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 The cultural problem cannot be settled as swiftly as political and military problems. One must understand that the conditions for movement ahead are now lacking. It is possible to conquer politically in several weeks, and in war in several months; but to be victorious culturally in such a time is impossible. A much longer period is required.18 
 
 
+### nn
+- https://www.rbth.com/arts/2017/06/23/how-the-russian-avant-garde-came-to-serve-the-revolution_788467
+>Many avant-garde artists embraced the revolution. It suddenly turned out that their artistic ideas were resonant with political slogans, such as Kazimir Malevich's proposal to burn all paintings and exhibit their ashes in museums, because - he asserted - there would be no art after Suprematism. Tragically, this idea was implemented in the first months of the 1917 revolution.
+
+>On the first anniversary of the revolution, artist Nathan Altman wrapped the wings the Hermitage museum in Petrograd in scarlet fabric (nearly 80 years later, the artist Christo would wrap the Reichstag building in a similar way, producing an international sensation).
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+![[Pasted image 20230318152735.png]]
+Varvara Stepanova. Design for textile, 1924. / Private collection
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+![[Pasted image 20230318152818.png]]
+The most renowned of these is the project to build a monument to the Third International (an association of international Communist parties) created by Vladimir Tatlin in 1919. The tilting steel frame was to contain three objects made of glass: A cube, a cylinder, and a cone. These were designed to rotate at different rates, completing one circle within one year, one month, and one day, thus counting the time passed since the beginning of the new era. Had the project been realized, it would have been taller than the Eiffel Tower.
+
 ## Adjacent and other
 ### [[incubation.people.ArsenyAvraamov]]