|
||||
> a map is a (usually fixed) representation to help navigate a space—it wouldn’t necessarily contain the kind of qualitative inquiry you’re referring to.
|
||||
>> https://forum.obsidian.md/t/lyt-kit-now-downloadable/390
|
||||
|
||||
-----------
|
||||
|
||||
> Unlike the graphic arts, drawing, or photography, unlike tracings, the rhizome pertains to a map that must be produced, constructed, a map that is always detachable, connectable, reversible, modifiable, and has multiple entryways and exits and its own lines of flight.
|
||||
>>[\[17\]](https://contempaesthetics.org/newvolume/pages/article.php?articleID=812#FN17)]
|
||||
|
||||
-----------
|
||||
|
||||
> What distinguishes the map from the tracing is that it is entirely oriented toward an experimentation in contact with the real. The map does not reproduce an unconscious closed in upon itself; it constructs the unconscious. It fosters connections between fields, the removal of blockages on bodies without organs, the maximum opening of bodies without organs onto a plane of consistency. It is itself a part of the rhizome. The map is open and connectable in all of its dimensions; it is detachable, reversible, susceptible to constant modification. It can be torn, reversed, adapted to any kind of mounting, reworked by an individual, group, or social formation. It can be drawn on a wall, conceived of as a work of art, constructed as a political action or as a meditation.
|
||||
> - DnG - ATP [[1000p]]
|
||||
|
||||
-----------
|
||||
|
||||
> ![[JamesCorner_AgencyOfMapping2021-07-18 20-56-45.png.annotations]]> > [[JamesCorner_AgencyOfMapping2021-07-18 20-56-45.png.annotations]]
|
||||
|
||||
|
||||
-----------
|
||||
|
||||
> Indeed, Carter refers to the ‘inertia and levelling of possibilities’, even political impossibility, designers face in trying to realize projects out of the ordinary in a mass democracy. Because of the duality of a map – that is both analogous to reality yet abstracted from it – and hence its association with objectivity, truth and neutrality, the process of mapping offers a potent vehicle for the actualization of theory in the built environment, especially at the urban scale.
|
||||
> Half a century before Corner, in “On Exactitude in Science,” Jorge Luis Borges had presaged the uselessness of cartography as tracing. In Borges’s tale, a gigantic, over-detailed map is abandoned specifically because of its redundancy with the actual territory. Corner cites Borges to support his argument that mappings as replicas are worthless. Indeed, maps cannot be entirely objective, as representing spatiality entails some form of cultural situatedness. The techniques of ‘drift’, ‘layering’, ‘game-board’ and ‘rhizomes’ are described by Corner as practices in contemporary design and planning that open up new possibilities for mapping. Such thematic techinques share a personal approach to territorial representation, the contestation of dominant images of the city as well as the multiplicity and decentering of mappings. Challenging the traditional conception of static space, Corner aims for a return to the original exploratory character of mapping, not physically like the first explorers, but creatively through mind.
|
||||
> - Camille Bédard
|
||||
> - https://architecturesofspatialjustice.wordpress.com/2012/10/09/agency_mapping/
|
||||
|
||||
-----------
|
||||
|
||||
> Drift- This are the maps which are created using series of explanations and participatory acts with no rules to it. This helps in mapping some of the hidden topographies in the city.
|
||||
>
|
||||
> Layering- In this the city or the place is divided in terms of layers which are superimposed on one another, each of the layer here shows a different mapped aspect of that place.
|
||||
>
|
||||
> Game-board- Maps are kept as a game board with particular game rules and anyone can take part in this game, it’s like a competition which helps in negotiating some of the complex planning decisions.
|
||||
>
|
||||
> Rhizome- It has a concept of open ended maps in which a point connects to any other point, this type of maps always be in the middle with no beginning or end to it. This is a continuous process and different aspects keep on adding to the map in terms of point connections.
