Automatic update, changed: concepts.playlisting.md, las.quotes.cities.md, people.JaceClayton.md

pages/concepts.playlisting.md

@@ -1,10 +1,7 @@
 # Playlist
 #incubation #chaosstream #radio
 
-- [incubation.anarcheology](incubation.anarcheology.md)
-- [[incubation.attention.economy]]
-- [[concepts.linearity]]
-- [[incubation.compression]]
+
 
 >In 1989, British scientist Tim Berners-Lee invented the World Wide Web. By the dawn of the ’90s, the internet had awakened everyone to new technological possibilities. Similarly, music and music listeners were becoming more forward-thinking than ever before. Grunge and heavy metal met in the gauntlet; hip-hop traveled from the underground to the pop charts (N.W.A. out-charted R.E.M. in 1991); pop music became more daring; electronic music began its ascent from small clubs to festival stages. 1991 marked the start of this aggressive reinvention. It was a year that shaped the music we’ve heard for the last three decades. Even today, these 13 albums that were once in rotation in six-disc Sony stereos are responsible for current digital playlists.
 >> https://www.spin.com/photos/1991-albums-shaped-future-music/
@@ -56,4 +53,10 @@
 > “You didn’t need specialist poets to create this kind of musicalised language, and the diction is very simple, so this was clearly a democratising form of literature. We’re getting an exciting glimpse of a form of oral pop culture that lay under the surface of classical culture.”
 >> -  https://www.theguardian.com/books/2021/sep/08/i-dont-care-text-shows-modern-poetry-began-much-earlier-than-believed
 
-https://www.documentjournal.com/2021/01/the-internet-didnt-kill-counterculture-you-just-wont-find-it-on-instagram/
+https://www.documentjournal.com/2021/01/the-internet-didnt-kill-counterculture-you-just-wont-find-it-on-instagram/
+
+## Adjacent
+- [incubation.anarcheology](incubation.anarcheology.md)
+- [[incubation.attention.economy]]
+- [[concepts.linearity]]
+- [[incubation.compression]]

pages/las.quotes.cities.md

@@ -27,3 +27,10 @@ V rámci Světové výstavy EXPO 1910 která se konala v Bruselu vytvořil Otlet
 
 
 https://www.bbc.com/future/article/20210505-how-cities-will-fossilise
+
+---------------
+
+## [[people.JaceClayton]]
+> Recorded sound vibrates between history and pleasure. Live Sound exists only in the present. It cannot linger. This is one of the reasons why sound defines public space even more than architecture. Kids jamming that week's hit, neighbors fucking bchind a thin wall, the call to prayers divine layer competing with traffic's blare, the loud low boom of something blowing up-and its opposite, hilltop garden quiet. #las  
+
+> Architecture real or imagined-prompts memory so etfficiently because our brains are hardwired to recall things-in-places and unusual or -disturbing scenes. Memory-quiz champion envision fantastic images that correspond to what they want to remember and "place" each icon in some specific nook of their mental building. These mnemonic aids are called memory palaces. Their effectiveness speaks to how when a place is destroyed or erased, all the personal histories linked to it slip further into the past. #las 

pages/people.JaceClayton.md

@@ -1,20 +1,21 @@
+# Jace Clayton
 
-In a so-called attention economy, what better way to prove that you've paid attention to something than to remix it? Meet the folk music of the twenty-first century.
+## Uproot
 
-As is, the bulk of humanity's audiovisual cultural records lies in the grip of places such as YouTube. Before any platform can stream, it must first warehouse all relevant data. To put it delicately, streaming services are our default music libraries, and they re crap. Strangely, public conversation around streaming boils down to "Hey, can companies make money off this? Look how little they give the artists! Economic questions elbow their way in front of a cultural debate. Every time I see an article like that, I want to yell out, "Were inside the infinite library! Let's start showing a sense of wonder and respect!"
+### Quotes
 
-Recorded sound vibrates between history and pleasure. Live Sound exists only in the present. It cannot linger. This is one of the reasons why sound defines public space even more than architecture. Kids jamming that week's hit, neighbors fucking bchind a thin wall, the call to prayers divine layer competing with traffic's blare, the loud low boom of something blowing up-and its opposite, hilltop garden quiet. #las  
+> In a so-called attention economy, what better way to prove that you've paid attention to something than to remix it? Meet the folk music of the twenty-first century.
 
