mirror of
https://git.sdbs.cz/sdbs/digital-garden-anabasis.git
synced 2025-01-22 11:05:46 +01:00
25 lines
1.2 KiB
Markdown
25 lines
1.2 KiB
Markdown
|
### from: NEGOTIATING THE VALUE(S) OF DESIGN(ING)
|
|||
|
|
|
|||
|
|
#surface #las
|
|||
|
|
|
|||
|
|
>As Latour (2008) points out:
|
|||
|
|
From a surface feature in the hands of a not-so-serious-profession
|
|||
|
|
that added features in the purview of much-more-serious-
|
|||
|
|
professionals (engineers, scientists, accountants), design has been
|
|||
|
|
spreading continuously so that it increasingly matters to the very
|
|||
|
|
substance of production. (p. 2)
|
|||
|
|
|
|||
|
|
|
|||
|
|
|
|||
|
|
> Latour (1993a) shows that Pasteur—who is essentially
|
|||
|
|
remembered as a great scientist—was a combination of heterogeneous
|
|||
|
|
elements, such as notebooks, statistics, bacteria, sheep, laboratories;
|
|||
|
|
Pasteur-the-great-scientist, the argument goes, did not exist outside of this
|
|||
|
|
network—he was a network.
|
|||
|
|
|
|||
|
|
>Commenting on the variety of misinterprations in relation to ‘actor-network theory’,
|
|||
|
|
Latour (1999a) concedes that a more accurate descriptor for ANT could have been
|
|||
|
|
‘actant-rhizome ontology.’ Indeed, the ontology of ANT is strongly influenced by the
|
|||
|
|
work of Gilles Deleuze, whose version of distributed materialism is foundational to the
|
|||
|
|
notion of ‘network’ as an assemblage of heterogeneous components. For a detailed
|
|||
|
|
treatment of Deleuze’s assemblage theory see DeLanda (2006; 2016).
|