|
||||
> - https://ideabatch2.wordpress.com/2017/01/25/the-agency-of-mapping-speculation-critique-and-invention-james-corner-edited-by-denis-cosgrove-1999-divyarajsinh-rana/
|
||||
|
||||
[[concepts.situationism]]
|
||||
|
||||
|
||||
---------
|
||||
----------
|
||||
## Questions of perspective
|
||||
![[Pasted image 20220223003021.png]]
|
||||
![[Pasted image 20220226142108.png]]
|
||||
![[Pasted image 20220725011331.png]] - Jan Micker - Bird's Eye View of Amsterdam (ca. 1652)
|
||||
### Space
|
||||
- https://www.boredpanda.com/different-perspective-telephoto-lens-vs-wide-angle-philip-davali-olafur-steinar-ry/
|
||||
### Time
|
||||
- https://www.lancaster.ac.uk/chronotopic-cartographies/
|
||||
|
||||
### Projection
|
||||
![[5857327792872601812_120.jpg]]
|
||||
![[Pasted image 20221219001002.png]]
|
||||
![[Pasted image 20220212150603.png]]
|
||||
|
||||
![[Pasted image 20220212150614.png]]
|
||||
|
||||
![[Pasted image 20220212150621.png]]
|
||||
![[Pasted image 20220212150628.png]]
|
||||
![[Pasted image 20220212150644.png]]
|
||||
|
||||
- https://www.jasondavies.com/maps/transition/
|
||||
- https://www.jasondavies.com/maps/
|
||||
|
||||
|
||||
---------------
|
||||
![[Pasted image 20220614205311.png]]
|
||||
|
||||
![[Pasted image 20220624140211.png]]
|
||||
|
||||
![[Share_Media_20220806_214208.png]]
|
||||
![[Pasted image 20230828233821.png]]
|
||||
-----------------
|
||||
-----------------
|
||||
|
||||
## Linking / visualising
|
||||
|
||||
|
||||
|
||||
## Language
|
||||
![[mapping_language.png]]
|
||||
### mapping neuromancer
|
||||
- [[people.WilliamGibson]]
|
||||
- https://cindyjuheunlee.blogspot.com/2011/11/proposal-for-mapping.html
|
||||
|
||||
|
||||
-------------------
|
||||
|
||||
-------------------
|
||||
## Interesting online maps and map projection interpretations
|
||||
- https://geodienst.github.io/lighthousemap/
|
||||
- https://mapfight.xyz
|
||||
- https://twitter.com/leviwesterveld/status/1506253203704356867
|
||||
- https://www.loc.gov/resource/g4104c.ct003853/?st=image&r=0.069%2C0.39%2C0.348%2C0.188%2C0
|
||||
- https://travelerdoor.com/2022/07/06/mapped/
|
||||
|
||||
-----------
|
||||
-----------
|
||||
|
||||
## [[fulldocs]].at.garage
|
||||
|
||||
- [[fulldocs.twitter.booksasmaps]]
|
||||
- https://old.reddit.com/r/slatestarcodex/comments/mvs0vf/what_books_are_for_a_response_to_why_books_dont/
|
||||
- [[fulldocs.mastodon.gis]]
|
||||
|
||||
## Adjacent
|
||||
|
||||
- [[1000p]]
|
||||
- [[concepts.topology]]
|
||||
- [[concepts.topography]]
|
||||
- [[concepts.disambiguation]]
|
||||
- [[incubation.areas.diagrammatic]]
|
||||
|
||||
-----------------
|
||||
-----------------
|
||||
|
||||
![[Pasted image 20230131184939.png]]
|
||||
|
||||
|
||||
https://www.youtube.com/watch?v=bCvpoHxSVIE - Why Google Maps Is The Most Important Tech Product Of The 2020s - maps --> AR
|
||||
|
|
@ -67,6 +67,9 @@ By taking an optimistic idea that takes a pessimistic view of human nature throu
|
|||
- [[concepts.hypertext]]
|
||||
- [[incubation.mediamateriality]]
|
||||
- [[areas.stream]]
|
||||
- [[tool.stream.tech.audio]]
|
||||
- [[incubation.audio.synthesis.concatenative]]
|
||||
|
||||
|
||||
|
||||
https://radio.garden/visit/prague/dpbivRM8 **!!**
|
||||
|
|
@ -94,4 +97,10 @@ https://labs.freesound.org/tag/sound-exploration/
|
|||
|
||||
Endel app - personalized soundscapes
|
||||
|
||||
----
|
||||
|
||||
|
||||
|
||||
![[Pasted image 20230307201154.png]]
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -56,6 +56,7 @@ By taking an optimistic idea that takes a pessimistic view of human nature throu
|
|||
- https://www.documentjournal.com/2021/01/the-internet-didnt-kill-counterculture-you-just-wont-find-it-on-instagram/
|
||||
|
||||
- The Playlistification of Music - youtube video by Venus Projetct https://www.youtube.com/watch?v=bQDudbp-pag
|
||||
- http://www.forgotify.com/
|
||||
|
||||
## Adjacent
|
||||
- [incubation.anarcheology](incubation.anarcheology.md)
|
||||
|
|
@ -1,74 +0,0 @@
|
|||
# Playlist
|
||||
#incubation #chaosstream #radio
|
||||
|
||||
## 101
|
||||
this is place to colect flows and notions around
|
||||
- playlist
|
||||
- curatorship
|
||||
- channeling
|
||||
- streaming
|
||||
as gamechangers of culture `consumption`
|
||||
|
||||
## Flows and notions
|
||||
|
||||
> “You didn’t need specialist poets to create this kind of musicalised language, and the diction is very simple, so this was clearly a democratising form of literature. We’re getting an exciting glimpse of a form of oral pop culture that lay under the surface of classical culture.”