-Architecture real or imagined-prompts memory so etfficiently because our brains are hardwired to recall things-in-places and unusual or -disturbing scenes. Memory-quiz champion envision fantastic images that correspond to what they want to remember and "place" each icon in some specific nook of their mental building. These mnemonic aids are called memory palaces. Their effectiveness speaks to how when a place is destroyed or erased, all the personal histories linked to it slip further into the past. #las 
+> As is, the bulk of humanity's audiovisual cultural records lies in the grip of places such as YouTube. Before any platform can stream, it must first warehouse all relevant data. To put it delicately, streaming services are our default music libraries, and they are crap. Strangely, public conversation around streaming boils down to "Hey, can companies make money off this? Look how little they give the artists! Economic questions elbow their way in front of a cultural debate. Every time I see an article like that, I want to yell out, "Were inside the infinite library! Let's start showing a sense of wonder and respect!"
 
-Let whoever cares distinguish between  the durable and the disposable. Right-click what you love, save as. 
+> Recorded sound vibrates between history and pleasure. Live Sound exists only in the present. It cannot linger. This is one of the reasons why sound defines public space even more than architecture. Kids jamming that week's hit, neighbors fucking bchind a thin wall, the call to prayers divine layer competing with traffic's blare, the loud low boom of something blowing up-and its opposite, hilltop garden quiet. #las  
 
+> Architecture real or imagined-prompts memory so etfficiently because our brains are hardwired to recall things-in-places and unusual or -disturbing scenes. Memory-quiz champion envision fantastic images that correspond to what they want to remember and "place" each icon in some specific nook of their mental building. These mnemonic aids are called memory palaces. Their effectiveness speaks to how when a place is destroyed or erased, all the personal histories linked to it slip further into the past. #las 
 
+> Let whoever cares distinguish between the durable and the disposable. Right-click what you love, save as. 
 
 > Once millions of songs are available at a click and your listening patterns hop around with a whimsy borm of erratic search terms and opaque algorithms, timelines explode. Youth of the tribal generation access a world of music freed trom chronological restraints. 
 
->The power of collage goes beyond proving that the dominam image or narrative can be redirectedit : it also wreaks havoc on perspective. Muliple points of view piled up in Höch's photo montages,...
+> The power of collage goes beyond proving that the dominant image or narrative can be redirectedit : it also wreaks havoc on perspective. Muliple points of view piled up in Höch's photo montages,...
 
-
-
-Songs circulate online among fans for whom an MP3 player set to Shuffle trumps conventional genre as an organizing principle. Refined tastes intertwine with semi-random surf trails to become indistinguishable from each other. Timelines fray, genealogies wander. These under-the-radar exchanges generally happen outside commercial spheres, adding to the fertile mess. You must sift through a lot of junky MP3s to uncover the great ones, but in the end, all the world's sonic secrets are out there, clumped irregularly across the Internet's flat and mighty sprawl. A catchy genre name or evocative creation myth can make the output of a few friends appear as a bustling scene to outside eyes, and the online hype can turn into a selffulfilling prophecy if global excitement trickles down into actual gigs.
+> Songs circulate online among fans for whom an MP3 player set to Shuffle trumps conventional genre as an organizing principle. Refined tastes intertwine with semi-random surf trails to become indistinguishable from each other. Timelines fray, genealogies wander. These under-the-radar exchanges generally happen outside commercial spheres, adding to the fertile mess. You must sift through a lot of junky MP3s to uncover the great ones, but in the end, all the world's sonic secrets are out there, clumped irregularly across the Internet's flat and mighty sprawl. A catchy genre name or evocative creation myth can make the output of a few friends appear as a bustling scene to outside eyes, and the online hype can turn into a selffulfilling prophecy if global excitement trickles down into actual gigs.