|
||||
>> - https://www.theguardian.com/books/2021/sep/08/i-dont-care-text-shows-modern-poetry-began-much-earlier-than-believed
|
||||
|
||||
>In 1989, British scientist Tim Berners-Lee invented the World Wide Web. By the dawn of the ’90s, the internet had awakened everyone to new technological possibilities. Similarly, music and music listeners were becoming more forward-thinking than ever before. Grunge and heavy metal met in the gauntlet; hip-hop traveled from the underground to the pop charts (N.W.A. out-charted R.E.M. in 1991); pop music became more daring; electronic music began its ascent from small clubs to festival stages. 1991 marked the start of this aggressive reinvention. It was a year that shaped the music we’ve heard for the last three decades. Even today, these 13 albums that were once in rotation in six-disc Sony stereos are responsible for current digital playlists.
|
||||
>> https://www.spin.com/photos/1991-albums-shaped-future-music/
|
||||
|
||||
>https://mamot.fr/@pluralistic/106359487243544156 pluralistic@mamot.fr - Thus, when the internet was demilitarized and the general public started trickling - and then rushing - to use it, there was a widespread hope that we might break free of the tyranny of concentrated, linear programming (in the sense of "what's on," and "what it does to you").
|
||||
>Much of the excitement over Napster wasn't about getting music for free - it was about the mix-tapification of all music, where your custom playlists would replace the linear album.
|
||||
>6/
|
||||
|
||||
>Songs circulate online among fans for whom an MP3 player set to Shuffle trumps conventional genre as an organizing principle. Refined tastes intertwine with semi-random surf trails to become indistinguishable from each other. Timelines fray, genealogies wander. These under-the-radar exchanges generally happen outside commercial spheres, adding to the fertile mess. You must sift through a lot of junky MP3s to uncover the great ones, but in the end, all the world's sonic secrets are out there, clumped irregularly across the Internet's flat and mighty sprawl. A catchy genre name or evocative creation myth can make the output of a few friends appear as a bustling scene to outside eyes, and the online hype can turn into a selffulfilling prophecy if global excitement trickles down into actual gigs.
|
||||
>> [[people.JaceClayton]]
|
||||
|
||||
|
||||
![[netflix.showplanning.png]]
|
||||
|
||||
---
|
||||
|
||||
## Links
|
||||
- [Programming Your Own Channel](https://graceoneill.wordpress.com/2009/05/08/programming-your-own-channel/)
|
||||
|
||||
- [Contextualize Your Listening: The Playlist as Recommendation Engine](http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.302.1754&rep=rep1&type=pdf)
|
||||
|
||||
- [DJ-boids: emergent collective behavior as multichannel radio station programming](https://dl.acm.org/doi/10.1145/604045.604089)
|
||||
|
||||
- https://www.economist.com/europe/2021/03/31/how-netflix-is-creating-a-common-european-culture
|
||||
|
||||
- [Aggregators aren't open-ended - by Gordon Brander - Subconscious](https://via.hypothes.is/https://subconscious.substack.com/p/aggregators-arent-open-ended )
|
||||
|
||||
- https://www.documentjournal.com/2021/01/the-internet-didnt-kill-counterculture-you-just-wont-find-it-on-instagram/
|
||||
|
||||
## Adjacent
|
||||
- [incubation.anarcheology](incubation.anarcheology.md)
|
||||
- [[incubation.attention.economy]]
|
||||
- [[concepts.linearity]]
|
||||
- [[incubation.compression]]
|
||||
- [[people.JaceClayton]]
|
||||
- [[concepts.hypertext]]
|
||||
- [[incubation.mediamateriality]]
|
||||
- [[areas.stream]]
|
||||
|
||||
|
||||
|
||||
## #techmech
|
||||
- http://websdr.org/
|
||||
|
||||
|
||||
--------------
|
||||
-------------
|
||||
------------------
|
||||
------------------
|
||||
|
||||
![[meme.spotify.20211027162958.png]]
|
||||
|
||||
**Apple Buys Startup That Makes Music With AI to Fit Your Mood | Time**
|
||||
[https://time.com/6146000/apple-ai-music/](https://time.com/6146000/apple-ai-music/)
|
||||
|
||||
The idea is to generate dynamic soundtracks that change based on user interaction. A song in a video game could change to fit the mood, for instance, or music during a workout could adapt to the user’s intensity.
|
||||
|
||||
>Comment from YT:
|
||||
>_I remember when I was growing up, where TV's were basic that didn't have all the surround sound speakers, the local FM station would do a simulcast of Star Wars, while it was aired on TV. My dad had our TV hooked up to our stereo system. It was great. Sounded like that you had a mini movie theatre_
|
||||
|
|
@ -1,25 +1,41 @@
|
|||
# [[areas.audio]] sample managment
|
||||
#fix #tosort #chaostream
|
||||
|
||||
### Aka Audio library
|
||||
#### see [[audio.metadata]]
|
||||
|
||||
|
||||
- https://www.sweetwater.com/sweetcare/articles/file-management-for-music-production/
|
||||
- https://linuxmusicians.com/viewtopic.php?p=145724&hilit=audiostellar#p145724
|
||||
|
||||
### list of tools
|
||||
- free ?
|
||||
- https://www.audiopluginsforfree.com/adsr-sample-manager/
|
||||
|
||||
- see/ to-update / UCS compatible
|
||||
- soundQ
|
||||
- soundly
|
||||
- basehead
|
||||
- soundminer #paid
|
||||
- reaper media manager
|
||||
|
||||
#### Free or free version
|
||||
- https://www.audiopluginsforfree.com/adsr-sample-manager/
|
||||
- https://www.kvraudio.com/product/adsr-sample-manager-by-adsr
|
||||
- https://getsoundly.com/
|
||||
- https://resonic.at/product-comparison
|
||||
- [SonicHive](https://gitlab.com/samplehive/sample-hive) - linux only
|
||||
- [SampleCat](https://ayyi.github.io/samplecat/) linux only
|
||||
- https://github.com/coderofsalvation/usm commandline linux locate
|
||||
- paid
|
||||
- https://www.sononym.net/ #linux also
|
||||
- https://www.loopcloud.com/cloud/subscriptions/plans
|
||||
- http://www.ryaudio.com/ win7
|
||||
- https://algonaut.audio/ #maps #linux
|
||||
- https://www.xlnaudio.com/products/xo #maps
|
||||
- https://www.waves.com/plugins/cosmos-sample-finder#introducing-cosmos-sample-finder
|
||||
- https://getsoundly.com/
|
||||
- https://resonic.at/product-comparison
|
||||
- [SonicHive](https://gitlab.com/samplehive/sample-hive) - linux only
|
||||
- [SampleCat](https://ayyi.github.io/samplecat/) linux only
|
||||
- https://github.com/coderofsalvation/usm commandline linux locate
|
||||
#### paid
|
||||
- https://www.sononym.net/ #linux also
|
||||
- https://www.loopcloud.com/cloud/subscriptions/plans
|
||||
- http://www.ryaudio.com/ win7
|
||||
- https://algonaut.audio/ #maps #linux
|
||||
- https://www.xlnaudio.com/products/xo #maps
|
||||
- https://www.waves.com/plugins/cosmos-sample-finder#introducing-cosmos-sample-finder
|
||||
#### ?
|
||||
- https://baseheadinc.com/
|
||||
- https://getsoundly.com/
|
||||
- https://serato.com/sample
|
||||
- ?
|
||||
- https://baseheadinc.com/
|
||||
- https://getsoundly.com/
|
||||
|
|
@ -31,13 +47,14 @@
|
|||
- aah
|
||||
- https://www.elektronauts.com/t/looking-for-a-sample-management-software/131437/8
|
||||
|
||||
### #misplaced
|
||||
- list of samplers
|
||||
- https://www.soundsnap.com/blog/the-top-software-samplers-and-sample-players/
|
||||
- sample rate converter
|
||||
- https://www.voxengo.com/product/r8brain/
|
||||
|
||||
-----
|
||||
audio annotation
|
||||
## audio annotation
|
||||
- https://github.com/midas-research/audino
|
||||
|
||||
------------------------------------
|
||||
|
|
|
|||
|
|
@ -1,82 +0,0 @@
|
|||
# Concatenative synthesis
|
||||
|
||||
## 101
|
||||
> **Concatenative synthesis** is a technique for synthesising sounds by concatenating short samples of recorded sound (called _units_).
|
||||
> - https://en.wikipedia.org/wiki/Concatenative_synthesis
|
||||
|
||||
>synonyms for concatenation
|
||||
>>
|
||||
> - [chain](https://www.thesaurus.com/browse/chain)
|
||||
> - [continuity](https://www.thesaurus.com/browse/continuity)
|
||||
> - [integration](https://www.thesaurus.com/browse/integration)
|
||||
> - [interlocking](https://www.thesaurus.com/browse/interlocking)
|
||||
> - [link](https://www.thesaurus.com/browse/link)
|
||||
> - [nexus](https://www.thesaurus.com/browse/nexus)
|
||||
> - [series](https://www.thesaurus.com/browse/series)
|
||||
> - [succession](https://www.thesaurus.com/browse/succession)
|
||||
> - [uniting](https://www.thesaurus.com/browse/uniting)
|
||||
|
||||
## Adjacent
|
||||
- [[incubation.audio.sample.managment]]
|
||||
- [[tools.tts]]
|
||||
- [[incubation.ai.audio]]
|
||||
- [[ai.music]]
|
||||
- [[incubation.concepts.DatabaseArt]]
|
||||
|
||||
|
||||
## Tools
|
||||
|
||||
### Promising
|
||||
- https://colab.research.google.com/github/stevetjoa/musicinformationretrieval.com/blob/gh-pages/nmf_audio_mosaic.ipynb
|
||||
- https://soundlab.cs.princeton.edu/research/mosievius/
|
||||
- http://imtr.ircam.fr/imtr/Corpus_Based_Synthesis
|
||||
- max/msp
|
||||
- http://imtr.ircam.fr/imtr/Diemo_Schwarz
|
||||
- https://github.com/benhackbarth/audioguide
|
||||
- OSX but promising
|
||||
|
||||
#### Audiostellar [8/10]
|
||||
- https://audiostellar.xyz/
|
||||
- https://www.arj.no/tag/sox/
|
||||
- cataRT
|
||||
- ableton link incoming
|
||||
|
||||
|
||||
|
||||
#### timbreIDLib Pure Data
|
||||
https://github.com/wbrent/timbreIDLib
|
||||
>timbreIDLib is a library of audio analysis externals for Pure Data. The classification external [timbreID] accepts arbitrary lists of audio features and attempts to find the best match between an input feature and previously stored training instances. The library can be used for a variety of real-time and non-real-time applications, including sound classification, sound searching, sound visualization, automatic segmenting, ordering of sounds by timbre, key and tempo estimation, and concatenative synthesis.
|
||||
|
||||
- https://forum.pdpatchrepo.info/topic/11876/scrambled-hackz-how-did-he-do-it
|
||||
|
||||
#### flucoma
|
||||
https://www.flucoma.org/
|
||||
>TheFluidCorpusManipulationproject(FluCoMa)instigatesnewmusicalwaysofexploitingever-growingbanksofsoundandgestureswithinthedigitalcompositionprocess,bybringingbreakthroughsofsignaldecompositionDSPandmachinelearningtothetoolsetoftechno-fluentcomputercomposers,creativecodersanddigitalartists.
|
||||
|
||||
- PD / Max / supercollider also
|
||||
- https://learn.flucoma.org/explore/roma/
|
||||
- https://learn.flucoma.org/learn/2d-corpus-explorer/
|
||||
- https://www.youtube.com/watch?v=2YxONrfA6po
|
||||
|
||||
#### samplebrain [4/10]
|
||||
https://gitlab.com/then-try-this/samplebrain
|
||||
|
||||
### Unsorted
|
||||
- https://en.wikipedia.org/wiki/Festival_Speech_Synthesis_System
|
||||
- https://en.wikipedia.org/wiki/ESpeak
|
||||
|
||||
- - https://www.isi.edu/~carte/e-speech/synth/index.html
|
||||
|
||||
|
||||
- https://en.wikipedia.org/wiki/Sinsy
|
||||
- > **Sinsy** (**Sin**ging Voice **Sy**nthesis System) (しぃんしぃ) is an online [Hidden Markov model](https://en.wikipedia.org/wiki/Hidden_Markov_model "Hidden Markov model") (HMM)-based singing voice synthesis system by the [Nagoya Institute of Technology](https://en.wikipedia.org/wiki/Nagoya_Institute_of_Technology "Nagoya Institute of Technology") that was created under the [Modified BSD license](https://en.wikipedia.org/wiki/BSD_licenses "BSD licenses").[](https://en.wikipedia.org/wiki/Sinsy#cite_note-1)
|
||||
- http://www.sinsy.jp/
|
||||
|
||||
|
||||
- https://www.audiolabs-erlangen.de/resources/MIR/2015-ISMIR-LetItBee
|
||||
- http://labrosa.ee.columbia.edu/hamr_ismir2014/proceedings/doku.php?id=audio_mosaicing
|
||||
|
||||
- https://www.danieleghisi.com/phd/PHDThesis_20180118.pdf
|
||||
- https://musicinformationretrieval.com/
|
||||
|
||||
|
||||
|
|
@ -1,102 +0,0 @@
|
|||
# Concatenative synthesis
|
||||
|
||||
## 101
|
||||
> **Concatenative synthesis** is a technique for synthesising sounds by concatenating short samples of recorded sound (called _units_).
|
||||
> - https://en.wikipedia.org/wiki/Concatenative_synthesis
|
||||
|
||||
>synonyms for concatenation
|
||||
>>
|
||||
> - [chain](https://www.thesaurus.com/browse/chain)
|
||||
> - [continuity](https://www.thesaurus.com/browse/continuity)
|
||||
> - [integration](https://www.thesaurus.com/browse/integration)
|
||||
> - [interlocking](https://www.thesaurus.com/browse/interlocking)
|
||||
> - [link](https://www.thesaurus.com/browse/link)
|
||||
> - [nexus](https://www.thesaurus.com/browse/nexus)
|
||||
> - [series](https://www.thesaurus.com/browse/series)
|
||||
> - [succession](https://www.thesaurus.com/browse/succession)
|
||||
> - [uniting](https://www.thesaurus.com/browse/uniting)
|
||||
|
||||
## 102
|
||||
### types
|
||||
#### audio mosaicing
|
||||
|
||||
|
||||
|
||||
## Tools
|
||||
### Paid
|
||||
- FactorSynth - https://anemond.net/
|
||||
### Promising
|
||||
- https://colab.research.google.com/github/stevetjoa/musicinformationretrieval.com/blob/gh-pages/nmf_audio_mosaic.ipynb
|
||||
- https://soundlab.cs.princeton.edu/research/mosievius/
|
||||
- http://imtr.ircam.fr/imtr/Corpus_Based_Synthesis
|
||||
- max/msp
|
||||
- http://imtr.ircam.fr/imtr/Diemo_Schwarz
|
||||
- https://github.com/benhackbarth/audioguide
|
||||
- OSX but promising
|
||||
- https://rodrigoconstanzo.com/combine/
|
||||
- also M4L or runtime
|
||||
|
||||
#### Audiostellar [8/10]
|
||||
- https://audiostellar.xyz/
|
||||
- https://www.arj.no/tag/sox/
|
||||
- cataRT
|
||||
- ableton link incoming
|
||||
|
||||
|
||||
|
||||
#### timbreIDLib Pure Data
|
||||
https://github.com/wbrent/timbreIDLib
|
||||
>timbreIDLib is a library of audio analysis externals for Pure Data. The classification external [timbreID] accepts arbitrary lists of audio features and attempts to find the best match between an input feature and previously stored training instances. The library can be used for a variety of real-time and non-real-time applications, including sound classification, sound searching, sound visualization, automatic segmenting, ordering of sounds by timbre, key and tempo estimation, and concatenative synthesis.
|
||||
|
||||
- https://forum.pdpatchrepo.info/topic/11876/scrambled-hackz-how-did-he-do-it
|
||||
|
||||
#### flucoma
|
||||
[[audio.soft.flucoma]]
|
||||
|
||||
https://www.flucoma.org/
|
||||
>TheFluidCorpusManipulationproject(FluCoMa)instigatesnewmusicalwaysofexploitingever-growingbanksofsoundandgestureswithinthedigitalcompositionprocess,bybringingbreakthroughsofsignaldecompositionDSPandmachinelearningtothetoolsetoftechno-fluentcomputercomposers,creativecodersanddigitalartists.
|
||||
|
||||
- PD / Max / supercollider also
|
||||
|
||||
|
||||
#### samplebrain [4/10]
|
||||
https://gitlab.com/then-try-this/samplebrain
|
||||
|
||||
#### cataRT
|
||||
- https://ircam-ismm.github.io/max-msp/catart.html#videos
|
||||
- it is backed by https://ircam-ismm.github.io/max-msp/mubu.html
|
||||
|
||||
|
||||
### Speech synthesis is sort of concatenative
|
||||
- https://en.wikipedia.org/wiki/Festival_Speech_Synthesis_System
|
||||
- https://en.wikipedia.org/wiki/ESpeak
|
||||
|
||||
- - https://www.isi.edu/~carte/e-speech/synth/index.html
|
||||
|
||||
|
||||
- https://en.wikipedia.org/wiki/Sinsy
|
||||
- > **Sinsy** (**Sin**ging Voice **Sy**nthesis System) (しぃんしぃ) is an online [Hidden Markov model](https://en.wikipedia.org/wiki/Hidden_Markov_model "Hidden Markov model") (HMM)-based singing voice synthesis system by the [Nagoya Institute of Technology](https://en.wikipedia.org/wiki/Nagoya_Institute_of_Technology "Nagoya Institute of Technology") that was created under the [Modified BSD license](https://en.wikipedia.org/wiki/BSD_licenses "BSD licenses").[](https://en.wikipedia.org/wiki/Sinsy#cite_note-1)
|
||||
- http://www.sinsy.jp/
|
||||
|
||||
### Unsorted
|
||||
- https://www.audiolabs-erlangen.de/resources/MIR/2015-ISMIR-LetItBee
|
||||
- http://labrosa.ee.columbia.edu/hamr_ismir2014/proceedings/doku.php?id=audio_mosaicing
|
||||
|
||||
- https://www.danieleghisi.com/phd/PHDThesis_20180118.pdf
|
||||
- https://musicinformationretrieval.com/
|
||||
|
||||
|
||||
- [[]]
|
||||
|
||||
|
||||
## Adjacent
|
||||
- [[incubation.audio.sample.managment]]
|
||||
- [[tools.tts]]
|
||||
- [[incubation.ai.audio]]
|
||||
- [[ai.music]]
|
||||
- [[ai.narration]]
|
||||
- [[incubation.ai.audio]]
|
||||
- [[incubation.concepts.DatabaseArt]]
|
||||
- [[fulldocs.Speed and Information Cyberspace Alarm]]
|
||||
- [[fulldocs.voit.files.managment]]
|
||||
- [[concepts.playlisting]]
|
||||
|
|
@ -1,102 +0,0 @@
|
|||
# Concatenative synthesis
|
||||
|
||||
## 101
|
||||
> **Concatenative synthesis** is a technique for synthesising sounds by concatenating short samples of recorded sound (called _units_).
|
||||
> - https://en.wikipedia.org/wiki/Concatenative_synthesis
|
||||
|
||||
>synonyms for concatenation
|
||||
>>
|
||||
> - [chain](https://www.thesaurus.com/browse/chain)
|
||||
> - [continuity](https://www.thesaurus.com/browse/continuity)
|
||||
> - [integration](https://www.thesaurus.com/browse/integration)
|
||||
> - [interlocking](https://www.thesaurus.com/browse/interlocking)
|
||||
> - [link](https://www.thesaurus.com/browse/link)
|
||||
> - [nexus](https://www.thesaurus.com/browse/nexus)
|
||||
> - [series](https://www.thesaurus.com/browse/series)
|
||||
> - [succession](https://www.thesaurus.com/browse/succession)
|
||||
> - [uniting](https://www.thesaurus.com/browse/uniting)
|
||||
|
||||
## 102
|
||||
### types
|
||||
#### audio mosaicing
|
||||
|
||||
|
||||
|
||||
## Tools
|
||||
### Paid
|
||||
- FactorSynth - https://anemond.net/
|
||||
### Promising
|
||||
- https://colab.research.google.com/github/stevetjoa/musicinformationretrieval.com/blob/gh-pages/nmf_audio_mosaic.ipynb
|
||||
- https://soundlab.cs.princeton.edu/research/mosievius/
|
||||
- http://imtr.ircam.fr/imtr/Corpus_Based_Synthesis
|
||||
- max/msp
|
||||
- http://imtr.ircam.fr/imtr/Diemo_Schwarz
|
||||
- https://github.com/benhackbarth/audioguide
|
||||
- OSX but promising
|
||||
- https://rodrigoconstanzo.com/combine/
|
||||
- also M4L or runtime
|
||||
|
||||
#### Audiostellar [8/10]
|
||||
- https://audiostellar.xyz/
|
||||
- https://www.arj.no/tag/sox/
|
||||
- cataRT
|
||||
- ableton link incoming
|
||||
|
||||
|
||||
|
||||
#### timbreIDLib Pure Data
|
||||
https://github.com/wbrent/timbreIDLib
|
||||
>timbreIDLib is a library of audio analysis externals for Pure Data. The classification external [timbreID] accepts arbitrary lists of audio features and attempts to find the best match between an input feature and previously stored training instances. The library can be used for a variety of real-time and non-real-time applications, including sound classification, sound searching, sound visualization, automatic segmenting, ordering of sounds by timbre, key and tempo estimation, and concatenative synthesis.
|
||||
|
||||
- https://forum.pdpatchrepo.info/topic/11876/scrambled-hackz-how-did-he-do-it
|
||||
|
||||
#### flucoma
|
||||
[[audio.soft.flucoma]]
|
||||
|
||||
https://www.flucoma.org/
|
||||
>TheFluidCorpusManipulationproject(FluCoMa)instigatesnewmusicalwaysofexploitingever-growingbanksofsoundandgestureswithinthedigitalcompositionprocess,bybringingbreakthroughsofsignaldecompositionDSPandmachinelearningtothetoolsetoftechno-fluentcomputercomposers,creativecodersanddigitalartists.
|
||||
|
||||
- PD / Max / supercollider also
|
||||
|
||||
|
||||
#### samplebrain [4/10]
|
||||
https://gitlab.com/then-try-this/samplebrain
|
||||
|
||||
#### cataRT
|
||||
- https://ircam-ismm.github.io/max-msp/catart.html#videos
|
||||
- it is backed by https://ircam-ismm.github.io/max-msp/mubu.html
|
||||
|
||||
|
||||
### Speech synthesis is sort of concatenative
|
||||
- https://en.wikipedia.org/wiki/Festival_Speech_Synthesis_System
|
||||
- https://en.wikipedia.org/wiki/ESpeak
|
||||
|
||||
- - https://www.isi.edu/~carte/e-speech/synth/index.html
|
||||
|
||||
|
||||
- https://en.wikipedia.org/wiki/Sinsy
|
||||
- > **Sinsy** (**Sin**ging Voice **Sy**nthesis System) (しぃんしぃ) is an online [Hidden Markov model](https://en.wikipedia.org/wiki/Hidden_Markov_model "Hidden Markov model") (HMM)-based singing voice synthesis system by the [Nagoya Institute of Technology](https://en.wikipedia.org/wiki/Nagoya_Institute_of_Technology "Nagoya Institute of Technology") that was created under the [Modified BSD license](https://en.wikipedia.org/wiki/BSD_licenses "BSD licenses").[](https://en.wikipedia.org/wiki/Sinsy#cite_note-1)
|
||||
- http://www.sinsy.jp/
|
||||
|
||||
### Unsorted
|
||||
- https://www.audiolabs-erlangen.de/resources/MIR/2015-ISMIR-LetItBee
|
||||
- http://labrosa.ee.columbia.edu/hamr_ismir2014/proceedings/doku.php?id=audio_mosaicing
|
||||
|
||||
- https://www.danieleghisi.com/phd/PHDThesis_20180118.pdf
|
||||
- https://musicinformationretrieval.com/
|
||||
|
||||
|
||||
- [[]]
|
||||
|
||||
|
||||
## Adjacent
|
||||
- [[incubation.audio.sample.managment]]
|
||||
- [[tools.tts]]
|
||||
- [[incubation.ai.audio]]
|
||||
- [[ai.music]]
|
||||
- [[ai.narration]]
|
||||
- [[incubation.ai.audio]]
|
||||
- [[incubation.concepts.DatabaseArt]]
|
||||
- [[fulldocs.Speed and Information Cyberspace Alarm]]
|
||||
- [[fulldocs.voit.files.managment]]
|
||||
- [[concepts.playlisting]]
|
||||
|
|
@ -1,14 +0,0 @@
|
|||
# Codes
|
||||
|
||||
>
|
||||
> -[[people.VilemFlusser]]
|
||||
|
||||
![[Pasted image 20201030141445.png.annotations]]
|
||||
|
||||
[[Pasted image 20201030141445.png.annotations]]
|
||||
|
||||
## Adjacent
|
||||
- [[areas.text]]
|
||||
- [[incubation.pattern]]
|
||||
- [[concepts.alchemy]]
|
||||
- [[fulldocs.quotes.Vilem Flusser; Writings, Line and Surface]]
|
||||
|
|
@ -1,14 +0,0 @@
|
|||
# Codes
|
||||
|
||||
>
|
||||
> -[[people.VilemFlusser]]
|
||||
|
||||
![[Pasted image 20201030141445.png.annotations]]
|
||||
|
||||
[[Pasted image 20201030141445.png.annotations]]
|
||||
|
||||
## Adjacent
|
||||
- [[areas.text]]
|
||||
- [[incubation.pattern]]
|
||||
- [[concepts.alchemy]]
|
||||
- [[fulldocs.quotes.Vilem Flusser; Writings, Line and Surface]]
|
||||
|
|
@ -1,2 +0,0 @@
|
|||
- lists
|
||||
- https://medevel.com/12-os-network-messangers/
|
||||
|
|
@ -1,2 +0,0 @@
|
|||
- lists
|
||||
- https://medevel.com/12-os-network-messangers/
|
||||
|
|
@ -1,2 +0,0 @@
|
|||
- lists
|
||||
- https://medevel.com/12-os-network-messangers/
|
||||
|
|
@ -1,2 +0,0 @@
|
|||
- lists
|
||||
- https://medevel.com/12-os-network-messangers/
|
||||
|
|
@ -1,2 +0,0 @@
|
|||
- lists
|
||||
- https://medevel.com/12-os-network-messangers/
|
||||
|
|
@ -1,2 +0,0 @@
|
|||
- lists
|
||||
- https://medevel.com/12-os-network-messangers/
|
||||
Loading…
Add table
Reference in a new issue